From Eroticism to Transcendence: Ballroom Dance and the Female Body by Sally Peters Created by Jessica Labbé Edited by Dr. Kay Picart.

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Presentation transcript:

From Eroticism to Transcendence: Ballroom Dance and the Female Body by Sally Peters Created by Jessica Labbé Edited by Dr. Kay Picart

Review Question:  Why and how does Peters separate social dancing from exhibition or competition dancing?

Discussion Question:  Do you agree or disagree with this characterization of social versus performative partner dancing?

Review Question:  What is Van Den Berg’s “landscape”?

Review Question:  How does the view of Peters’ body change within various dances?

Discussion Question:  What role does costuming and adornment play in ballroom dancing? What role does it play in common social dancing, such as in themed clubs (country, disco, techno, etc)?

Review Question:  Why is “the exposition of the inner self [as] a paired venture... more problematic for the woman than in other forms of dance”? (151)

Discussion Question:  Do you find Peters’ concept that the woman must be aggressive while being led by the male partner problematic? Why or why not?

Review Question:  What pattern is apparent in all Astaire- Rogers films?

Discussion Question:  Do you agree with Peters’ description of the relationship between the dancer and the audience that “Just as [the audience] sees in the dances what they want to see, so the dancers become what the audience desires”? (156) Why or why not? Which perspective are you speaking from: the dancer or the audience?

Concluding Questions:  How does Peters’ description of a connection with dance compare to that of Taylor? What do you think are the reasons for these similarities?  Can you identify with their experiences? Why or why not?