Global Media Flows Alejandra Valencia Cantoral ID:

Slides:

Advertisements

Similar presentations

Online Video Microsoft and Universal McCann. Agenda 1.Leading region in online video consumption 2.Online Video Consumption 3.Online Video Generators.

Advertisements

Senior English for Students Book 1A Unit 2 Reading No.66 Middle School.

China: An economic panacea for Latin America? Jorge Blázquez Paris, March 2006.

Asianet Network - Background The year 1993 brought a LIFETIME of change in the entertainment options amongst homes across Kerala with the launch of ASIANET.

Global TV. Divergent Paths US: commercial, private broadcasting UK: public (BBC, 1927)

CULTURE AND THE ARTS LATI 50 Introduction to Latin America.

Internationalizing Media Studies and the ‘Rise of the Rest’ Presentation at the ECREA conference Istanbul October 2012 Dr Daya Thussu Professor of International.

 Step up from GCSE  SPEAKING EXAM – 30%  READING/WRITING/LISTENING EXAM – 70% (R:20%, W:30%, L:20%)  You get a personal session with a native speaker.

FRQ and CCOT Review Past AP Test Questions.

Globalization of Bollywood

MASS MEDIA. What is communication? sending, receiving and sharing information, ideas, messages How do people communicate? variety of means of communication.

Cultural Geography Chapter 5 review Key Questions How does culture shape space and place? How does culture shape space and place? How do cultural practices.

Auckland Airport | Determination NZ | April 2011 Repositioning AKL – Growing High Value Customer Base determination nz.

1 – Confidential – SONY PICTURES TELEVISION OVERVIEW July 16, 2009.

Phoenix TV’ s Innovation In New Media Emma Feng 14/05/2009.

Why do we study English? Form 9, unit 6.

*United States estimate based on Q monthly average. For all of the most current estimates of U.S. cross-platform video consumption, please refer.

Branding and Building Your Business Using New and Old Media Christine Lemyze, Vice President, Marketing, Global Technology Services, IBM Growth Markets.

Digital Media Funding Innovation Centred Funding for the Digital Media Age… Cannes, 21 May 2008 David Furmage Digital Media Policy Lead & Screen, Image.

International Marketing Chapter 9

Sociocultural exchanges. definitions Culture A system of shared meanings used by people who belong to the same community, group or nation to help them.

The Media. Learning Objectives Analyze and evaluate the role of some English-language media in the international society General and specialized vocabulary.

Globalization Media Flows & Media Ownership. Media Flows §Print formalizes language §Foreign news ‘viewpoint’ penetrates §Mass media represents culture.

How AEF is meeting strategic challenges head-on Hanoï, May 2011.

Cultural Diffusion IB HL. Culture Shared meanings which people who belong to the same community, group, or nation use to help them interpret and make.

Zapak Digital Entertainment Limited The fastest growing Entertainment Business Globally The Video Games Industry.

E-Marketing/7E Chapter 4

GLOBALIZATION AND MEDIA

Global Awareness Program GAP The University of Kansas.

International and Comparative Media Systems

The World Economy Chapter 16 pg The West’s First Outreach post-1300 : Consistent exploration & curiosity of the world increased remarkably –Fueled.

Folk and Popular Culture

Migration Chapter 3. Where are Migrants Distributed? Key Question:

CHINESE COMPETITION AND THE RESTRUCTURING OF SOUTH AFRICAN MANUFACTURING Rhys Jenkins (UEA) Lawrence Edwards (UCT)

Chapter 16 Globalization. Chapter Outline  The Development of Global Trade  The Emergence of the Global Economy  Globalization: The Continuing Process.

Chapter 40. The “Global” Economy 20 th -21 st Century phenomenon New economic order since fall of Communism has been based on global trade, global investing,

Español En El Mundo Real Spanish 3. ¿Sabías que…? Spanish is No. 3 among the more than 5,000 languages spoken in the world today. Only the languages of.

Chapter 16, Globalization The Development of Global Trade The Emergence of the Global Economy Globalization: The Continuing Process Population Growth and.

Definition The mass media are diversified communication technologies that reach a large audience by means of mass communication Examples include radio,

A2 GCE Geography Unit 3 Geographical Superpowers.

1 Bringing Bollywood to Leicester: Reflections on localized strategies of engagement between regional cultural economies and transnational cultural industries.

Entertainment Mid Range Plan Strategy Towards Emerging Market Sony Corp. Corporate Planning & Control Division September 30, 2010.

Media Overview St Petersburg, January 2007 Anna Averkiou.

Games industry in LEDC’s Team Flaccid. The games industry is growing.

The Internet : Asian Perspective Kilnam Chon KAIST

Final Project By: Vienna Willman. Main Ideas of Culture Blend Culture blend is just what it sounds like. It is when cultures exchange ideas and blend.

The Global and the Local in Media Cultures

International Communication Introduction and History.

 Economic, political and social definitions of globalisation  Identify and apply core concepts such as globalisation, citizenship, human rights and democracy.

Globalisation and the mass media. Learning intention: Understand the different interpretations of the role of the mass media in globalisation. Learning.

Effects of Globalization in Mexico Luisa De León, 3°C.

