Collection vs Media, Digital vs Analogue Adrian Kingston, Digital Asset Manager Museum of New Zealand Te Papa Tongarewa.

Slides:



Advertisements
Similar presentations
Collections Management Software for Museums and Archives r e d i s c o v e r y s o f t w a r e. c o m O V E R V I E W P R E S E N T A T I O N.
Advertisements

Components: How Bibliographic Records Became Grandparents Heather Curtis, Project Manager 2UNITED STATES HOLOCAUST MEMORIAL MUSEUM.
Digital Imaging for the NPS Museum Collection Web Catalog PMIS Harpers Ferry Center, Department of Media Assets.
EMu Support A presentation by Giselle Stanton Collection Information Manager- Standards and Support Collection Information Services The Museum of New Zealand.
April 2011 Registry Prototype demonstration. Relationships between records.
The minnesota digital library coalition Achieving Digital Preservation Through Collaboration Museum Computer Network 32 nd Annual Meeting Keith Ewing St.
Adapting Archives to EMu. Corporate Records Excavation Records Personal Papers Byzantine Research Fund Archive Art Collection Exhibitions.
Managing Rights at Te Papa. Introduction Rights Te Papa today How we got here What the Rights Module looks like Future Advances.
EMu at Te Papa…… One Year on Philip Edgar Manager, Collections Information Department Museum of New Zealand Te Papa Tongarewa.
Collections Online CRM, Thesauri, Parties and more Adrian Kingston Collections Information Manager, Digital Assets & Development Museum of New Zealand.
THESAURI AND CONTROLLED VOCABULARY AT TE PAPA Adrian Kingston Collection Information Manager - Digital Assets & Development Museum of New Zealand Te Papa.
The Caught and Coloured website: its EMu origins Alex Chubaty – Collection Information Systems Craig Churchill – IT Software Development Museum Victoria.
1. Develops ideas, plans, and produces original paintings from these content areas: observation experiences, imagination, and emotions.
Wet Specimen Collections and Alcohol Management A presentation by Giselle Stanton Collection Information - Standards and Support Collection Information.
What’s Happening? EMu Activity In Europe, the Middle East and Australasia Andrew Brown KE Software.
Multilingual multimedia thesaurus for conservation and restoration collaborative networked model of construction Lucijana Leoni University of Dubrovnik.
Going Virtual: Using EMu to organize and present Canada’s cultural heritage.
Resource Discovery Module DigiTool Version 3.0. Resource Discovery 2 Deposit Approval Search & Index Dispatcher & Viewers Single & Bulk Web Services DigiTool.
Depositing and Disseminating Digital Resources Alan Morrison Collections Manager AHDS Subject Centre for Literature, Linguistics and Languages.
Managing and Editing Your Photos
Part of the Arts and Humanities Data Service and the UK Data Archive. Funded by the Joint Information Systems Committee and the Arts and Humanities Research.
Collections Management Museums The EMu Community Ian Turnbull Chief Operating Officer, KE Software.
Project Opal Digital Asset Management. Outline What is digital asset management? Timeline of NMA’s development / research into digital asset management.
A PERMANENT DIGITAL ARCHIVE OF LOCAL MATERIALS Don Martin & Stephen Winch East Dunbartonshire Libraries.
NOBLE Digital Library. How does it work? The NOBLE Digital Library uses the DSpace platform. Image files and metadata are imported into DSpace using.
Powerhouse Museum EMu Developments. Image Management.
EMu and Archives NA EMu Users Conference – Oct Slide 1 EMu and Archives Experiences from the Canada Science and Technology Museum Corporation.
The capture and preservation of websites at the National Library of New Zealand Gillian Lee Alexander Turnbull Library.
DIGITIZATION OF RARE LIBRARY MATERIALS Metadata Format Access to Digital Documents © Adolf Knoll, National Library of the Czech Republic.
The Digital Motion Picture Archive Framework Project © 2008 AMPAS Academy of Motion Picture Arts and Sciences Science and Technology Council Nancy Silver,
