Johnny B. Goode. The A Mixolydian Mode is the same as a D major scale but starting on the 5 th degree of the scale. So instead of starting on the 5 th.

Slides:



Advertisements
Similar presentations
Class 4A Wed only Guitar I and Guitar II
Advertisements

Caged Across – I IV and V The 3 principle chords in a major key
Caged Across – I IV and V Main chords.
Guitar III & Guitar IV 17th night Spring 2005
Blues Backup in 3rds Common way to backup a blues. Do as a shuffle!
Tears In Heaven One of many ways to do it.. Chords to prepare for this.
Knock, Knock, Knockin’ On Heaven’s Door
Guitar Styles Of Eric Clapton
Parker Blues Some common Parker tunes and other Jazz Blues songs.
Slow Ballad in Clapton Style
Class 10 Guitar I and II May be all review – class decides!! If not then below. Review the following –12 – Bar Blues in A and E –Blues backup like Chuck.
Arpeggio Fingerpicking
Frank Markovich1 Script for Scales Tape Frank Markovich Acuson.
Guitar III & Guitar IV 8th night Spring 2005 Moving date of performance night Review of Scale stuff Have a Marshall Rep (David Spann)coming next week.
La Bamba Using Chords For Riffs.
Windy and Warm Chet Atkins Fingerpicking Piece. Overall Information Song is mainly in the key of A minor, but at one point goes to C major and at another.
6th string root barre chords. The ‘E’ form moveable chord.
Wish You Were Here Playing chords without playing the whole chord.
BLUES GUITAR A: Blues Chord Progressions (8 bar, 12 bar) B: Blues Strum Patterns (Shuffle, 2 Strum) C: Blues Techniques for Style: (Pull-offs, Slide-ups,
Freddie The Freeloader
5 basic forms for these. By: F. Markovich
Guitar Styles Of Eric Clapton Class III Covered tonight –Finish Sunshine of Your Love Start of Solo –Pentatonic Scales Review –Boom Boom – from early Yardbirds.
Guitar Styles Of Eric Clapton Class IV Covered tonight –Pentatonic Scales Review –Review Boom Boom – Hear students new song –Wonderful Tonight –Start of.
Articulation F. Markovich. Some thoughts to start Most instruments have slurs. Woodwind and brass instruments don’t tongue notes to slur, strings use.
Guitar III & Guitar 9 th night Fall 2005 –Double stops for Roll Over Beethoven finish. –More work on CAGED The D form – all 5 forms –Look at some of the.
How to Apply Scales and Advanced Techniques to Guitar By: Ryan Jarnagin.
Class 8 Guitar I and II - Blues Only 12 – Bar Blues in A Blues backup like Chuck Berry Blues Scale in 5 th position Difference between straight time and.
Surfin’ USA. You will see many songs written out this way. The chords are just repeated over & over again. This song is in 4/4 time. Each chord will get.
Rhiannon Exercise in intervals of a 3 rd. This whole background is based off of intervals of a 3 rd.
Shuffle Will do to an old tune Linda Lou – but much more than originally meets the eye.
Rock and or Roll! YouTube - Origins of "Rock and Roll" in Songs - 9 minYouTube - Origins of "Rock and Roll" in Songs - 9 min YouTube - History & Evolution.
This is both the Beatles and the Isley Brothers.
On Broadway Notes of melody in the chord!. Begin with just the chords First learn them in 1 st position then we will move them up. Not difficult but make.
Leadbelly Selected songs and backup. Chords Other than the B7 do them in 1 st position. For the B7 do the A7 form at the 2 nd fret. Notice the change.
Guitar I and Guitar II Class 6 E major and Am chords. Review the A and E7 chords. As a review there are so far 3 types of chords – Major, Minor, and Dominant.
Guitar I and Guitar II Class 6 E major and Am chords. Review the A and E7 chords. As a review there are so far 3 types of chords – Major, Minor, and Dominant.
Tequila Example of a simple fun instrumental song.
Class 12 Guitar I and II Lots of stuff F Chord review and practice Playing up the neck. Arpeggio Fingerpicking 8 Days a Week with Intro - review. Final.
Guitar I and Guitar II Class 14 Figuring out songs. Advanced techniques introduction: –Hammers –Pulls –Slides –Taps –Harmonics –Articulation Go over Final.
Country Defining Skills: 1. Strum Patterns: -Boom-Chick -Boom-Chick-a -Boom-Chick---Chick-a-Chick 2. FingerPicking Skills: -Chicken Pickin’ -Carter Pickin’
Walk Don’t Run Study in A Aeolian – Old Time Rock Instrumental.
Class 8 Guitar I and II Review the following – Very Brief as did last week. 12 – Bar Blues in A and E Blues backup like Chuck Berry Blues Scale in 5th.
Roll Over Beethoven Early British rock took many American pop and rock songs as “Cover Tunes”. Beatles were no exception. Chuck Berry tunes were played.
Major Scales Using The CAGED Format
75% 1/5 Speed.
Class 7 Guitar I and II - Blues Only
Song originally performed by Santo and Johnny on a Steel guitar.
Class 11 Guitar I and II Lots of stuff
Guitar III & Guitar IV 12th night Spring 2003
Class 10 Guitar I and II Lots of stuff
Kinks Power Chords.
Here Comes The Sun Class project.
Guitar III & Guitar IV 11th night Spring 2003
Moondance Modern Swing.
Guitar I and Guitar II Class 15
Landslide.
Europa.
Clapton did this but the original by John Lee Hooker.
Really more of a drum thing. This is just a blues in the key of C.
Yankee Doodle Dixie.
Some of Eric Clapton’s most famous licks.
Bending.
Moving Bass Lines and ¾ picking
Playing chords without playing the whole chord
Pipeline 60’s Surf Sound.
I Feel Fine Arrangement.
Moving Bass Lines and ¾ picking
All Along the Watchtower
Pride and Joy Power Trio Blues and Rock
Book on page 49 and 50. Only thing on 49 is the intro (3 measures).
Presentation transcript:

