Presented By: Sara Kiszka May 16, 2015 CLIMBING THE MOUNTAIN: DIGITIZATION WITH LIMITED MEANS.

Slides:



Advertisements
Similar presentations
Ball State University Libraries A destination for research, learning, and friends Capturing Reel History: Ball State University Libraries' Film, Video.
Advertisements

What is a scholarship?. A scholarship is a financial award given to a student on the basis of academic achievement and promise.
CLEARSPACE Digital Document Archiving system INTRODUCTION Digital Document Archiving is the process of capturing paper documents through scanning and.
Tips For Taking Better Photos. Use your flash. Tips For Taking Better Photos Use your flash.
File Management & Computer Use You are required to take notes. I will be taking a grade. There will be a test over this material.
Rosemary Fischer University Archivist Clayton State University © Rosemary Fischer 2013.
Digitization of library collection in developing countries: the Hezekiah Oluwasanmi Library’s experience By Jagboro, K. O. Omotayo,B.O.
Equipment in the Library There are no readings for this lecture. Remember to do the assessment in iCollege.
Data Storage and Security Best Practices for storing and securing your data The goal of data storage is to ensure that your research data are in a safe.
Navigating the Waters Between Vendors and Nonprofits Presented by: Jessica Harrington Vice President Schultz & Williams.
Sunshine Coast Libraries Adult Literacy Program State Library of Queensland Literacy Forum 29 July 2014 PRIVATE AND CONFIDENTIAL.
The Center for Information Management: Erasing the Lines between Libraries & Traditional Technology Functions.
Library IT Task Force Open Forum Dec. 4, 2008 Library Strategies.
Technology Lab Management Strategies Who do I see? Staff Members – Sign up with the Media Specialist to use room. Community Members – Sign up the.
Management is not a Natural Act Megan Winget - Co-Project Manager Managing the Digital University Desktop: Introduction and Preliminary Findings.
1 From Filing Cabinet to Desktop and Network: Records Management in N.C. State Government Ed Southern Government Records Branch N.C. Office of Archives.
Beyond the Shelf: Providing Access to Historic Microfilmed Materials A presentation for EDUCAUSE Mary Molinaro University of Kentucky Libraries.
Digital Partnerships at San Francisco Public Library: So Many Suitors, So Little Time.
1 The Vietnam Center and Archive Stephen Maxner, Ph.D.
Digitization by the Numbers. Hardware and Software Basics Photography Camera: Canon PowerShot G7 (10 MP) $270 used/$450 G11 new Editing: Picasa Free download.
 Will help you: Use the tools of historical research and inquiry Develop organizational skills Improve your writing Learn to think critically Integrate.
Unit 30 P1 – Hardware & Software Required For Use In Digital Graphics
Richard Jordan, President OPM Winter Meeting 12/4/2012 How To Create A Paperless Office (without breaking the bank)
Jones Hall Archives: From the National Archives to Your Family Papers.
Unit 1 – Improving Productivity Instructions ~ 100 words per box.
A Public Trust at Risk: The Heritage Health Index Report on the Condition of Alabama’s Collection.
DIGITIZE, SHARE, AND BACKUP YOUR PICTURES, MOVIES, DOCUMENTS.
WORKFLOWS AND OTHER CONSIDERATIONS FOR DIGITIZATION  Steve Bingo  Processing Archivist Washington State University Libraries  Alex Merrill  Assistant.
Essential CCHS Computing Information Computer Applications September 2009.
“A whole new way of looking at microfilm” Digital Film Viewers and Scanners.
Recordkeeping for Good Governance Toolkit Digital Recordkeeping Guidance Funafuti, Tuvalu – June 2013.
Module 7. Data Backups  Definitions: Protection vs. Backups vs. Archiving  Why plan for and execute data backups?  Considerations  Issues/Concerns.
