HWH Unit 3 Chapter 5.2. Baroque Art (late 1500s-late 1600s)  Major characteristics Rich, full-bodied colors ○ Uses light and contrast Full of energy.

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Presentation transcript:

HWH Unit 3 Chapter 5.2

Baroque Art (late 1500s-late 1600s)  Major characteristics Rich, full-bodied colors ○ Uses light and contrast Full of energy ○ Dynamic sense of movement ○ Excited, agitated feel ○ Appealed to the emotion of the viewer Ideas of space are not as defined as in the Renaissance

Characteristics  Propaganda tool of the Counter Reformation Energy conveyed the renewed energy of the Catholic church But even Protestants capitalized on its energy  It was also used to portray the grandeur of the emerging absolute monarchs

The Musicians by Caravaggio, 1595 Metropolitan Museum of Art, New York

The Incredulity of St. Thomas by Caravaggio (1602) Sanssouci Palace, Potsdam, Germany

The Calling of St. Matthew by Caravaggio (1602) Church of San Luigi dei Francesi, Rome

David with the Head of Goliath by Caravaggio (1610) Museo del Prado, Madrid

Medusa by Caravaggio ( ) Galleria degli Uffizi, Florence

The Entombment by Caravaggio, 1602 Pinacoteca Vaticana, Vatican City

The Maids of Honor (Las Meninas) by Velazquez, 1656 Museo del Prado, Madrid

The Surrender of Breda by Velazquez (1635) Museo del Prado, Madrid

The Abduction of the Sabine Women by Poussin, 1636 Metropolitan Museum of Art, New York

Rubens, Descent from the Cross (1612) The Cathedral of Our Lady, Antwerp

La Tour, St. Joseph the Carpenter (1640s) Musée du Louvre, Paris

The Blinding of Samson by Rembrandt, 1636 Städelsches Kunstinstitut mit Städtischer Galeria, Frankfurt am Main, Germany

The Night Watch by Rembrandt, 1642 Rijksmuseum, Amsterdam, The Netherlands

The Milkmaid by Vermeer, 1658 Rijksmuseum, Amsterdam, The Netherlands

The Geographer by Vermeer, 1669 Stadelsches Kunstinnstitut, Frankfurt, Germany

The Astronomer by Vermeer, 1668 Musée du Louvre, Paris

Louis XIV by Rigaud, 1701 Musée du Louvre

David by Bernini, 1624 Galleria Borghese, Rome

Apollo and Daphne by Bernini, 1622 Galleria Borghese, Rome

Pluto and Persephone by Bernini, 1621 Galleria Borghese, Rome

The Canopy by Bernini in St. Peter ’ s

The Ecstasy of St. Theresa by Bernini, Church of Santa Maria della Vittoria, Rome

Faith Overthrowing Heresy by Pierre Le Gros Church of the Gesu, Rome (1698)

Characteristics  Glorification Of monarchs (i.e., Versailles) Catholic Churches (i.e., St. Peter’s)  Very colorful and dramatic  Utilizes columns built into walls  Generally has many windows  Rococo: overly elaborate Baroque decorations

Versailles

Peterhof

Schonbrunn Palace, Vienna

Nymphenburg Palace, Munich

The Winter Palace, St. Petersburg

Rococo Interiors

Weiskirche, Bavaria, Germany

Church of the Gesu, Rome