Chapter Nineteen India, China, and Japan: From the Medieval to the Modern World Culture and Values, 6 th Ed. Cunningham and Reich
The Mughal Empire Babur ( ), Akbar ( ) India as center of civilization Religious freedom (Islam, Hindu) Urdu language Artistic blend of Hindu, Persian, and Islamic elements
Mughal Art Architecture Mosques, palaces, walled cities, forts Indian techniques, Arabic innovations Dome, pointed arch, minaret Taj Mahal at Agra (Shah Jehan) Tomb, monument for Banu Begam
Mughal Art Visual Arts Book illustrations, miniatures Secular Realistic scenes from courtly life Persian influences calligraphy
Mughal Art Literature Babur’s Baba-nama (Turkish) Literary devotion of Homayun Poetry (Persian) Mughal tolerance Tulsi Das (1532?-1623)
The End of Mughal Rule and the Arrival of the British Aurangzeb ( ) Islam vs. Hindu Sikhism British East India Trading Company India as “Jewel in the Crown” of Britain Controlled by British government by 1849
The Rise of Nationalism India’s National Congress Party Strife for self-rule Mohandas Gandhi ( ) Satyagraha National literature Prem Cand ( ) Rabindranath Tagore ( )
Chinese Culture Under Imperial Rule Centralized government ( ) Untouched by Western influence Port of Macao Political and social stability Population growth Poverty, political unrest, revolution
The Arts Under the Ming Dynasty Political, economic stability Cultural enrichment Confucianism New literary genres Hua-Pen Novels Stage plays
The Arts Under the Ming Dynasty Landscape paintings Human form in natural setting Artistic attitudes “change within tradition” No distinctions between major art forms Painted ceramicware, “China”
The Arts Under the Ming Dynasty Architecture tied to Confucianism Kublai Khan (c ) Marco Polo (c ) The Forbidden City South vs. North Traditional symbolic values
The Qing Dynasty: China and the Western Powers Kang Hsi ( ) Synthesized local, central administration Introduced Western arts, education Jesuit missionaries Cultural stagnancy Basic technological methods Old artistic formulas, Shitao’s Landscape
The Qing Dynasty: China and the Western Powers Western Trade and Chinese Independence Opium War ( ) Internal rebellions weakened government Tai Ping Rebellion, Boxer Rebellion Republican Revolution Sun Yat-sen Chiang Kai-shek, Mao Tse-tung
The Art and Culture of Japan: Early Japanese History and Culture Capital from Nara to Kyoto Shift from Buddhism to Shintoism Japanese writing system, literature Poetry Theater (no plays) Murasaki’s novel Tale of Genji Shonagon’s pillow-book
The Art and Culture of Japan: The Period of Feudal Rule Kakamura (1185) Samurai-dokoro, Shogun Control of samurai Rise of the warrior class Age of the Warring States ( ) Daimyo vs. Shogun Introduction of firearms
The Art and Culture of Japan: The Edo Period Rule of the Tokugawa family ( ) Japanese versions of landscapes Gentler colors, heightened abstraction Influence of Western art Peacocks and Peonies (1176) Woodblock art Hokusai Katsushika ( )
The Art and Culture of Japan: The Edo Period Basho’s Haiku Buddhist, Zen Buddhist reflections Crucial detail of landscapes Saikaku, Life of an Amorous Woman Overt eroticism, tales of homosexuality Monzaemon, The Love Suicide at Amijima Kabuki drama
Modern Japan: The Meiji Commodore Perry, trade with America Mitsuhito’s “Enlightened Government” Radical program of reform Strong central government Military program Industrialization
Chapter Nineteen: Discussion Questions To what extent did religious and cultural tolerance of the Moghal empire affect the arts of the period? Explain, citing specific examples. What was the effect of a loss of tolerance? What were the positive effects of China’s resistance to Western cultural influences? How did the country’s isolation ultimately serve to undo it political and social stability? Explain. What was the function of art in Communist China? Explain. What was the result of outside influence into Japanese culture during the Period of Feudal Rule and beyond into the Meiji? Consider the far-reaching effects (both positive and negative) of this influence to the people and culture of Japan.