Unit 8 Tim Clouse. Airbrushing Abner Peeler 1879 Photo retouching Photo manipulation Air Paint.
Sue Terry, November 2003 Documentation at ScreenSound Australia: an update on using MAVIS to describe Documentation.
CELIA CAUST-ELLENBOGEN HCI-PSAR Project Surveyor Optimizing PastPerfect for Archival Description.
Integrating museum systems: Accessing collections information at the Victoria and Albert Museum Christopher Marsden Sarah Winmill, Frances Lloyd-Baynes.
A Public Trust at Risk: The Heritage Health Index Report on the Condition of Alabama’s Collection.
Interoperable Digitised Content “Discover, search, extract, link, associate, and view digitised content” Les Carr.
Making Grey Literature Available through Institutional Repositories LeRoy J. LaFleur, Social Sciences Bibliographer Nathan A. Rupp, Metadata Librarian.
More than a Pretty Picture: Photograph & Digitization Management Noraleen A. Young CA Keeping History – GSUSA September, 2009.
Catalog Refresh or: How I learned to stop worrying and love EMu Heather Curtis, Project Manager 2 UNITED STATES HOLOCAUST MEMORIAL MUSEUM.
From Concept to Reality: An overview of the University of Wisconsin Digital Collections Melissa Mclimans.
Still images/ (Two-dimensional) Graphic materials Charlene Chou at the CEAL RDA Workshop March 19 th,
Improving Your Image The IoE approach to Quality Assurance Erpanet June 02 Victoria Fenner, English Heritage.
Organizational Relationships and Shaping the Digital Resource July 21, 2010 Johanna Bauman, Senior Production Manager, ARTstor.
Digitizing Aloha: Using Information Technology to Preserve and Present the History and Culture of Hawai'i Bob Schwarzwalder Assistant University Librarian,
Digitizing Photographs For Sustainable Heritage Workshop, June 12-15, 2014 By Steven Bingo Project Archivist, Washington State University.
To Outsource or Not to Outsource Julie I. May Head of Collection Management
Digitization An Introduction to Digitization Projects and to Using the Montana Memory Project.
Library Repositories and the Documentation of Rights Leslie Johnston, University of Virginia Library NISO Workshop on Rights Expression May 19, 2005.
Water Rights Website Toolbox March 12, 2007 Boyd Clayton
Collections Management Museums Archives & Picture Libraries Archives & Picture Libraries James Byrne Technical Consultant KE Software UK.
Presented by Kristen J. Nyitray Head, Special Collections & University Archives University Archivist Special Collections & University Archives Stony Brook.
1 Digital Preservation Testbed Database Preservation Issues Remco Verdegem Bern, 9 April 2003.
Sobek for Curators and Collection Managers Training Two: Submitting and Editing Resource Files and Metadata Mark Sullivan November 2013 University of Florida.
American Museum of Natural History Photography Collection Diana Rosenthal.
Famous Works of Art SOLs: See how much you’re learning? AI.3 The student will produce works of art that demonstrate the experimental application.
Managing Collections and Media in the EMu Catalogue Philip Edgar Museum of New Zealand Te Papa Tongarewa.
Digital Collections Forum Doug Moncur AIATSIS September 2004.
Te Papa. Region: Wellington Activity/Event: Museum of New Zealand “Te Papa is New Zealand’s national museum and is renowned for being bi-cultural, scholarly,
Digitization & Digital Preservation
Softwaretechnologie für Fortgeschrittene Teil Eide Stunde III: Introducing the media server (with contributions from Christian-Emil Ore, Jon Holmen, and.
Calum Dow Thurs 12 th November Our Partners…
Collection Management Systems
Chapter Three Presentation: User interface How to Build a Digital Library Ian H. Witten and David Bainbridge.
Digital Image Data Base Archiving Artwork Electronically.
Michael J. Bennett, Digital Projects Librarian University of Connecticut February 4 th, 2010.
Collections Inventory Process and Activity Report Yellowstone Historic Center West Yellowstone, Montana.
The Discovery and Preservation of Art Chapter 2 Lesson 3.
York Digital Library – Images Case Study
Institutional Repository Metadata
Information Management & Preservation
Presentation transcript:

Collection vs Media, Digital vs Analogue Adrian Kingston, Digital Asset Manager Museum of New Zealand Te Papa Tongarewa

The Museum of New Zealand Te Papa Tongarewa Act 1992 combined the former National Museum and the National Art Gallery Opened in new building 14th February 1998 Averages over 1.1 million visitors annually Collections include Photography, Art, History and Pacific, Taonga Maori, Archives, and Zoological and Botanical sciences.

Wellington Picture

Previous situation: Te Kahui Photography Collection Objects and Media Assets catalogued in the same place Confusion over what was original, a copy, or whether part of the Collection or not Digital Collection Objects waiting for cataloguing No specific fields for digital information

The issues: How do we Manage Collection Objects as Collection Objects regardless of format or material? Appropriately manage Media Assets in a way that distinguishes them from Collection Objects? Record required technical information about Objects and Assets? Highlight the relationships that may exist between a Media Asset and a Collection Object?

Objects that have been collected by the Museum because of their historical, aesthetic, scientific or other significance and have been through a formal acquisition process May be analogue OR digital Collection Objects:

Records (predominantly images) created or used by the museum to support collection documentation; access and preservation; and other museum activities May be analogue OR digital Media Assets:

All digital objects in Multimedia module  Would have separated analogue Collection Objects from digital Collection Objects, analogue Media Assets from digital Media Assets Media Assets (analogue or digital) in Multimedia Module  Inadequate cataloguing capabilities  Lack of support modules (Conservation etc)  Where do digital Collection Objects go? Collection Objects and Media Assets in the catalogue, Multimedia as an “import” tool only Options:

Media Asset Scanned Digital (TIFF) Collection object Painting Collection Media Asset Colour Transparenc y Analogue Media Assets CATALOG UE Current situation; Scan of photograph of Collection Object MULTIME DIA TIFF Resolutions Metadata Image.tif

Current situation; Hierarchy

Collection object Digital Collection Media Assets CATALOG UE MULTIME DIA TIFF Resolutions ? Metadata Image.t if Current situation; Digital Collection Object

Media Asset Scanned Digital (TIFF) Collection Media Assets CATALOG UE Current situation; Media Assets of non-collection subjects MULTIME DIA TIFF Resolutions Metadata Image.t if

Current situation - Positives Collection items managed together Media Assets managed together Appropriate management modules and cataloguing tools available Ability to relate media assets to collection items

Current situation - Negatives Separation based on a single field in the catalogue Complex security and access Confusing relationship of Media Asset records to other modules Duplicate info in multimedia module record Two records required for every digital object (Collection or Media Asset record, and a Multimedia record)

Our ideal Retain hierarchical relationships between Collection records and Media Asset records. Collection and non-collection items are distinct Appropriate tools and support modules are available for describing and managing objects of any format Only one record is required per object or asset

Media Asset Scanned Digital Collection object Painting Collection Media Asset Colour Transparency Analogue Media Assets CATALOG UE Preferred situation; Scan of photograph of Collection Object Image.t if Multimedia functionality TIFF Resolutions Metadata

Collection object Digital Collection Media Assets CATALOG UE Image.t if Preferred situation; Digital Collection Object Multimedia functionality TIFF Resolutions Metadata

Media Asset Scanned Digital (TIFF) Collection Media Assets CATALOG UE Preferred situation; Media Assets of non- collection subjects Image.t if Multimedia functionality TIFF Resolutions Metadata

Conclusions – our ideal (again) Retain hierarchical relationships between Collection records and Media Asset records. Collection and non-collection items are distinct Appropriate tools and support modules are available for describing and managing objects of any format Only one record is required per object or asset