From the bottom up…One historian’s journey developing and maintaining a working archives.
S TURGIS L IBRARY Preserving Memory Digital Archive OAI Compatibility and Conversion.
Kentuckiana Digital Library: A Digital Archive of Kentucky History Eric Weig Head, Digital Programs Special Collections & Digital Programs Division University.
Acquiring Donors to BBBS Step Two: Tracking and Segmenting Your Pool.
© 2012 Legacy Safeguard, LLC. All rights reserved.
Preventing Common Causes of loss. Common Causes of Loss of Data Accidental Erasure – close a file and don’t save it, – write over the original file when.
Digital Reformatting and File Management Public Library Partnerships Project Sheila A. McAlister Director, Digital Library of Georgia and Sandra McIntyre.
EDT 608 Unit 6 ePortfolios EDT 608 Unit 2. EDT 608 Unit 2 There are many ways to create materials for ePortfolios Your choices will need to take into.
To Outsource or Not to Outsource Julie I. May Head of Collection Management
Nebraska’s IMLS Connecting to Collections Project Statewide Preservation Preliminary Survey Findings Tom Clareson and Liz Bishoff April 2011.
Digitization An Introduction to Digitization Misheck Nyaluso University of Malawi College of Medicine.
Unit 12 Additional Evidence catelyn. 1.1 I can describe what types of information are needed. For the business card, I included the name of the company.
From Your Archive to the Web: Managing the Project The digitization of the Historic Photograph Collection of the Public Library of Brookline Digital Commonwealth/
Outta Space: Best Practices in Storage and Space Planning for Ohio’s Cultural Heritage Institutions Ohio’s Connecting to Collections 2012 Conference Series.
VOLUNTEERS ALL YEAR Don’t Cry, It’s Not So Bad. VOLUNTEERS ALL YEAR Much better.
1/ 4 OCTOBER 2007 Electronic Records Retention Issues Frank Nemeth NMCI Engineering.
PRESERVATION IN A DIGITAL WORLD Presented By: Darrell Garwood Imaging Lab Manager Library and Archives Division Kansas State Historical Society
Tips For Surviving Digitization In a Small Organization Notes From The Trenches Renée DesRoberts The First Time Digitizer NEA Spring Meeting March 28-29,
It Just Takes One: Closing the Gift Introduction.
Can I Get a Grant for That? Strategically Researching, Writing, and Administering Grants for Archives Projects Kelsey Scouten Bates Assistant Archivist,
Treasurers Association 2012 Annual Meeting New Treasurer Orientation.
MANDEL PUBLIC LIBRARY OF WEST PALM BEACH.
Digital Archives You Can Do It! The Collective - March 2016 Paul Kelly - Digital Archivist - The Catholic University of America.
Memory Masters Preserving Digitized Histories— for today, for tomorrow, and for the future This project is made possible by a grant from the federal Institute.
Bringing the Past to the Future The digitization of the Historic Photograph Collection of the Public Library of Brookline Digital Commonwealth Annual Conference.
Donor's Choose Starter Instructions by Neely Swygert Teacher-Librarian Gadsden Elementary.
DIGITIZATION IN THEORY AND PRACTICE WEBSITE: Helen Nneka Okpala Presentation done at University of.
Presents. THE KEY TO GOOD MANAGEMENT The Art of Delegation BY J.B. TOMLINSON [IN MEMORY]
Two account types on this campus: UWB Access AccountUW NetID Account & 1.Not everyone has one as it must be requested by your supervisor 2.You are.
Digital Stewardship Curriculum
Digital Stewardship Curriculum
Digital Stewardship Curriculum
Sharing - Good for our Patrons – Great for us!
Digital Project Lifecycle Curating Across the Curriculum
Digital Stewardship Curriculum
Have you seen this screen?
Social Good Needs Great Technology
Presentation transcript:

Presented By: Sara Kiszka May 16, 2015 CLIMBING THE MOUNTAIN: DIGITIZATION WITH LIMITED MEANS

 Records Analyst at Northern Michigan University  MLS with concentration in Archives and Records Management  Pursuing the Digital Archives Specialist (DAS) Certification from the Society of American Archivists FUN FACT: I just completed the Kentucky Bourbon Tour! WHO AM I?

 Converting information into a digital format  Digitization process depends on the medium  Documents, audio-visual, photographs, etc.  More than just scanning a document or uploading an audio file  Long term project which requires some time investment  Imagine you’re giving “birth” to these records WHAT IS DIGITIZATION?

The continued maintenance of electronic records and their long term storage.  File format  PDFA, TIFF, WAV, etc.  File migration  Storage  Desktop, hard drive, etc.  Back-ups  Preservation master, access copy, original, etc.  Etc., Etc., Etc., WHAT IS PRESERVATION?

 Don’t trust the carrier to do it’s job  Obsolescence of media  Ease of use/accessibility  Preservation of information WHY IS THIS IMPORTANT?

 Things to consider:  Does it make sense?  Is there patron (or staff) interest?  Do you have the resources and equipment?  Can you provide appropriate access?  Do you have the rights (copyright) to digitize?  Do you have the staff (or volunteers)?  Where is the funding going to come from?  Grant, donations, operating budget, etc. SMALL SCALE APPLICATION

YOU’RE STILL NOT AFRAID. SO, WHAT’S NEXT?

 We’re going to discuss:  How to assess your records for digitization & preservation  How to find resources and funding  Staff and volunteer training  Equipment  Lessons from the trenches  The future of records CLIMBING THE MOUNTAIN

STEP ONE: HOW BIG IS THIS MOUNTAIN?

 Determine the “worth” of your records  Is it original and unique?  Does a digital version already exist?  How often is it used?  Is the carrier fragile or becoming obsolete?  Would it be easy to digitize?  Could be done using a checklist or ranking system More worthy records = the difference between a mole hill and a mountain STEP ONE: HOW BIG IS THIS MOUNTAIN?

RecordUniquenessPatron UseFormat (Carrier) Condition Cemetery Records Maintain only copy WeeklyPaper (Large Bound Book) Good Local Newspaper At another institution (not local) Bi-monthlyPaperBad Company Ledger Maintain multiple copies RarelyPaper (Unbound from book) Fair STEP ONE: HOW BIG IS THIS MOUNTAIN?

 Set a goal of how much you want to digitize in a week, a month, a year, 3 years, etc.  Prioritize based on what works for your institution  Your needs may be different than others’  Create a manageable timeline for digitization projects  Reassess at risk records or collections on a regular basis  Create a list of equipment, software, and hardware that you’ll need (including budget)  Gain the support of boards, supervisors, fellow staff, and community members STEP ONE: HOW BIG IS THIS MOUNTAIN?

 REMEMBER:  This is unique to you and your institution  There is no right or wrong answer  Don’t be afraid to consult with other colleagues (or even your mortal enemies) It’s okay to make mistakes – we’re humans, not robots STEP ONE: HOW BIG IS THIS MOUNTAIN?

STEP TWO: MONEY DOESN’T GROW ON MOUNTAINS!?!

 Where is the funding?  Donations/Entrance Fees  Outside Grants  Annual Budget More realistically: What money?!?! STEP TWO: MONEY DOESN’T GROW ON MOUNTAINS!?!

 Grant funding opportunities  National Endowment for the Humanities (NEH) - Preservation Assistance Grants for Smaller Institutions  Institute of Museum and Library Services (IMLS) – Museums for America Grant  National Trust for Historic Preservation – National Trust Preservation Funds  National Historical Publications and Records Commission (NHPRC) – Access to Historical Records Grant  And many more…. STEP TWO: MONEY DOESN’T GROW ON MOUNTAINS!?!

 I have no available money. Now what?  What equipment is available to you?  Scanner, computer, slide projector, etc.  You may be able to adapt a piece of equipment to meet your needs.  Could you borrow from another institution?  Public library, local university, local cultural institution, etc.  You’ll never know, if you never ask!  Your community might be more helpful than you originally believe  Older equipment for donation  Local business expertise  Willingness to participate  Etc. STEP TWO: MONEY DOESN’T GROW ON MOUNTAINS!?!

