Frank Kermode’s Poet and Dancer: Before Diaghilev Group 1 Stephanie Peck and Edited By: Laura Pratt and Dr. Kay Picart.

Slides:



Advertisements
Similar presentations
Week 10: Class and Dystopias Created by: Dr. Kay Picart and Jeneen Surrency.
Advertisements

Looking at: “Modes of Symbolization” by Nelson Goodman and “Philosophers and the Dance” by David Michael Levin Prepared by: Smeli Porterfield and Adrienne.
Ballet as Ideology: Giselle, Act 2 by Evan Alderson Natalie Collins Edited by: Dr. Picart and Donna Gallagher.
Dance of the Realm from Gerald Jonas’ Dancing
MUSIC & ACTION CONSTANT LAMBERT Prepared by: Kasey Clark & Jackeline Hernandez and Edited By: Laura Pratt and Dr. Kay Picart.
Dance & Literacy Moving Forward… Andrea Burghart.
Modern and Contemporary Art (1900 – Present).  He felt that choreography, music, and dancing were not relating to one another in ballets.  He developed.
Edgar Degas Impressionist Artist July 19,
{ Imagism and Modernism in The Wasteland We wanna be different and new!
“Primitivism, Modernism, and Dance Theory” by Marshall Cohen and “Puppet Theatre” by Heinrich Von Kleist By Lindsay Kaufman and Lauren Garcia and Edited.
Dancing Through Different Worlds: An Autoethnography of the InteractiveBody in Ballroom Dance.
From Eroticism to Transcendence: Ballroom Dance and the Female Body by Sally Peters Created by Jessica Labbé Edited by Dr. Kay Picart.
The Tempest by William Shakespeare By: Prenya Rajendran and Stephanie Welcher and Edited By: Laura Pratt and Dr. Kay Picart.
Romeo and Juliet Stage, film and dance Analysis by Cassie Casiano and Garrett Johnson and Edited By: Laura Pratt and Dr. Kay Picart.
Reflections on Dance and Dancing By: Selma Jeanne Cohen & Classic and Romantic Ballet By: Lincoln Kirstein Presented By: Natalie Bourcier & Andrew Elder.
Teaching Modern Dance “Martha Graham’s Journey” By Eric Bentley And “Somatics: A Tool for Empowering Modern Dance Teachers” By Sylvie Fortin Presented.
Sense, Meaning, and Perception in Three Dance Cultures Written By: Cynthia Jean Cohen Bull Edited by: Dr. Kay Picart and Donna Gallagher Based on a presentation.
The 20th Century Literature
Martha Graham’s Journey Authored by Eric Bentley Presented by Eric Anderson Edited by: Dr. Picart and Donna Gallagher.
“The Dance of the Future, I see America Dancing, and Richard Wagner” by: Isadora Duncan Presentation by: Andrew Giles and Francesca San Roman and Edited.
Ballet as Ideology: Giselle, Act 2 Evan Alderson Presented by: Michelle dePozsgay Edited by Laura Pratt and Dr. Kay Picart.
BELOVED: The Novel and Film Presented by: Shannon Sprentall and Joanna Pierson Shannon Sprentall and Joanna Pierson Edited By: Laura Pratt and Dr. Kay.
Invasions of Privacy: The Body in the Novel (part 2) Peter Brooks Presented by: Joseph Hall & Michelle dePozsgay Edited By: Laura Pratt and Dr. Kay Picart.
Design principles and Theory. Objective  Students will understand applicable research and theory, via lecture, reading and class discussion, to appraise.
Virtual Powers & The Magic Circle by Susanne Langer Prepared by Dr. Kay Picart Edited by Jessica Labbé and Dr. Kay Picart.
The Power of Dance from Gerald Jonas’ Dancing
Voodoo, Nationalism, And Performance: The Staging Of Folklore in Mid- Twentieth-Century Haiti By: Mark Hofmeyer and John Anderson and Edited By: Laura.
Edgar Degas and the Dance By Theodore Reff Presentation by Kasey Clark and Jackeline Hernandez and Edited By Laura Pratt and Dr. Kay Picart “Ballet Class”
“The Power of Dance” by Gerald Jonas Edited by: Dr. Kay Picart and Donna Gallagher Based on a presentation by: Amber Fried and Jaime Bharath.
Culture and Conditioning Language/Gender/Class/Race.
Art as a Language, by Joseph Margolis and Dance Notation and Chronology, by Fernau Hall Presented By: Lauren Garcia and Lindsay Kaufman and Edited By:
“The Story Is Told As A History of the Body”:Strategies of Mimesis in the Work of Irigaray and Bausch By: Susan Kozel Jen Pryor and Edited By: Laura Pratt.
“An Anthropologist Looks at Ballet as a Form of Ethnic Dance” Joann Kealiinohomoku Presented by: Katie McClellan and Edited By: Laura Pratt and Dr. Kay.
