Concrete-Neo Concrete

Slides:

Advertisements

Similar presentations

What is Matter?.

Advertisements

Some solids conduct heat very well Metal conducts heat very well but cork doesnt - which is why the wax melts off of the end where its attached to the.

Get a “taste” of the following food artists! The ways in which artists use food as a subject for their work.

Davis Art Images Supplemental Image Set

Lygia Clark (Brazil, ), in 1958, Rio de Janeiro.

Assemblage Visual representation response to City of Glass (Auster)

3D Logo Design Project!!!!. Robert Indiana American artist associated with the Pop Art movement Robert created the iconic sculpture of the word love first.

Op- ja kineetiline kunst. victor vasarely

Robert Motherwell (American, ). Robert Motherwell Elegy to the Spanish Republic # Oil on canvas.

Concretism and Neo-Concretism

Mixed Media Painting. Romare Bearden – Patchwork Quilt - cut- and-pasted cloth and paper with synthetic polymer paint on composition board, 1970.

Question 1 Which of these materials is not man-made? A Plastic B Wood C Glass.

CARLO BERNARDINI, PERMEABLE SPACE 2000, stainless steel and optic fibers, feet h 3,5x6x1.

Claes Oldenburg Soft Sculpture. Claes Oldenburg Trowel, Scale B, 1971.

INDEX BRAZING Silver Brazing Rods Brazing Flux BUFFING COMPOUNDS Red White CLEANERS Hand Cleaner Disinfectant GASES Argon Acetylene Oxygen GLUES Glue.

Cooking: Earth friendly Methods. Methods Biodigestors Solar Cookers Clay Ovens.

Conceptual art Key artists and collaborations annasuvorova.wordpress.com.

maalilisejärgne abstaktsionism

Autumn Rhythm, 1950, (oil on canvas, 105 in x 207 in.), Metropolitan Museum of Art, New York.

By: Cole Cochard. Time Period and Countries  Pop art is an art movement that emerged in the mid 1950s in Britain and in the late 1950s in the United.

Jackson Pollock MOMA NYC. Jackson Pollock: early painting Male and Female 1942 (240 Kb); Oil on canvas, 73 1/4 x 49 in; Philadelphia Museum of Art.

ONE COMMON TRAIT CAN BE IDENTIFIED: It is the presence of three distinct cultural heritages: Indian, European, and African.  Before colonization, Mexico,

Blue Period Pablo Picasso, The Tragedy, 1903, Oil on wood, National Gallery of Art, Washington, DC.

Making the jewels… …Travelling Exhibition November - December 2012 Our jewels for the Comenius Travelling Exhibition 2013 is the result of a precise.

Minimalism/Post-Minimalism

Jennifer Bartlett American Artist and Painter.

Frank Stella Purity Precision Impersonality Abstraction

Robert Rauschenberg Combines and Photems.

Art and Revolution William V. Ganis, PhD. Kasimir Malevich Tea Service 1923 porcelain.

Principles of Composition

Forms and Media Part 1: Two-Dimensional Artwork. Week 3 Vocabulary Art Forms: A technique or method that is used to create an artwork. Craft: Works of.

Examples: Olive oil has 0.85 g / cm 3 (or 0.85 g / mL). 1 mL of olive oil has a mass of 0.85 grams. Iron has 7.8 g / cm 3. 1 cm 3 of iron has a mass of.

PAPER MACHE’.

 2-D (two-dimensional) - Having height and width, but no depth; flat.  SHAPE- A 2-dimensional enclosed space defined by line. i.e. squares, circles,

What are conductors and insulators?. What is a conductor? A conductor is something which allows electricity to flow through. An example of a conductor.

Joseph Beuys (German, ), Fat Chair, 1964 Felt Suit, 1970.

Materials Stephen RoneyJICSeptember, china Stephen Roney JIC September, 2013.

Jackson Pollock ( ). Born in Wyoming American painter.

Matter REVIEW CONCEPTS. Matter is anything that has mass and takes up space.

The Enormous Room. SurfacesCharacteristics Group – Organics Wood Cane Wicker Shellac and Varnish Leather Wool, Cotton, Flax Organics absorb water and.

Edward Kienholz October 23, 1927 – June 10, 1994.

3 things needed to make a circuit: 1. Battery - energy 2. Wire – transfers the electricity 3. Indicator – tells you if circuit is working Ex: light, sound,

DO NOW 11 in. 1.Name the solid. 2.Find its surface area. 7 in. 5 in. 6 in. Triangular prism 244 in. 2.

Electricity Lesson 2 Electrical Charge Carriers. A. A material in which electrical charges do not move freely from place to place is called a Insulator.

We recycle! Enjoy Learning Science. We recycle! It is made of glass. It is made of metal. It is made of cardboard. It is made of plastic.

Art by Micaela Marie. Crystal Two Faced Micaela Stanly 1.8x1.4 feet Acrylic on hard board September 2011 The Gate Hans Hoffman 75 x 48.5 inches Oil on.

Thornton Dial September 1928 – January 25, Lost /2 x 46 1/2 x 8 inches (184.2 x x 20.3 cm) wood, tin, steel, paint-stained cloth,

Quiz 1 study slides Contemporary Art

Opening Day at Talladega College. 1942

Conductors are materials in which electrons can move easily.

Washington Art Smart Grade 5

Task 1 The Jumble (box).

José Parlá Night and Day in London Town Acrylic, enamel, and plaster on wood Image/Sight: 96 × 480 inches (243.8 cm × cm)

Global Contemporary Required Images

Fever Within: The Art of Ronald Lockett

What are conductors and insulators?

