Writing in the Exam AS Unit F661: Poetry and Prose 1800-1945 - Robert Browning.

Slides:



Advertisements
Similar presentations
English “Tam O Shanter: A Tale” Robert Burns
Advertisements

GCSE ENGLISH LITERATURE J360
Miss L. Hamilton Extend your Bishop Justus 6 th Form Year 12: AS Level English ‘Struggle for Identity in Modern Literature’ Lesson Two Year.
Higher English Prelim Revision.
Intermediate 2/ Higher Critical Essay Prelim Support Notes.
What you are assessed on:
G325 Section A  to explore section A of the exam  to understand what this section will require  To begin to apply understanding in approaching a plan.
Linking Poems AS Unit F661: Poetry and Prose Robert Browning.
ACADEMIC TUTORIAL Extended Essay Writing. TODAY WE WILL AIM TO TODAY... ACTIVITY 1: Marking Exercise (20 mins) Reading through 2 candidate answers identifying.
Lesson 6H: Two Versions, One Narrative
CREATIVE CRITICAL RESPONSE Assessment objectives: AO1 (6 marks): Articulate creative, informed and relevant responses to literary texts, using appropriate.
‘Moon on the Tides’ Mock poetry Exam Question
Reflective Writing. Reflective writing is a type of writing in which the writer recalls an experience / writes about a topic that has had a personal impact.
What must students cover
20 Tips for your Poetry Analysis Test Strategies to Help You Improve and Achieve your Best Results on the Test.
PLANNING AN IB WRITTEN COMMENTARY How to ANNOTATE and ANALYZE an extract.
Tackling The Poetry Essay
Critical Essay Reading. What is a critical response? A critical response is an essay where you can show your understanding and appreciation of a text.
Thursday 9 th September 2010 Welcome to AS Language & Literature Success criteria: I understand the structure of the course. I know what will be expected.
Prelim Support Notes  Write 2 critical essays from different genres  Drama, Prose, Poetry, or Media  25 marks each  Do not write 2 essays on the.
GCSE Literature Exam 1 HOUR 45 MINUTES. Section A and Section B Answer 1 question from Section A (On the novel you have studied : either Of Mice And Men.
Miss L. Hamilton Extend your Bishop Justus 6 th Form Year 12: AS Level English ‘Struggle for Identity in Modern Literature’ Lesson 11 Year 12:
R EVISING FOR TEXTUAL ANALYSIS F OCUS ON THE KEY ASPECTS OF THE POEM THAT YOU WILL BE ASKED TO REFER TO IN YOUR ANSWER IN THE EXAM / NAB: Central concerns.
Miss L. Hamilton Extend your Bishop Justus 6 th Form Year 12: AS Level English ‘Struggle for Identity in Modern Literature’ Lesson One Year.
Paper 2: Section A Worth 15% of the English Language GCSE
Friday, 18 December Novel Concepts  Match the term to the definition  For each feature, identify whether it is primarily an aspect of language,
How To Analyze a Reading Presented By: Dr. Akassi Content From The Norton’s Field Guide To Writing.
Exam revision 9ENG steps towards success Miss Macdonald’s tips and tricks.
LO: To analyse language effectively using PEEZ.
Expository Essay Writing
Critical Essay.  To understand how to structure a critical essay.
Homework Feedback Objective: to learn how to structure the examination essay.
The aim of this lesson is to give you a greater understanding of the following, in relation to Intermediate 2 Critical essay writing:  The Performance.
Int 2 Critical Essays. Purpose of the Critical Essay A DISCURSIVE essay on a text Presenting an ARGUMENT – clear line of thought which is linked throughout.
GCSE English Language 8700 GCSE English Literature 8702 A two year course focused on the development of skills in reading, writing and speaking and listening.
Poetry! This part of the exam is called Poetry Across Time. It counts for 35% of your English Literature grade It is divided into two questions: A question.
The History Boys : An Introduction Alan Bennett. The AS level: Where does it fit? Paper 2 (Drama and Prose post-1900): 1 hour 45 - One question on The.
20 Tips for your Poetry Analysis Test Strategies to Help You Improve and Achieve your Best Results on the Test.
GCE English Literature Tuesday 13 November - Everglades Hotel, Derry Wednesday 14 November - Tullylagan Hotel, Cookstown Thursday 15 November - Stormont.
Unseen Poetry How to approach an unseen poem.. The Exam In the exam you will be given two unseen poems – both linked by theme. You will be expected to.
How to write 12M Questions AO1 - FACTS AND THEORIES Get marks by describing and recalling psychological knowledge and understanding. AO2 - APPLICATION.
COMMENTARY LL2 - Coursework. Assessment Objectives Below is the breakdown of how many marks you get for each Assessment Objective you meet: AO1: Select.
GCE English Literature Support Events 4,5 and 6 March 2009.
Tennyson Look over the notes you were completing where you were applying a theoretical lens to two of the poems. You are going to share 5 of your points.
A Level English Literature AQA English Literature A
BA Art Extension Examination Preparation
Writing a Critical Essay on ‘Valentine’ By Carol Ann Duffy
Making Connections: guidance on non-exam assessment
Critical Essays Learning Intention:
English Literature Exam
Paper 1: Tues 6th June GCSE English Language Paper 2: Mon 12th June
GSCE LANGUAGE EDUQAS CRITERIA
Writing analytically PETER checklist Point:
Advanced Higher Textual analysis.
LQ: Can I explain the factors which shape my identity?
CLIFS AO1: Articulate informed, personal and creative responses to literary texts, using associated concepts and terminology, and coherent, accurate written.
Today you will answer one of the following questions:
A guide to comparisons: structure, language, tone and meaning in the poetry. AO1: Articulate creative, informed and relevant responses to literary texts,
How are you are assessed by the examiner…
To know the format of questions in the poetry section of the exam
Basics & Stretch Yourself Assessment Objectives (AOs)
English Literature Paper 2 – 2 hours 15 minutes
What does this Candidate do well?
LQ: Can I understand the mark scheme and assessment criteria?
Critical Essay Writing
Paper 1: Tues 6th June GCSE English Language Paper 2: Mon 12th June
Assessment Objectives
Assessment Objectives
Basics & Stretch Yourself Assessment Objectives (AOs)
Presentation transcript:

Writing in the Exam AS Unit F661: Poetry and Prose Robert Browning

Writing Your Answer Use CLIFS to help you organise your analysis. You should aim to write a brief outline of the poem itself, followed by some detailed analysis. Context makes an ideal introduction, then dedicate a paragraph each to language, imagery and structure, using your knowledge of the form to bring them all together for your conclusion. Don’t try to analyse every line of the poem. It’s better to be selective and show the examiner you have control over the text. When giving examples to back up the observations you’ve made, use specific quotations from across the text. Remember to say which line they’re from. Show how your examples relate to the poem as a whole and explain the effect they create.

For example… DO say: The poem’s imagery is very much concerned with nature and plants, for example, ‘water your damned flower-pots, do!’ (l.2) and ‘Blasted lay that rose-acacia’ (l.69). The persona’s dislike of Brother Lawrence is shown by the way he describes his plants; it makes it clear how bitter he is as well as emphasising his hypocrisy. As a monk, he should be pious and holy but instead we see him slyly cutting Brother Lawrence’s flowers back: ‘Keep them close- nipped on the sly!’ (l.48) DON’T say: The poem uses a lot of plant-based imagery, for example, flowers, parsley and lily. This is because Brother Lawrence enjoys gardening and the persona ruins his plants.

The Exam Question ‘[quote from the poem]’ Discuss the ways in which Browning presents [theme/motif] in [poem name]. In your answer explore the effects of language, imagery and verse form, and consider how this relates to other poems by Browning that you have studied.

The Mark Scheme AO1 Communication and Presentation - Articulate creative, informed and relevant responses to literary texts, using appropriate terminology and concepts, and coherent, accurate written expression. AO2 Analysis and Understanding - Demonstrate detailed critical understanding in analysing the ways in which structure, form and language shape meanings in literary texts. AO4Knowledge and Understanding - Demonstrate understanding of the significance and influence of the contexts in which literary texts are written and received.

Total No. Of Marks GivenLevel of Understanding Shown Band Detailed Band Good Band Competent Band Some Band 26-10Limited Band 10-5Very Little

Choose a Question ‘He alone breaks from the van and the freemen, He alone sinks to the rear and the slaves!’ Discuss the ways in which Browning presents Wordsworth and, more generally, those who choose to join the established elite rather than follow the more difficult road of the liberal cause in The Lost Leader. In your answer explore the effects of language, imagery and verse form, and consider how this relates to other poems by Browning that you have studied. And such plenty and perfection, see, of grass Never was! Discuss the ways in which Browning presents nature’s power in Love Among the Ruins. In your answer explore the effects of language, imagery and verse form, and consider how this relates to other poems by Browning that you have studied.

Planning Your Answer Step 1: Write CLIFS down the side of the page. Step 2: Paying particular attention to the presentation of the given theme in the poem, make notes for each letter. Some hints on what to include are below: C Content – What does the title mean? Context – the significance of the setting. L Language – how does the tone progress? How is this reflected in the language? I Imagery – How is imagery used to present the speaker’s feelings? F Form – Dramatic monologue! What is significant about this form? S Structure – how does the structure of the poem add to our understanding of the speaker’s feelings and Browning’s presentation of the theme? Don’t forget to note down relevant quotes for the points you’re making. Step 3: Think back to poems you could compare it to; ones that also explore the given theme. Make notes against CLIFS to indicate how you will compare and contrast the poems, bearing in mind that the main focus will remain the poem stated in the question.