How Martha Graham changed the world. Martha Graham She was vary good at dancing she chaced the classical ballet in what we know now as modern and contemporary.
ARTS AND THE COMMUNITY: BREAKING THE AESTHETIC OF DISEMPOWERMENT Christine M. Lomas Edited by: Laura Pratt and Dr. Kay Picart.
“Merce Cunningham and the Politics of Perception” Roger Copeland Presented by Liam Julian and Edited By: Laura Pratt and Dr. Kay Picart.
Waltz Images The Egalitarian Waltz by Ruth Katz Presentation by Garrett Johnson and Edited By: Laura Pratt and Dr. Kay Picart.
“Cotton and Iron” by: Trinh Minh-Ha Presentation by: Prenya Rajendran and Edited By: Laura Pratt and Dr. Kay Picart.
MODERNISM Marco Maran.
Outside In Inside Out By: Trinh Minh-Ha By: Stephanie Welcher and Edited By: Laura Pratt and Dr. Kay Picart.
Sense, Meaning, and Perception in Three Dance Cultures Written By: Cynthia Jean Cohen Bull Presented by Erika Vasquez Edited by: Dr. Picart and Donna Gallagher.
Pop Lecture: Dance Education in/and the Post-Modern Isabel Marques Presented by Joy Merrifield and Samantha Thornhill Prepared by: Dr. Kay Picart.
Antigone by Sophocles Presented by: Cassie Casiano Edited By: Laura Pratt and Dr. Kay Picart.
“Social Dance” by Gerald Jonas and “Languages and Language” by Robin G. Collingwood Prepared by Lindsey Malaney and Kristen Acuña Edited by: Dr. Kay Picart.
Martha Graham’s Journey Authored by Eric Bentley Edited by: Dr. Kay Picart and Donna Gallagher Based on a presentation by: Eric Anderson.
Dance Notation and Choreology By Fernau Hall Edited by Jessica Labbé and Dr. Kay Picart Based on a presentation by: Heather Zemeck.
Dance is a type of art that generally involves movement of the body, often rhythmic and to music. It is performed in many cultures as a form of emotional.
“Modes of Symbolization” by: Nelson Goodman Based on a presentation by: Smeli Porterfield and Adrienne Chuck Edited by: Dr. Kay Picart and Donna Gallagher.
MODERNISM Marco Maran. What is Modernism?  It describes a series of reforming cultural movements in art, music and literature  It emerged in the three.
Ways of Seeing Women Article by: John Berger Presentation by: Byron Boldrini and Alex Hess Edited by: Laura Pratt and Dr. Kay Picart.
Dance Natasha Tjandra 6C. What is dance..??~ Dance, is a patterned and rhythm bodily movements, usually it performed with a music that us appropriate.
Forms of Creative Expression Mr. Terrell Humanities Seminar 2.
The beginning of Modern Dance
Modern Dance Ms. Pendry.
Dancing the Orient for England: Maud Allan’s The Vision of Salome
The Idea of the Dance: From Aristotle to Mallarme by Andre Levinson
Dance Types Dances are performed by dancers and the movements are crafted by a choreographer.
Dancing the Orient for England: Maud Allan’s The Vision of Salome
By Susan Manning Edited by: Dr. Kay Picart and Donna Gallagher
“Why Philosophy Neglects the Dance” by Francis Sparshott &
The Birth of Modernism ( )
The Birth of Modernism ( )
“Reinstating Corporeality: Feminism and Body Politics”
Edited by: Dr. Kay Picart and Donna Gallagher
Mind and Medium in the Modern Dance by Katherine Everett Gilbert
“Mind and Medium in the Modern Dance”
The Naked and the Nude Article by: Kenneth Clark
Dance During the Baroque Period
Richard Wagner’s The Art-Work of the Future
Opening Agenda Things to Get:
Presentation transcript:

Frank Kermode’s Poet and Dancer: Before Diaghilev Group 1 Stephanie Peck and Edited By: Laura Pratt and Dr. Kay Picart

Reformist Movement Paris 1909 Diaghilev and the Ballets Russes Correlation between prose and dance Bloomsbury Group Symbolist poetry and the “emblem of the Image” (Mester 3)

Sui Generis Lois Fuller “Symbol of Art itself” Dancing and dehumanization Become an expression of the soul Objectification into “an almost inhuman state” (Kermode 154)

Talk to Her Expressionism as a form of the primal essence of self ________________ Rejecting the cultural construction of dance Significance of ending the film with Ruth Amarante’s ‘Masurca Fogo'

Works Cited Kermode, Frank. “Poet and Dancer: Before Diaghilev.” What is Dance? Koritz, Amy. Gendering Bodies/ Performing Art. UP of Michigan, Mester, Terri. Movement and Modernism. Fayetteville, Arkansas UP Talk to Her. Dir. Pedro Almodóvar