Class 19 Copyright, Spring, 2008 Consumer Control Randal C. Picker Leffmann Professor of Commercial Law The Law School The University of Chicago

Slides:



Advertisements
Similar presentations
The Digital Millennium Copyright Act and Liability for Hosting and Linking Mark D. Robins Nixon Peabody LLP.
Advertisements

Internet Service Provider Liability Under U.S. Copyright Law Paula Pinha, Attorney-Advisor U.S. Copyright Office East Africa Regional Seminar on: Copyright.
COPYRIGHT AND COPYWRONG Respect Copyright, Celebrate Creativity.
Copyrights for Creatives April 16, 2014 Brocach Irish Pub.
Class 12 Bankruptcy, Spring, 2009 Pre-Confirmation Distributions Randal C. Picker Leffmann Professor of Commercial Law The Law School The University of.
Copyright Law David G. Post Temple Law School Feb. 2004
Intellectual Property Boston College Law School February 4, 2009 Copyright – Indirect, Digital Issues.
Intellectual Property Boston College Law School February 1, 2008 Copyright – Digital Issues.
Intellectual Property Boston College Law School February 1, 2007 Copyright – Digital Issues.
Copyright Law Boston College Law School March 13, 2003 Rights - Digital Rights.
The T.E.A.C.H. Act New standards and requirements for the use of copyrighted materials in distance education.
1 Issues in Digital Audio. 2 Intellectual Property  Non-tangible property that is the result of creativity:  Patents – products, processes etc.  Copyright.
Intellectual Property Boston College Law School January 28, 2008 Copyright – Rights – Fair Use.
HSC: All My Own Work Copyright.
Copyright Law Boston College Law School February 25, 2003 Rights - Reproduction, Adaptation.
Copyright Law Boston College Law School March 4, 2003 Rights – Public Distribution & Performance.
Intellectual Property Boston College Law School January 26, 2007 Copyright – Rights – Fair Use.
There are two copyrights in any recorded piece of music: 1)The copyright in the musical work (notes and lyrics); and 2)The copyright in the sound recording.
Class 7 Internet Privacy Law Your Digital Afterlife.
What is copyright? the exclusive legal right, given to an originator or an assignee to print, publish, perform, film, or record literary, artistic, or.
Class 23 Copyright, Spring, 2008 Google Book Search and YouTube Randal C. Picker Leffmann Professor of Commercial Law The Law School The University of.
1 Copyright & Other Legal Issues. 2 WHAT IS COPYRIGHT? Copyright is the form of protection provided by the laws of the United States to authors of “original.
Class 12 Copyright, Spring, 2008 Performance and Display Rights Randal C. Picker Leffmann Professor of Commercial Law The Law School The University of.
The New Legal Landscape for Event Industry Social Media Kathryn Carrier, Esq. © 2011 Katy Carrier.
Copyright and Fair Use in Distance Education shops/copyquiz.html.
Canadian Copyright Act Became law in January 1924 and was amended in 1988 (Phase I) The second phase amendments were completed in 1997 when Bill C-32.
+ Copyright © 2012 by Pearson Education, Inc. All rights reserved. Smaldino, Lowther, and Russell Instructional Technology and Media for Learning, 10e.
Copyright. US Constitution Article I – Section 8 Congress shall have the power to promote the Progress of Science and useful Arts, by securing for limited.
Class 19 Copyright, Winter, 2010 Music Randal C. Picker Leffmann Professor of Commercial Law The Law School The University of Chicago
Viacom v. YouTube: The Future of the Section 512 Safe Harbors? Mary Rasenberger April 2011.
Computer Ethics Christina McCorkle.
Class 6 Bankruptcy, Spring, 2009 Executory Contracts Randal C. Picker Leffmann Professor of Commercial Law The Law School The University of Chicago