Johnny B. Goode

The A Mixolydian Mode is the same as a D major scale but starting on the 5 th degree of the scale. So instead of starting on the 5 th fret of the 4 th string start on the 5 th fret of the 6 th string. This is the scale that Chuck Berry uses for the runs in Johnny B. Goode. 5 th fret

Slide with 2 nd finger Up to the 6 th fret. Most Slide from 4 th to 6 th fret This is on the 5 th fret, 5 th position with the form similar to the 1 st position ‘F’ chord. Hammer 5 to 6. Slide with 3 rd finger ½ Barred from 6 to 7 th fret. Slide 4 th to 6 th fret Slide 4 th to 5 th fret with a ½ Barre across the 1 st & 2 nd String A Mixolydian mode descending This time you barre with the ring Finger at the 7 th fret across the 4 th and 5 th strings and slide from the 6 th fret. Same basic rhythm as previously. Here it is best to start with just the top note and add in the others later. Switch here to 4 th position. Slide or bend up from the 8 th to the 9 th fret. Use your ring finger for this This is a double stop. You can just play the 2 nd string or do the double stop at any Point where the 2 nd fret 5 th string is played. Hold the ½ barre A at the 5 th fret through the majority of this song. Just take your first position F and move it up to the 5 th fret for this. On recording there isn’t a slide here.

Move to 4 th position. The 6 to 4 is a pull off Slide to 9 th fret from either the 8 th or The 7 th fret. Or you can bend the note from the 7 th or The 8 th fret. This is the most difficult part of this intro. This is an ‘A’ mixolydian mode from her until the first beat of the last measure of This line. Just starts on different notes. An A mixolydian mode from the 1 st string 5 th fret descending to the 1 st string 7 th fret Descending. This is a rake. Hold the A chord down and brush the pick down the strings. To keep the 3 rd string from sounding just lightly touch the 3 rd string with the middle finger – no pressure. Same as before only twice as fast. This part is not played the same each time. Note that it can be played many ways.

th fret 4 th fret th fret A Mixolydian A Blues Double Stop notes These are notes that you can use For the blues in Chuck Berry style. Note that any pair on 2 consecutive strings can work as Long as they are within 1 fret of each other. 5 th fret Here are some common patterns to try. 5 th fret 1 st and 2 nd Strings. Go from 5 th fret 2 nd and 3 rd strings to hamminging Onto the 6 th fret of the 3 rd string.

11 5 th fret th fret th fret th to 1 1 Fret 2 5 th fret 44 8 th ftet Some examples. Listen to the recording for these.

Now work on it Take this piece one measure at a time. Play each measure slowly until you can play it perfectly. The entire piece is based off of the chord form and the A mixolydian mode. Work on this with doing the backing of the song on tape or by getting together with someone else. Once you learn it, work on variations to make it partly your own!! Use these ideas in solo’s of your own. Listen to the original recording. It is in the key of Bb which is up 1 fret from this version.