Travis Southwick.  Theatrical adaptations of classical literature can increase student interest and understanding  “An involved child is an interested.

Slides:



Advertisements
Similar presentations
BACKGROUND TEACHING EXPERIENCE PHILOSOPHY English 8 Randolph Middle School Patrick Green.
Advertisements

Engaging with literature through drama PETAA one day conference – 17 June 2013 Bill Spence –
1.GENERAL INFORMATION 2.LANGUAGE LEARNING AND ASSESSMENT 3.COMPETENCIES IN LANGUAGE LEARNING 4.KVS GUIDELINES 5.INDICATORS OF ASSESSMENT 6.BLUEPRINT OF.
GCSE Crossover Coursework Pre1914 texts: Shakespeare and the Prose Study.
AS LITERATURE. Quiz Answers 1. Macbeth th century on April 23 rd, 1564, died in Romeo & Juliet 4. Elizabeth I (reigned ) 5. A Midsummer.
ACTION PLAN Ayesha Mujtaba DA Public School (O & A Levels) English, Grade VIII.
COMPREHENSION FOR EMERGENT READERS YOUNGER CHILDREN NEED “ACTIVE AND VISIBLE” INSTRUCTION AUTHOR WANDA L. CARTER.
School case (2) Introduction S.K.H. Leung Kwai Yee Secondary School May 2006.
Teachers’ concerns: How can we motivate the weaker students to learn English? How can we develop their confidence of using English? Lok Sin Tong Yu Kan.
The Cultural Contexts of Teaching and Learning Stuart Greene Associate Professor of English Director of Education, Schooling, and Society Co-founder of.
Links Compiled by Monica Graham Theater is a great tool for promoting literacy while engaging students in the arts. I hope you will find these sites to.
Literacy Through Theatre and Arts Education. The Arts in Education are Invaluable to a Child’s Learning.
Drama & Literacy A Worthwhile Partnership for Both Teachers and Students.
Reading Across the Curriculum by: Kim Baskin EDU
Story Reenactment.
Understanding Literature through Theater Teaching The Midwife’s Apprentice Peter Laszlo & Meg Smith Ed 200 Project Fall 05 Curriculum Project Trinity College.
Using this strategy in the classroom allows students the “opportunity to discuss and use the vocabulary in context through role-playing.” Students work.
1.GENERAL INFORMATION 2.LANGUAGE LEARNING AND ASSESSMENT 3.COMPETENCIES IN LANGUAGE LEARNING 4.KVS GUIDELINES 5.INDICATORS OF ASSESSMENT 6.BLUEPRINT OF.
CONNECTING HOUGHTON MIFFLIN AND THE NEW COMMON CORE WRITING STANDARDS CONNECTING READING AND WRITING IN THE CLASSROOM.
Introduction to Course of Study in Drama Stages 5 and 6.
Explicitly Teaching HOTS. Why Teach the HOTS explicitly? HOTS are acquired skills, that need to be learned. HOTS need to be taught “neutrally”, unrelated.
Module 3 Introduction to Drama K-6 © 2006 Curriculum K-12 Directorate, NSW Department of Education and Training.
Laura Stone Group 4 Bourgeois, M. (2011) Digital Cameras in the Primary Classroom. Unknown: Scholastic Inc. [online] Available from:
ACE TESOL Diploma Program – London Language Institute OBJECTIVES You will understand: 1. More drama techniques that can be used to teach speaking. You.
Interstate New Teacher Assessment and Support Consortium (INTASC)
Chapter 7, MMADD about the Arts
Readers Theatre: A Shared Reading Celebration!. Warming Up The Voice Breathing and humming Yawning and stretching Vowels and consonants Tongue twisters.
Reading at Brightwalton Reading for enjoyment is encouraged and fostered. Reading is taught in small groups. Reading skills are applied across the whole.
1 Integrating short stories and poems in developing the reading skills for 2 nd year students in Haiphong university Field: Methodology Course: K12. M.A.
Inset session 1: Introduction to working with the units of work.
Literature in English Language Teaching. To think about Why do we use literature in English classes? How can we use literature in English classes? Is.
Reading Successful Practices. Adapted from Successful Practices with English Learners: A Focus on Reading Aida Walqui, Director Teacher Professional Development.
Qualitative Data Analysis : An Introduction Carol Grbich Chapter 11 Ethnodrama.
Literature in the Language Classroom Part A Aims and Objectives.
Creative Curriculum Interest Areas
Fung Kai No.2 Primary School Gifted Program Sharing: Writing A Play.
Language arts / Reading / Houghton Mifflin Anthology / Novels associated with Houghton Mifflin / Choice Novels / Leveled Readers / Additional high interest.
Media Literacy For The Classroom This Ain’t Your Daddy’s Media Course.
Prepared by: Emely Jean A. Ortiz. Movies as a Teaching Resource Many educators actually believe that we need to make our teaching more relevant to an.
ENGLISH LANGUAGE ARTS. W HAT HAVE YOU NOTICED ABOUT LANGUAGE TODAY ?
Beyond the Basal: Reader’s Workshop …schools shouldn’t be about handing down a collection of static truths to the next generation but about responding.
WHERE IN THE WORLD ARE THE ARTS IN THE NEW COMMON CORE STATE STANDARDS? MATI 3013 Susan Denvir
A Sticky Problem Evaluation: 1.Did you like the plot. Give reasons? 2.What kind of a husband is Earl? 3.Where does he work? 4.Give your opinion about Josephine?
Major Art Modality Utilized: Drama & Movement / Artistic Language Multiple Intelligences Addressed: Linguistic, Interpersonal, Intrapersonal Lesson Abstract:
If you enjoy: expressing yourself in an active and exciting way working in a group contributing your ideas and taking onboard those of others.
ACE TESOL Diploma Program – London Language Institute OBJECTIVES You will understand: 1. A variety of interactive techniques that cater specifically to.
Responding to Literature: Opinion Survey Michelle Bonanno English 297.
Tips and Tricks. Unlike fiction, a play does not usually offer a lot of vivid detail. Typically, a playwright will briefly describe a character as he.
Story Line Approach Storyline is when you use narratives in a learning situation. A story must have a plot and some problems needs to be solved. As students.
LITERACY-BASED DISTRICT-WIDE PROFESSIONAL DEVELOPMENT Aiken County Public School District January 15, 2016 LEADERS IN LITERACY CONFERENCE.
The Holland Opus “I have not met any students who do not want to learn. What we as teachers need to do is to find ways for them to show us what they are.
Beginning Social Communication High School: Lesson Five.
1st December  To give schools more flexibility to design a curriculum relevant to the particular needs of the children.  To raise standards in.
Second Grade Parent Night. Reading and Writing Mini-Workshop S.A.F.A.R.I. Guides: Mrs. Bowen Mrs. Moorhead.
A pragmatic approach to using ‘authentic’ materials to enhance course book provision in a themed or topic-based English language lesson MEL Group.
ASSESSMENT PRACTICES IN THE POST-COMMUNICATIVE ERA: A MULTILITERACIES PERSPECTIVE Heather Willis Allen – University of Wisconsin - Madison Beatrice Dupuy.
Chapter 16 Writing a Play. Writing a Play Lesson 151.
Just like this beautiful picture is needed to make this PPT interesting and attractive, different techniques in teaching are needed to do the same for.
Textbooks Literature (class set) Grammar workbook (Bring to class everyday.) A Christmas Carol Bearstone The Pigman The Giver Collegiate Dictionary (Recommended)
Textbooks Literature (class set) Grammar workbook (Bring to class everyday.) A Christmas Carol Bearstone The Pigman The Giver Collegiate Dictionary (Recommended)
Fact vs. Fancy Joyce Sherry P. Catacutan Jenniza I. Estillore.
Reading/ English Language Arts Curriculum of the Woodland Hills School District Presenter: Celeste Covington, Curriculum Coordinator *Information based.
Use of Literature in Language Teaching
LEADERS IN LITERACY CONFERENCE
Lenore McPherson Maroon Team ELA Teacher
Unit 3 The National English Curriculum
The Power of Anchor Charts to Transform Reading Instruction
Answer these questions.
“What’s in a Name?”: Helpful Approaches to Understanding Shakespeare
Presentation transcript:

Travis Southwick

 Theatrical adaptations of classical literature can increase student interest and understanding  “An involved child is an interested child, an interested child will learn, and drama directly involves the child.” --Jennifer Catney McMaster  Using drama increases the likelihood the student will read and study the assigned literature  Short dramatic activity builds a “vivid mental representation”

 The writings of William Shakespeare can be difficult for some high school students to comprehend  Bringing these classical stories to life through drama will: --Increase the likelihood the students will study the works of Shakespeare --Teach students valuable life lessons

 Informal Classroom Drama  “An activity in which students invent and enact dramatic situations for themselves, rather than for an outside audience”  Help students “step inside the characters’ shoes”  Increases the effectiveness of classroom learning

 Using a film adaptation of the William Shakespeare play Hamlet improved student comprehension  Students scored an average of 89% on testing

 Drama can enrich curriculum if teachers use effective dramatic methods to enhance the classroom experience  Teacher in Role - Requires the teacher to have an active role in the drama  Whole Group – Involves all of the students in the dramatic action; more productive and less chaotic

 Finding dramatic context within literature  Same premise different circumstances  Invented character  Roleplaying an analogous situation  Planning before acting  Teacher narration  Switching roles  Reflection in role and reflection out of role  Ready to read the text

 Theatrical adaptations and tools can be an asset to teaching classic literature  A number of techniques and tools can increase student learning and interest  Dramatic efforts motivate students to learn classical literature and life lessons  Creative teachers can develop new techniques

 As You Like It, William Shakespeare  Brandon Shoemaker, “Research for the Classroom – To Read or Not to Read: Five Approaches to Teaching Shakespeare”, English Journal 102.4, 2013  Clipart at Office.com  Jennifer Catney McMaster, “Doing” literature: Using drama to build literacy”, The Reading Teacher, Vol. 51 No. 7, April 1998  William Shakespeare Chandos Portrait