Copyright and the DMCA MM450 Issues in New Media Theory February 17, 2009 Steven L. Baron.
Sarah K. Wiant College Communicators Association Washington and Lee University October 11 th, 2013.
U.S. Copyright Enforcement Benjamin Hardman Attorney / Advisor Office of Intellectual Property Policy & Enforcement, USPTO.
Copyright: Protecting Your Rights at Home and Abroad Michael S. Shapiro Attorney-Advisor United States Patent and Trademark Office.
Group 2 Derrick Lowe Quintin King Caroline Hawes Aaron Phillips.
Copyright Law Copyright ©2004 Stephen Marshall distributed under the terms of the GNU Free Documentation License (
Copyright Laws & Regulations Created by The University of North Texas in partnership with the Texas Education Agency.
The law on Intermediary Liability in India
Class 21 Copyright, Winter, 2010 Online Distribution Randal C. Picker Leffmann Professor of Commercial Law The Law School The University of Chicago
Class 20 Bankruptcy, Spring, 2009 Interest Rates Randal C. Picker Leffmann Professor of Commercial Law The Law School The University of Chicago
Copyright Laws & Regulations. Copyright © Texas Education Agency, All rights reserved. 22 A.Title 17 of U. S. Code 1. Protection provided by law.
Class 22 Copyright, Spring, 2008 Copyright and the Constitution Randal C. Picker Leffmann Professor of Commercial Law The Law School The University of.
Becky Albitz Electronic Resources/Copyright Librarian
Copyrights. Copyright Definition 17 U.S.C. 102 C’ (a) Copyright protection subsists, in accordance with this title, in original works of authorship fixed.
Class 11 Bankruptcy, Spring, 2009 Adequate Protection Randal C. Picker Leffmann Professor of Commercial Law The Law School The University of Chicago
Digital Audio. Analog versus Digital Analog Sound waves “similar” or “copy” Electrical impedance creates noise Digital Sound encoded in binary form Sampled.
Class 24 Copyright, Winter, 2010 International Issues Randal C. Picker Leffmann Professor of Commercial Law The Law School The University of Chicago
Becky Albitz Electronic Resources Librarian
Class 25 Copyright, Winter, 2010 Copyright and the Constitution Randal C. Picker Leffmann Professor of Commercial Law The Law School The University of.
Copyright Donna Min Shiroma School Library Services Advanced Technology Research Branch Office of Curriculum, Instruction and Student Support © September.
PENALTY FOR COPYRIGHT INFRINGEMENT FAIR USE CLAUSE USE OF MULTIMEDIA IN THE CLASSROOM CONDITIONS FOR USING SOMEONE ELSE’S WORDS CONDITIONS FOR USING ANOTHER’S.
Johnny FIANDEIRO BSc Eng (Elec) LLB Afrika/Nuus/Oos-Randse-inwoners-vas-oor- dwelm-fabriek IP ASPECTS OF LOCAL.
6/18/2016 COPYRIGHT AND Fair Use Guidelines “Respect Copyright, Celebrate Creativity”
A GUIDE TO COPYRIGHT & PLAGIARISM Key Terms. ATTRIBUTION Identifying the source of a work. For example, a Creative Commons "BY" or attribution license.
I can hear it? Can I use it? Copyright: Audio What are our rights? Natasha Smith Marie Webb March 10, 2016 Audio Copyright Workshop for Teachers.
& Teach Act. Click here take interactive quiz: On November 2nd, 2002,
Library Archiving and Internet Service Provider Status Shirley A. Mason Library Media Specialist 12 July 2008.
Disclaimer This presentation is for informational purposes only and does not constitute legal advice.
Copyright Laws & Regulations
Copyright Law David G. Post Temple Law School Feb David
Fair Use in the Classroom
Internet Service Provider Liability Under U.S. Copyright Law
Copyright By: Grace Collins.
The Legalities of Technicalities task 4
The University of Chicago
Class 11 Bankruptcy, Spring, 2009 Adequate Protection
Presentation transcript:

Class 19 Copyright, Spring, 2008 Consumer Control Randal C. Picker Leffmann Professor of Commercial Law The Law School The University of Chicago Copyright © Randal C. Picker. All Rights Reserved.

August 9, 2015Copyright © Randal C. Picker2 Old-School Copying n Facts u A buys Britney CD u A plays it and uses a tape recorder to copy it on a cassette to listen in his car. n What result for A?

August 9, 2015Copyright © Randal C. Picker3 Answer n OK u For sure after 1992, under the AHRA Section 1008 u Before 1992, fair use?

August 9, 2015Copyright © Randal C. Picker4 Sec n Prohibition on certain infringement actions u No action may be brought under this title alleging infringement of copyright w based on the manufacture, importation, or distribution of a digital audio recording device, a digital audio recording medium, an analog recording device, or an analog recording medium, or w based on the noncommercial use by a consumer of such a device or medium for making digital musical recordings or analog musical recordings.

August 9, 2015Copyright © Randal C. Picker5 Copying under the AHRA n Three Types u Analog Recording w The old school original u AHRA Digital Recording w Recording that tracks the definitions set out in 1001 u Non-AHRA Digital Recording w All of the other digital recording

August 9, 2015Copyright © Randal C. Picker6 Protection under 1008 n For consumers engaging in noncommercial use u Of analog recording u Of AHRA Digital Recording n But u No protection for Non-AHRA Digital Recording

Tax and Compliance System for AHRA Digital n Statutory Deal u Get 1008 copying rights for qualifying digital devices u But that comes at a cost w Must pay royalties under 1003 w Must build in copying controls under 1002 August 9, 2015Copyright © Randal C. Picker7

For Non-AHRA Digital Recording n Trade-Offs u No 1008 protection u But no required 1003 royalties or 1002 copying controls n And Now the Key Question: Which Devices Qualify? u The PC? The iPod? August 9, 2015Copyright © Randal C. Picker8

August 9, 2015Copyright © Randal C. Picker9 Built-In Controls: AHRA 1002(2) n (a) Prohibition on Importation, Manufacture, and Distribution. u No person shall import, manufacture, or distribute any digital audio recording device or digital audio interface device that does not conform to ‑‑ w (1) the Serial Copy Management System;

August 9, 2015Copyright © Randal C. Picker10 Built-In Controls: AHRA 1002(2) w (2) a system that has the same functional characteristics as the Serial Copy Management System and requires that copyright and generation status information be accurately sent, received, and acted upon between devices using the system’s method of serial copying regulation and devices using the Serial Copy Management System; or w (3) any other system certified by the Secretary of Commerce as prohibiting unauthorized serial copying.

August 9, 2015Copyright © Randal C. Picker11 Obligation to Make Royalty Payments: AHRA 1003 n (a) Prohibition on Importation and Manufacture. u No person shall import into and distribute, or manufacture and distribute, any digital audio recording device or digital audio recording medium unless such person records the notice specified by this section and subsequently deposits the statements of account and applicable royalty payments for such device or medium specified in section 1004.

August 9, 2015Copyright © Randal C. Picker12 How Much?: AHRA 1004 n (a) Digital Audio Recording Devices. ‑‑ u (1) Amount of payment. ‑‑ The royalty payment due under section 1003 for each digital audio recording device imported into and distributed in the United States, or manufactured and distributed in the United States, shall be 2 percent of the transfer price. Only the first person to manufacture and distribute or import and distribute such device shall be required to pay the royalty with respect to such device.

August 9, 2015Copyright © Randal C. Picker13 How Much?: AHRA 1004 n (b) Digital Audio Recording Media. u The royalty payment due under section 1003 for each digital audio recording medium imported into and distributed in the United States, or manufactured and distributed in the United States, shall be 3 percent of the transfer price. Only the first person to manufacture and distribute or import and distribute such medium shall be required to pay the royalty with respect to such medium.

August 9, 2015Copyright © Randal C. Picker14 The Critical Question n What devices and what media are covered? u The personal computer? u MP3 players? w Then: The Diamond Rio? w Now: the iPod?

August 9, 2015Copyright © Randal C. Picker15 AHRA 1001(3) n A “digital audio recording device” is u any machine or device of a type commonly distributed to individuals for use by individuals, whether or not included with or as part of some other machine or device, the digital recording function of which is designed or marketed for the primary purpose of, and that is capable of, making a digital audio copied recording for private use, except for ‑‑

August 9, 2015Copyright © Randal C. Picker16 AHRA 1001(3) w (A) professional model products, and w (B) dictation machines, answering machines, and other audio recording equipment that is designed and marketed primarily for the creation of sound recordings resulting from the fixation of nonmusical sounds.

August 9, 2015Copyright © Randal C. Picker17 AHRA 1001(1) n A “digital audio copied recording” is u a reproduction in a digital recording format of a digital musical recording, whether that reproduction is made directly from another digital musical recording or indirectly from a transmission.

