The Found Object in Textile Art By Cas Holmes

The Found Object Found object can be anything from... Safety pin Pin cone Silk fabric picked up from travelling Big/small Man-made or natural Random Sentimental/souvenier

The Found Object Uses Convey a meaning or to add decoration to a textiles piece. Printing or mark-making Tell a story Abstract art

Technique using momigami (hand kneaded paper technique) Cas Holmes Trained in fine arts, work with paper, drawing and textiles. Reowned for her use of found material in her work. Atmospheric, multi-layered pieces Encourages using everyday objects to create textile pieces. E.g Mundane objects like CD cases. Sentimental objects like broken jewellery Technique using momigami (hand kneaded paper technique) Cas Holmes Jul 2011 Red bowl, mixed media Cas Holmes

Mona Luison Works entirely from found objects and craft technique. Finds uninteresting commercial objects and brings them back to life by giving them a newly imagined second life. Huge range of colour and materials. Space- like/futuristic costume

Mona Luison “Every child is an artist. The problem is how to remain an artists once he grows up.” - Picasso Sense of joy, playfulness and artistry in her pieces. They are very childlike as the found objects can be children's toys/fabrics.

Robert Rauschenberg’s Bed Involved the appropriation of a traditional patchwork quilt, which was then embellished with thick paint. Referred to this type of work as ‘combines’.

Tracy Emin Confessional Art Layers and stitches found objects and fabrics with writing to make quilt like hanging that are full of meaning.

Tracy Emin Confessional Art Tracy Emin’s Tent is a form of found objects within textiles. This piece is called ‘Everyone I Have Ever Slept With’ . All the names of people she has slept with are included in the tent. The names have been applied using old fabrics and found objects. This is an example of how found objects within textiles can be made personal.

Textiles and society In this society there is excessive wastage, so using old, unwanted and discarded materials in textiles can reflect our political and social concerns and anxiety about global warming . Farming Buildings Overuse of world resources These issues are worthy of consideration for a textile artist, and how they can help the environment.