Created with www.wordle.netwww.wordle.net Text in User Interfaces COMPSCI 345 / SOFTENG 350 Adapted from slides by Safurah Abdul Jalil & Beryl Plimmer.

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Presentation transcript:

Created with Text in User Interfaces COMPSCI 345 / SOFTENG 350 Adapted from slides by Safurah Abdul Jalil & Beryl Plimmer 2011 Based on Heim Chapter 12 & HCI Encyclopedia Chapter 5.1

Learning Outcomes Describe the main purposes of text in user interface designs Appreciate the balance between art fonts and readability Explain what makes a font readable (or not) Identify and utilise the characteristics of text that we can control Select an appropriate font scheme for a user interface design 2

Human Issues The Reading Purpose Continuous process (reading a novel) Scanning Reading interface - screen or paper Paper offers physical cues that are lost in simple online paradigms such as a scrolling window We often rely on our spatial memory when we search for information Paper can be easier to manipulate for reading comfort and ideal viewing (less fatiguing) Systems such as Kindle are approaching books on this Then again, screen is great for text search Place holders

4 Human Issues Active reading aids comprehension Using your pen to follow lines Annotating the text Beryl’s group has done quite a lot of annotation research. Have a look here

Text in Interaction Design Commentary/Instrumental Commentary text is text that informs Instrumental text is text that works; e.g. hyperlinks, button, labels (this will be covered in the lecture on forms & controls) Legibility Can the reader discern the words? Readability Can the reader easily read the text? Physical Factors What is the screen resolution, brightness?

Remember the reading process We read lowercase more quickly than UPPERCASE Lowercase presentation is more common Except when people don’t want you to read it  6 Do they want you to read the chocolate bar wrapper?

Typography craft and an art Craft Arranging glyphs (letters) Dates from earliest printing presses Its history is evident in the terms we use Leading … the amount of lead between lines Art Book of Kells (6 th century) 7

+ Basic Anatomy of letterforms 8 Image modified from

Fonts: serif & sans serif 9 ‘Sans’ is “without”, therefore sans serif fonts are fonts without serifs People still argue whether serif (e.g. Georgia ) or sans serif (e.g. Arial) is easier to read on a screen _font-family _font-family CSS definition: p.ex2 { font:15px Georgia, serif;} Use in HTML: Georgia Georgia, Verdana, and Trebuchet maintain legibility at small sizes and have been designed to facilitate reading on the Web

+ Fonts for title vs. body Decorative fonts (sometimes called display fonts or title fonts) suitable for titles and headings strong personality: grab people’s attention reinforce the message of the word. May not be installed on all machines – in which case you need to have a default! Neutral looking fonts such Georgia or Arial are more suitable as body copy (easier to read) Decorative/Display fonts 10

+ Fonts for title vs. body 11

Fonts: proportional & monospaced 12 A proportional font has variable-width: ioioioioio A monospaced font has fixed-width ioioioioio

Font Size Factors that affect perceived font size: Reading Distance—Greater distances require larger text. Screen Resolution—Smaller text requires greater resolution to keep the characters clear and legible. Text/Background Contrast—Positive contrast is optimal (black type on a white background). Visual Acuity of User—Not all users have 20/20 vision. And from age 40-something presbyopia really takes hold: focusing on near objects doesn’t work so well and hence small fonts require magnification Purpose —Text can be scanned, read word by word, or read character by character [e.g. passwords]

Font Size Fonts for body copy usually don't work well when set too large, they tend to become inelegant and clunky. The opposite is the case when setting titling fonts too small – the title/heading will lose its dominance and the page looks bland. 14

Font Size 15 a a a a Looks bigger Looks smaller These fonts are all in the same size (36pt): Fonts of the same size, say 11pt, will sometimes look different in size due to their different x-heights. css_font with p.ex1 { font:15px Times New Roman, serif;} p.ex2 { font:15px Book Antiqua, serif;} css_font

Weight & Style Weight Bold When two fonts differ in weight, they form a strong and vibrant visual contrast. e.g. between heading, and body – as we have on this page Style Italics Underline Underlines will be mistaken as a hyperlink so don’t use except for links Besides emphasizing points, creating contrast by varying weight and style can contribute to a dramatic and eye-catching look to an interface. It helps keep your page from looking dull. However, use with restraint and be consistent. too many weight and styles on one screen gets confusing.

Spacing Vertical line spacing The spacing between lines of text (single spacing, double spacing, etc.) is called leading or line height Increasing spacing improves reading speed But takes more screen space Different languages need different amounts of leading Korean needs lots more because letters are stacked Examples:

Alignment Use left or justified Right and centre are harder to read because can’t easily find beginning of the line Right justification is good to glue caption text to a data entry field or figure to the right 18 This is a paragraph of writing. This is a paragraph of writing. This is a paragraph of writing. This is a paragraph of writing. This is a paragraph of writing. This is a paragraph of writing. This is a paragraph of writing.

Line Length & Margins Line length Line length affects reading performance (i.e. speed) but not comprehension Lines of greater length are read more quickly Up to a limit of perhaps characters per line (CPL) But people prefer medium line lengths playcss_max-width playcss_max-width Margin width Shorter lines — 4 inches (2.54cm=1 inch) — with large margins increase reading performance So generous white space helps performance playcss_padding-left playcss_padding-left

Line Length & Margins (contd.) The research studies on user performance in this area are somewhat mixed A problem is that different studies have different sort of users, tasks and media – and at different times (people have probably changed their expectations after using smartphones and tablet readers for the last few years) So try moderate options (medium line length and, if at all possible in terms of layout, generous margins) But if it’s really critical you should seek feedback from your intended user base and usage context (with a scale of feedback / study commensurate to the scale of the project and criticality of the task) Same goes for any aesthetic decision really 20

Learning Outcomes The main purposes of text? Reading Reading versus scanning Commentary/Instrumental Output versus interactive Is there the balance between ‘art’ fonts and readability? What makes a font readable (or not)? 21

Learning outcomes What are the characteristics of text that we can control? Font Serif, san serif Proportional, mono space Size Bigger is dominant and easier to read – but takes more screen real estate Weight Bold emphasise and increases dominance Style Italics and underline (links only) bring focus Spacing Increased line height makes it easier to read – but takes more screen real estate Alignment Left or justified is easiest to read. Small margins make it easier to read. (And colour, too – but that’s its own lecture) Design a font scheme (in your assignment) 22

References Tidwell, J. (2010) Designing Interfaces, Second Edition: Patterns for Effective Interaction Design. O'Reilly Media. html5 & css 3… with no images css3-website-layout/ css3-website-layout/ Fun with text Heim, S., The Resonant Interface, Chapter