August 9, 2015Copyright © Randal C. Picker18 AHRA 1001(5) n (A) A “digital musical recording” is a material object ‑‑ u (i) in which are fixed, in a digital recording format, only sounds, and material, statements, or instructions incidental to those fixed sounds, if any, and u (ii) from which the sounds and material can be perceived, reproduced, or otherwise communicated, either directly or with the aid of a machine or device.

August 9, 2015Copyright © Randal C. Picker19 AHRA 1001(5) n (B) A “digital musical recording” does not include a material object ‑‑ u (i) in which the fixed sounds consist entirely of spoken word recordings, or u (ii) in which one or more computer programs are fixed, except that a digital musical recording may contain statements or instructions constituting the fixed sounds and incidental material, and statements or instructions to be used directly or indirectly in order to bring about the perception, reproduction, or communication of the fixed sounds and incidental material.

August 9, 2015Copyright © Randal C. Picker20 Different Devices n The Cassette Recorder u I play a music CD in a CD player u I record it over the air using a cassette recorder u I play the cassette in my car n Does the AHRA apply? Is the cassette recorder a taxable device? Do I get the benefits of 1008?

August 9, 2015Copyright © Randal C. Picker21 Answer n What kind of device is it? u Is the cassette recorder a digital audio recording device? w That turns on, among other things, whether it can make a “digital audio copied recording” w That, in turn, requires a “reproduction in a digital recording format” w The cassette tape won’t qualify so the cassette recorder shouldn’t be a DARD

August 9, 2015Copyright © Randal C. Picker22 Answer n Consequence? u No triggering of 1002 copy control engineering rules u No triggering of 1003 royalties

August 9, 2015Copyright © Randal C. Picker23 Answer n 1008? u Cassette recorder should be analog recording device and recorded tape should be analog musical recording u Copying owned CD for cassette use in car will probably be noncommercial use u 1008 then insulates this copying from infringement action

August 9, 2015Copyright © Randal C. Picker24 Answer n Can I give the tape to a friend as a birthday present? u Does the copying and distribution qualify as “the noncommercial use by a consumer of such a device or medium for making digital music recordings or analog music recordings?”

August 9, 2015Copyright © Randal C. Picker25 Different Devices: The PC n The Personal Computer u I pop a music CD into my PC u I used Windows Media Player to rip the CD and copy the music to my PC’s hard disk u I listen to the music there over speakers attached to the PC. n Does the AHRA apply? Is the PC a taxable device? Do I get the benefits of 1008?

August 9, 2015Copyright © Randal C. Picker26 Answer n What kind of device is it? u Is the PC a digital audio recording device? w Recall the definition of a DARD: any machine or device of a type commonly distributed to individuals for use by individuals, whether or not included with or as part of some other machine or device, the digital recording function of which is designed or marketed for the primary purpose of, and that is capable of, making a digital audio copied recording for private use w We will now focus on the “primary purpose” of the copying capability of the PC. n PC Isn’t a DARD then and so says Diamond

August 9, 2015Copyright © Randal C. Picker27 Answer n Consequence? u No triggering of 1002 copy control engineering rules u No triggering of 1003 royalties

August 9, 2015Copyright © Randal C. Picker28 Answer n 1008? u Hard to think that PC should qualify as analog recording device or that digital files copied from music CD should qualify as analog musical recording u If that is right, 1008 does not insulate this copying from infringement action

August 9, 2015Copyright © Randal C. Picker29 Taking Stock of 1 st Generation Copies n Two Results u Cassette recorder w No copy-protection engineering requirements, no royalties and protected copying under 1008 u PC w No copy-protection engineering requirements, no royalties but not protected copying under 1008

August 9, 2015Copyright © Randal C. Picker30 Different Devices: MP3 Player n MP3 Player through PC u 2 nd generation copies u I move content from the PC to the MP3 player n What result?