Any Given Child-Tulsa 6th Grade Curriculum

What are conductors and insulators?

Ohne Titel (The Red Sun), Artist:Joan Miro , 1948, Oil and gouache on canvas, /8 x 28 1/8 in.

What are conductors and insulators?

Cubes and Dice.

Cardboard Creature.

Portrait of a German Office 1914

Polymer Lift Art Proficient.

Acrylic Paintings on wood 2016-Present

Conductors & Insulators

Electricity 2 types of electricity

Kahlo, Frida The Two Fridas 1939 Oil on canvas 68 x 68 in Kahlo, Frida The Two Fridas 1939 Oil on canvas 68 x 68 in. (173 x 173 cm) Museo de Arte.

Presentation transcript:

Concrete-Neo Concrete Art in New York Concrete-Neo Concrete

Thomas Maldonado, Cover of Arturo Magazine, Buenos Aires, 1944.

Thomás Maldonado, Desarrollo del triángulo, (Development of the Triangle), Oil on canvas, 31 ¾” X 23 ¾” , 1951.

Juan Melé, Coplanar, 1950, Oil on wood, 28” X 24.5” X 3”.

Juan N. Mele, Cut out Frame 11, Oil on wood, 1946.

Juan Bay, Shaped Painting Madi, Enamel on hardboard, 1947.

Gyula Kosice, Madi Neon- Madí A-2, 1946, neon gas, Plexiglass and wood box. 55 x 40 x 17 cm (21 5/8 x 15 3/4 x 6 11/16 inches)

Lucio Fontana, Spatial Concept, Iron, 1950.

Lucio Fontana, Spatial Concept, 1960.

Alejandro Otero, Colourhythm 28/39/40, Enamel on wood, 1957.

Carlos Cruz-Diez, Physichromy, no Carlos Cruz-Diez, Physichromy, no. 42, Wood, cardboard, and acrylic, 1961.

Carlos Cruz-Diez, Fisiocromia #23 (Physiochromy 23) ,Cardboard and Synthetic polymer paint on wood, 1961.

Jesus Rafael Soto, Spiral with Red, Plexiglass, wood, and enamel, 1955.

Jesus Rafael Soto, Five Large Rods, Wood and metal, 1964.

Jesus Rafael Soto, Global Writing, 1970, painted wood, stainless steel wires and nylon cord.

Jesus Rafael Soto, Log, 1961, wood, metal, and wires.

Antonio Maluf, First Sao Paulo Biennial Poster, 1951.

Max Bill, Continuity, Plaster, 1947.

Haroldo de Campos, Ideogram, 1958.

Waldemar Cordeiro, Visible Idea, Acrylic on wood, 1956.

Sergio Camargo, Large Relief #104, Wood, 1966.

Helio Oiticica, Red and White Metascheme, Oil on canvas, 1958.

Hélio Oiticica, Pintura 9, 1959, Oil on canvas, 45 ¾” X 35 1/8”.

Helio Oiticica, Metaschemes, Gouache on Paper, 1958.

Helio Oiticica, Metascheme, Gouache on Paper, 1958.

Helio Oiticica, Metaschemes, Gouache on Paper, 1958.

Helio Oiticica, Metaschemes, Gouache on Paper, 1958.

Helio Oiticica, Metaschemes, Gouache on Paper, 1958.

Helio Oiticica, Metaschemes, Gouache on Paper, 1958.

Helio Oiticica, Metaschemes, Gouache on Paper, 1958.

Helio Oiticica, Spatial Reliefs, 1959, Oil on wood.

Helio Oiticica, Spatial Relief, Red, Painted wood, 1958.

Helio Oiticica, Spatial Relief, Painted Wood, 1960.

Hélio Oiticica, Relevo espacial (Spatial Relief) 1959-91, Industrial paint on wood. 104 x 114.5 x 13.5 cm (40 15/16 x 45 1/16 x 5 5/16 inches)

Hélio Oiticica, Box bolide 12, 1964-65, acrylic, earth, wood, nylon, cardboard, glass, pebbles, fluorescent bulb.

Helio Oiticica, Glass Bolide 4, Soil, 1964.

Helio Oiticica, Box Bolide 18, Poem Box 2, Homage to Cara de Cavalo, 1966.

Helio Oiticica, Be a Marginal, Be a Hero, 1968.

Helio Oiticica, Parangole P4, Cape 1, 1964.

Helio Oiticica, Parangole, Cape, 1960’s.

Helio Oiticica, Parangole, Exhibition Opiniao 65, MAM, 1965.

Helio Oiticica, Penetrable Tropicalia, 1967.

Helio Oiticica, Penetrable Tropicalia, 1967, MAM.

Helio Oiticica, Penetrables Tropicalia and Eden, Tropicalia Exh Helio Oiticica, Penetrables Tropicalia and Eden, Tropicalia Exh., Bronx Museum, 2007.

Lygia Clark and Helio Oiticica, Dialogue of Hands, 1966, MAM, Mobius Strip Rubber Band. Rubber Band

Lygia Clark, Animals, Aluminum, 1960’s.

Lygia Clark, Caminhando (Walking), 1963.

Lygia Clark, Caminhando (Walking), 1963.

Lygia Clark, Caminhando (Walking) , 1963.

Lygia Clark, The I and the You Cloth-Body series, 1967.

Lygia Clark, Mandala, elastic bands,1969.

Lygia Clark, Baba Anthropophagic (Thread), 1973.

Lygia Clark, Cannibalism, 1973.

Lygia Clark, Sensorial Masks, 1967.

Lygia Clark, The Structuring of the Self, 1965-80.

Lygia Clark, Abysmal Mask, 1968.