2003 COMPARE AND CONTRAST THE ROLES OF WOMEN IN TWO OF THE FOLLOWING REGIONS DURING THE PERIOD FROM EAST ASIA SUB-SAHARAN AFRICA LATIN AMERICA WESTERN.

What will be the effects of the increasing energy role of China and India? Section 1 To what extent is the world's energy 'secure' at present ? Energy.

A2 GCE Geography Unit 3 Geographical Superpowers © Geography Department, London Academy.

Topic 2: New media, globalisation & popular culture Key Issues: What is the ‘new media’? Characteristics of the ‘new media’ Who is using the ‘new media’?

 International experts  Argue about global problems to find solutions  Their decisions can have good effects that spread globally  e.g. anti-smoking.

The 24/7 World (Chapter 2 – pp ). Hollywood – a global brand Hollywood’s advantages –Huge American market –English language Hollywood’s strength’s.

WEBINAR Key Trends That Will Drive Global eCommerce Growth In 2017

INFORMATION ECONOMY REPORT 2009 Trends and Outlook in Turbulent Times

Grobalization/glocalization of Something/nothing

Global Communications Media

European Social Media – the last 12 months

Petroleum Economics Istvan Csato Department of Geological Sciences

Main trends and perspectives of AV markets in Peru, Venezuela and Colombia Research carried out by Germán Rey Media Observatory, Colombia * The information.

Cultural Diffusion IB HL.

It’s your light that lights the world

Information Sheets.

The Global Media Marketplace

Creating a Global Communication Infrastructure

GLOBAL CHANNEL TRENDS, 2013 Shifting patterns in regional channel growth LOUISE HOWARTH May 2013 Senior Retail Analyst.

Presentation transcript:

Global Media Flows Alejandra Valencia Cantoral ID: 144758 Paola Vera Albarran ID: 145334 Rebeca Salas Hernandez ID: 145633 Esefania Aarún Tassinari ID: 143438

MEDIA FLOWS Media flows: 70’s-80’s: Research claims the existence of unbalanced, unidirectional flows of TV programmes and foreign news from the “centre” to the “periphery”. Main media flows are divided into 3 categories: Global Transnational Geo-cultural MEDIA FLOWS

U.S. Western Media #1 Exporter of media Dominant Flows

U.S.A (DOMINANT FLOW) LATIN AMERICA (CONTRA FLOW) Telenovelas Televisa – México (Mayor productor de programación en español) Venevisión - Venezuela Globo – Brasil Colombia – RCN Argentina – Telefe U.S.A (DOMINANT FLOW) LATIN AMERICA (CONTRA FLOW)

Broadcast in 50 languages and dialects Reaching 100 countries Helps creat a trasnational identity Consumption patterns Telenovelas has succeded in non spanish speakers countries Telemundo

Contra Flows Non Western Nations / Cultures Subaltern Flows Diasporic Audiences Deterritotialization Contra Flows

The global media in the first decade of the 21st century represents a complex terrain. Commercialization of media systems around the world has created new private networks that are primaly interested in markets and advertising seeing the audience as consumers.

Bollywood as a major example of transational global flows, India has emerged as a key destination for outsorcing media content. India

Geo-Cultural media cater to specific cultural-linguistic audiences wich may be scatterd around the world. India´s ZEE TV https://www.youtube.com/watch?v=F6XseUvIZuQ

Bollywood 70 countries South Asia diáspora Popular in: Arab world Central and south Asia Africa countries Bridge between western and indian popular cinema https://www.youtube.com/watch?v=Y6FuYf7r46Y Bollywood

CHINA AND SOUTH KOREA CCTV9- tv in english Channel Phoenix 1996 For diasporic audiences “Window to the world for the Chinese global community” CHINA AND SOUTH KOREA

• Digital technology • Privatized and deregulated broadcasting • Satellite networks Have helped put Asian media on the map and the growth of cultural products. Example: Pusan International Film Festival.

South Korea: Film Soap operas Popular music Online games

2005: South Korea- leader in broadband penetration China- largest television market China- largest number of mobile phone users China- largest exporter of IT products 2006: Chinese- 2nd largest language online

“A new geography of trade with East Asia and China in particular, taking the lead is already having a significant impact on international trade flows” (UNCTAD, 2005: 153).

Dominant groups of interests Media Imperialism Dependency Hibridity *Audiences Implications

“Diasporic Public spheres” Indigenization https://www.youtube.com/watch?v=1vKDOWAf5M8 https://www.youtube.com/watch?v=Yw_Z4vhBY_Y https://www.youtube.com/watch?v=DqasqRdO7dc Consequences

http://www.mtv.com/ http://www.mtvla.com/

Case study https://www.youtube.com/watch?v=kZ02_Uzf7So https://www.youtube.com/watch?v=B-uxeZaM-VM https://www.youtube.com/watch?v=34WIbmXkewU Case study

IS FRENCH CINEMA INFLUENCED BY HOLLYWOOD IS FRENCH CINEMA INFLUENCED BY HOLLYWOOD? DOES CULTURAL EXCEPTION ACTUALLY PREVENT THIS OR NOT? DO FRENCH IDENTITY AND VALUES REMAIN UNTOUCHED (in their films)?