August 9, 2015Copyright © Randal C. Picker31 Answer n What kind of device is it? u Is the MP3 player a digital audio recording device? w Won’t be excluded by “primary purpose” test w Does it make a “digital audio copied recording?” That, in turn, requires a “reproduction in a digital recording format of a digital music recording”

August 9, 2015Copyright © Randal C. Picker32 Answer The copy will be digital but is the hard disk being copied a digital music recording? –No: based on “only sounds” are 1001(5)(A)(i) –No: based on exclusion for material objects in which computer programs are fixed (1001(5)(B)(i)) n So MP3 player shouldn’t be a DARD

August 9, 2015Copyright © Randal C. Picker33 Answer n Consequence? u No triggering of 1002 copy control engineering rules u No triggering of 1003 royalties

August 9, 2015Copyright © Randal C. Picker34 Answer n 1008? u Hard to think that MP3 player should qualify as analog recording device or that digital files copied from PC should qualify as analog musical recording u If that is right, 1008 does not insulate this copying from infringement action

User-Generated Content n Some Examples u “Recut, Reframe, Recycle”: Center for Social Media w es/publications/recut_reframe_recycle/ es/publications/recut_reframe_recycle/ n Ten Things I Hate About Commandments u WEFs&feature=related WEFs&feature=related August 9, 2015Copyright © Randal C. Picker35

User-Generated Content n The Evolution of Dance u eiRNg eiRNg August 9, 2015Copyright © Randal C. Picker36

512(c): Online Safe-Harbor n 512(c): Information residing on systems or networks at direction of users. u (1) In general. ‑‑ A service provider shall not be liable for monetary relief, or, except as provided in subsection (j), for injunctive or other equitable relief, for infringement of copyright by reason of the storage at the direction of a user of material that resides on a system or network controlled or operated by or for the service provider, if the service provider ‑‑ August 9, 2015Copyright © Randal C. Picker37

512(c) w (A) (i) does not have actual knowledge that the material or an activity using the material on the system or network is infringing; (ii) in the absence of such actual knowledge, is not aware of facts or circumstances from which infringing activity is apparent; or (iii) upon obtaining such knowledge or awareness, acts expeditiously to remove, or disable access to, the material; August 9, 2015Copyright © Randal C. Picker38

512(c) u (B) does not receive a financial benefit directly attributable to the infringing activity, in a case in which the service provider has the right and ability to control such activity; and u (C) upon notification of claimed infringement as described in paragraph (3), responds expeditiously to remove, or disable access to, the material that is claimed to be infringing or to be the subject of infringing activity. August 9, 2015Copyright © Randal C. Picker39

512(g) n Replacement of removed or disabled material and limitation on other liability. ‑‑ u (1) No liability for taking down generally. ‑‑ Subject to paragraph (2), a service provider shall not be liable to any person for any claim based on the service provider’s good faith disabling of access to, or removal of, material or activity claimed to be infringing or based on facts or circumstances from which infringing activity is apparent, regardless of whether the material or activity is ultimately determined to be infringing. August 9, 2015Copyright © Randal C. Picker40

512(g) u (2) Exception. ‑‑ Paragraph (1) shall not apply with respect to material residing at the direction of a subscriber of the service provider on a system or network controlled or operated by or for the service provider that is removed, or to which access is disabled by the service provider, pursuant to a notice provided under subsection (c)(1)(C), unless the service provider ‑‑ August 9, 2015Copyright © Randal C. Picker41

512(g) w (A) takes reasonable steps promptly to notify the subscriber that it has removed or disabled access to the material; w (B) upon receipt of a counter notification described in paragraph (3), promptly provides the person who provided the notification under subsection (c)(1)(C) with a copy of the counter notification, and informs that person that it will replace the removed material or cease disabling access to it in 10 business days; and August 9, 2015Copyright © Randal C. Picker42

512(g) w (C) replaces the removed material and ceases disabling access to it not less than 10, nor more than 14, business days following receipt of the counter notice, unless its designated agent first receives notice from the person who submitted the notification under subsection (c)(1)(C) that such person has filed an action seeking a court order to restrain the subscriber from engaging in infringing activity relating to the material on the service provider’s system or network. August 9, 2015Copyright © Randal C. Picker43

Terms of Use n YouTube u n GodTube u August 9, 2015Copyright © Randal C. Picker44

Automatic Filtering n Under what circumstances? n Try the Fair Use Principles for UCG Test u “Nontransformative verbatim copying” u Meaning What? August 9, 2015Copyright © Randal C. Picker45

Automatic Filtering w (1) the video track matches the video track of a copyrighted work submitted by a content owner; w (2) the audio track matches the audio track of that same copyrighted work; and w (3) nearly the entirety (e.g, 90% or more) of the challenged content is comprised of a single copyrighted work (i.e., a “ratio test”). n Assess this August 9, 2015Copyright © Randal C. Picker46