>>0 >>1 >> 2 >> 3 >> 4 >> Depth of Field f/8f/5.6f/2.8.

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Presentation transcript:

>>0 >>1 >> 2 >> 3 >> 4 >> Depth of Field f/8f/5.6f/2.8

>>0 >>1 >> 2 >> 3 >> 4 >> Depth of Field Zone of apparent image sharpness Distance CAMERA sees in focus

>>0 >>1 >> 2 >> 3 >> 4 >> Examples of depth of field…

>>0 >>1 >> 2 >> 3 >> 4 >> Concerns when shooting Depth of Field Main subject should be in focus If surrounding areas are important to subject’s relativity, use a LONG depth of field Key part of the camera which controls depth of field…

>>0 >>1 >> 2 >> 3 >> 4 >> Aperture Shallow depth of field 1/30th of a second exposure f 3.5 aperature value Greater depth of field 1.5 second exposure f 22 aperature value

>>0 >>1 >> 2 >> 3 >> 4 >> List common f/stop #s f/1.4 or f/1.8 f/2.8 f/4 f/5.6 f/8 f/11 f/16 f/22 Some cameras have more aperture options.

>>0 >>1 >> 2 >> 3 >> 4 >> How does aperture affect depth of field?

>>0 >>1 >> 2 >> 3 >> 4 >> 3 types of Depth of Field Short/Shallow Medium Long/Great

>>0 >>1 >> 2 >> 3 >> 4 >> Short Depth of Field At f/2.8 only the focused subject will be sharp; foreground and background won't. This effect may be very dramatic with portraits and is known with the japanese word "Bokeh".

>>0 >>1 >> 2 >> 3 >> 4 >> Medium-Depth of Field Many photographers prefer very sharp images. End result: sharper image

>>0 >>1 >> 2 >> 3 >> 4 >> Long-Depth of Field Smaller apertures (f11) everything in the scene will be very sharp Many lenses have a so-called sweet spot where the lens reaches the maximum sharpness (in many cases at f/8 or f/11).

>>0 >>1 >> 2 >> 3 >> 4 >> Medium depth of field Identify what type of depth of field

>>0 >>1 >> 2 >> 3 >> 4 >> Short depth of field Identify what type of depth of field

>>0 >>1 >> 2 >> 3 >> 4 >> Long depth of field Identify what type of depth of field

>>0 >>1 >> 2 >> 3 >> 4 >> Semi-Auto Camera Modes AVAperture Priority

>>0 >>1 >> 2 >> 3 >> 4 >> Horizon Line

>>0 >>1 >> 2 >> 3 >> 4 >> Varied angles

>>0 >>1 >> 2 >> 3 >> 4 >>