+ Aperture and the Relationship to Depth of Field.

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Presentation transcript:

+ Aperture and the Relationship to Depth of Field

+ Lower f/stop = shorter depth of field

+ Aperture set at 4.5 f/stop

+ Aperture set at 5.6 f/stop

+ Aperture set at 7.1 f/stop

+ Higher f/stop = deeper depth of field

+ Aperture set at 9.0 f/stop

+ Aperture set at 11.0 f/stop

+ Aperture set at 14.0 f/stop

+ Aperture set at 18.0 f/stop

+ 4.5 f/stop 18.0 f/stop

+ Aperture set at 3.5 f/stop

+ Aperture set at f/stop

+ Aperture set at 5.6 f/stop

+ Aperture set at 7.1 f/stop

+ Aperture set at 9.0 f/stop

+ Aperture set at 14.0 f/stop

+ Aperture set at 18.0 f/stop

+ Aperture set at 22.0 f/stop

f/stop 3.5 f/stop

+ But why would I want blurred or non-blurred backgrounds?

+ CREATIVE CONTROL!!

+ Perhaps you want everything in focus…

+ Like this…….

+ ….or this.

+ Or perhaps you want just your main subject in focus, and other things blurred.

+ Like this…..

+ Or this….. This blurred background is also referred to as “Bokeh.”

+ So….. Low f/stop number equals short depth-of- field, which equals sharp focus on the main subject and blurred backgrounds.

+ Large f/stop number equals long depth-of- field, which equals focus on all elements in the picture frame and limited or no blurriness.