STEP THREE: WHO WANTS TO GO CLIMBING?

 Things to consider:  Can someone dedicate time to a digitization project?  Does anyone have experience?  Is the project easy to train volunteers on?  How many hours would it take volunteers to complete the project (commitment)?  Are you under a time limitation (grant work)? STEP THREE: WHO WANTS TO GO CLIMBING?

 Carnegie Library – Muncie, IN  My supervisor was not a librarian  More like a historical society – genealogy records, Wills, etc.  Volunteer  No set hours  Very little training  Very separate and clearly defined roles/projects  Prepared county court cases for digitization  These were saved from dumpsters after the county court moved buildings  Indexed county Wills for digitization  Strong volunteer base: local community members, university students, community service hours, etc. STEP THREE: WHO WANTS TO GO CLIMBING?

 Volunteers: The Good  You don’t have to pay them  Volunteers: The Bad & The Ugly  May not be committed to your institution or your projects  May not have the experience or necessary background  Amount of training vs. “return on investment”  Quality of work may vary between volunteers  Good people may be hard to find STEP THREE: WHO WANTS TO GO CLIMBING?

STEP FOUR: HOW MUCH EQUIPMENT IS NECESSARY?

 The amount of equipment you need is going to depend on the project  You can get creative  The following slides outline current digitization practices at Northern Michigan University  We currently digitize materials on a case by case basis  Patron request, highly used collection, project based  We do not have a preservation system in place (yet)  We have begun the process of assessing collections for digitization  One student primarily handles digitization requests  But all of us do pitch in when necessary STEP FOUR: HOW MUCH EQUIPMENT IS NECESSARY?

 Converter box that hooks up to a computer  Connects reel to reel player, film projector, cassette/video players  Various prices depending on company, number of connections, etc.  Film is captured in the program Adobe Premiere Pro  Roughly $250  Captured video is edited and stored on a hard drive  Done completely by student assistants

 One flatbed scanner  Photographs, negatives (not great), documents, some books, etc.  Scanned into either Photoshop or Adobe  Stored on the desktop temporarily  Overhead scanner (currently out of commission)  Oversize documents  Large (or difficult) books  One computer (PC)  All digitization activities occur on one machine STEP FOUR: HOW MUCH EQUIPMENT IS NECESSARY?

MOUNTAIN CLIMBING 101

 Student Protests at Northern Michigan University Project Student Protests at Northern Michigan University Project  Researched, Created, and Designed by:  Annika Peterson  Anne Krohn  Kelley Kannon  All materials were digitized using our simple methods listed above  Utilized resources that were available to us – no grant money was used in the making of this project MOUNTAIN CLIMBING 101

 Electronic Document Preservation .PDFA is the current standard  Save at least two copies and keep them saved in different places  Desktop and external hard drive (flash drive, in a pinch)  Photograph Preservation .TIFF is the current standard  Save at least two copies (access copy will most likely be.jpg) and save in different places  Audio-Visual Preservation .WAV (audio) /.MPEG-4 (video – many options, really)  Same as above (access copies -.WAV and.MOV, most likely) MOUNTAIN CLIMBING 101

REACHING THE SUMMIT

 More records are created electronically, and only electronically, every day  Information is created and shared in several different ways  Facebook, Twitter, Blogs, Videos, etc. (The new “oral history”)  Donations in the future may not be on paper – how will you handle those? REACHING THE SUMMIT

 Friendly Climbing Tips:  You’ll probably slip a few times, but you shouldn’t lose anything you can’t live without. (Ex. a limb, audio file, etc.)  Don’t push anyone into an icy crevice! Treat other climbers with respect.  The more you climb, the more you’ll know. Share that knowledge with friend and foe.  Not everyone takes the same path up the mountain – but most survive and make it in the end. And so will you. REACHING THE SUMMIT

In the immortal words of Miley Cyrus: “It’s not about how fast you get there, it’s not about what’s waiting on the other side. It’s the climb.”

SARA KISZKA THANK YOU!