Katherine Matos ENG 126 Section: MW 10:00am. WATER FOR ELEPHANTS’ TRAILER.

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Presentation transcript:

Katherine Matos ENG 126 Section: MW 10:00am

WATER FOR ELEPHANTS’ TRAILER

“Water for Elephants” centers the narration of the experience of an elderly man (Jacob Jankowski) of greatest circus disaster of all time in the Great Depression times (1931). It presents an unexpected romance in a uniquely compelling setting. Veterinary school student Jacob meets and falls in love with Marlena, a star performer in a circus of a long-gone era. They discover beauty amidst the world of the Big Top, and come together through their compassion for a special elephant. Against all odds (including the violence of Marlena’s dangerous husband) Jacob and Marlena find lifelong love. SYNOPSIS

The originality in this American history is in its deep message against animal cruelty, the setting of the story and the inclusion of non-fiction history in it, the production design, atmosphere, costumes and stunts. The facts make this movie very different to what is most popular in the theater screens, is well scripted, very good shot (like one of the most unique pieces is a sketch of black-and-white silent videos of two of the films characters at the end), finely acted period drama. The authenticity and faultless of the movie make me feel like I was watching a classic film. In addition the story is very emotional and touches the heart, but also reveals an unseen dark aspect of old era circus entertainment. In terms of star power, production, and others skills make this movie good, and create and spectacular journey of romance and adventure. OPINION

Feminism: It is found in the oppression of August (Marlena’s husband) against Marlena. Structuralism: Can be related to the movie “Titanic” but in land. Where the protagonist fall in love but there is a opposite force of the husband and the circus employees to separate them. Psychoanalytical: We can see the emotions and desires of the character that moves the audience. Autobiographical: Is a narration of the experience of Jacob Jankowski by himself. LITERARY CRITICISM THEORIES APPLIED