AD Seminar in Contemporary Theory | Fall 2006 | Daria Tsoupikova | School of Art and Design | UIC Early abstract and commercial animation in America John Randolf Bray Winsor McCay Max Fleischer Mary Ellen Bute Douglass Crockwell Dwinell Grant

AD Seminar in Contemporary Theory | Fall 2006 | Daria Tsoupikova | School of Art and Design | UIC 1879 born in Addison, Michigan, began drawing as a youngster 1901 artist for the Detroit Evening News He then moved to New York where he free-lanced for a year and then took a job with The Brooklyn Eagle The Daschund and the Sausage or The Artist's Dream 1913 Col. Heeza Liar in Africa John Randolph "J.R." Bray (1879 – 1978)

AD Seminar in Contemporary Theory | Fall 2006 | Daria Tsoupikova | School of Art and Design | UIC "experimental period" was granted several patents for the technical processes involved in making animated cartoons. One of the first, granted January 14, 1914, describes a method of registration using crosses printed in the upper corners of each sheet of drawing paper through which pins are inserted Earl Hurd was granted a patent for his use of a transparent (glassine paper) for his action drawings which were then placed over the background. 1917, Bray and Hurd combined their patents and formed the Bray- Hurd Process Company. For about 17 years they issued licenses to anyone who wanted to make animated cartoons using the "cell" method they developed. John Randolph "J.R." Bray (1879 – 1978)

AD Seminar in Contemporary Theory | Fall 2006 | Daria Tsoupikova | School of Art and Design | UIC 1917 J.R. Bray produced the first commercial animated film in color: The Debut of Thomas Cat, a hand-colored film. J.R. Bray sought out and hired several young artists who first learned the rudiments of the art of animation in Bray's studio and subsequently went on to major careers of their own in theatrical, television, and educational animated films: Max Fleischer, Paul Terry, David Hand, Shamus Culhane, and Walter Lantz. John Randolph "J.R." Bray (1879 – 1978)

AD Seminar in Contemporary Theory | Fall 2006 | Daria Tsoupikova | School of Art and Design | UIC 1867 born in 1867 in Canada. McCay had an interest in drawing from the moment he could hold a pen. Left the school at the age of 21, and went to work at the National Printing Company of Chicago. Here he illustrated posters for Circuses and other promotions. Winsor McCay ( )

AD Seminar in Contemporary Theory | Fall 2006 | Daria Tsoupikova | School of Art and Design | UIC 1990 moved to Cincinati, creating advertising posters for the Kohl and Middleton Dime Museum and working as a cartoonist/reporter for the Cinncinati Commercial Tribune invited to New York Herald. It was this period of time when the newspaper comic strip was becoming very popular. McCay began experimenting with his own original strips "Little Sammy Sneeze" 1904 "Dream of a Rarebit Fiend" Winsor McCay ( )

AD Seminar in Contemporary Theory | Fall 2006 | Daria Tsoupikova | School of Art and Design | UIC Winsor McCay ( )

AD Seminar in Contemporary Theory | Fall 2006 | Daria Tsoupikova | School of Art and Design | UIC Winsor McCay ( )

AD Seminar in Contemporary Theory | Fall 2006 | Daria Tsoupikova | School of Art and Design | UIC Winsor McCay ( )

AD Seminar in Contemporary Theory | Fall 2006 | Daria Tsoupikova | School of Art and Design | UIC Winsor McCay ( )

AD Seminar in Contemporary Theory | Fall 2006 | Daria Tsoupikova | School of Art and Design | UIC Winsor McCay ( )

AD Seminar in Contemporary Theory | Fall 2006 | Daria Tsoupikova | School of Art and Design | UIC AD Seminar in Contemporary Theory | Fall 2006 Winsor McCay ( )

AD Seminar in Contemporary Theory | Fall 2006 | Daria Tsoupikova | School of Art and Design | UIC AD Seminar in Contemporary Theory | Fall 2006 Winsor McCay ( )

AD Seminar in Contemporary Theory | Fall 2006 | Daria Tsoupikova | School of Art and Design | UIC AD Seminar in Contemporary Theory | Fall 2006 Winsor McCay ( )

AD Seminar in Contemporary Theory | Fall 2006 | Daria Tsoupikova | School of Art and Design | UIC Winsor McCay ( )

AD Seminar in Contemporary Theory | Fall 2006 | Daria Tsoupikova | School of Art and Design | UIC Winsor McCay ( )

AD Seminar in Contemporary Theory | Fall 2006 | Daria Tsoupikova | School of Art and Design | UIC Winsor McCay ( )

AD Seminar in Contemporary Theory | Fall 2006 | Daria Tsoupikova | School of Art and Design | UIC Winsor McCay ( )

AD Seminar in Contemporary Theory | Fall 2006 | Daria Tsoupikova | School of Art and Design | UIC 1905 "Little Nemo in Slumberland", an extremely popular strip that was made into a Broadway musical. McCay's popularity increased, and he began performing on Vaudeville. After Eight years, hundreds of editorial cartons, and seven strips, McCay left the Tribune and went to work for William Randolph Hearst at the New York American. While working for Hearst, MCay began to experiment with the idea of using animated pictures as part of his vaudeville act. His first attempt was made using the popular characters from the "Little Nemo" strip. It was a huge success and captivated audiences everywhere he went. He followed this experiment up with "How a Mosquito Operates", again a success. Winsor McCay ( )

AD Seminar in Contemporary Theory | Fall 2006 | Daria Tsoupikova | School of Art and Design | UIC Winsor McCay ( )

AD Seminar in Contemporary Theory | Fall 2006 | Daria Tsoupikova | School of Art and Design | UIC Winsor McCay ( )

AD Seminar in Contemporary Theory | Fall 2006 | Daria Tsoupikova | School of Art and Design | UIC Winsor McCay ( )

AD Seminar in Contemporary Theory | Fall 2006 | Daria Tsoupikova | School of Art and Design | UIC Winsor McCay ( )

AD Seminar in Contemporary Theory | Fall 2006 | Daria Tsoupikova | School of Art and Design | UIC Winsor McCay ( )

AD Seminar in Contemporary Theory | Fall 2006 | Daria Tsoupikova | School of Art and Design | UIC Winsor McCay ( )

AD Seminar in Contemporary Theory | Fall 2006 | Daria Tsoupikova | School of Art and Design | UIC 1914 "Gertie The Dinosaur“ Rather then just showing the film as he had with his previous attempts, McCay actually interacted with Gertie, giving her life and charm. Gertie was an instant success and is the first original character developed solely for the animated cartoon and not based on a pre-existing comic strip. Winsor McCay ( )

AD Seminar in Contemporary Theory | Fall 2006 | Daria Tsoupikova | School of Art and Design | UIC 1918 animated film "The Sinking Of The Lusitania", one of the first films to use cells. Even when Hearst opened his own animation studio, McCay continued to work on his own, producing six more films through McCay continued to draw editorial cartoons until his death by stroke on July 26th. Winsor McCay ( )

AD Seminar in Contemporary Theory | Fall 2006 | Daria Tsoupikova | School of Art and Design | UIC 1883 born into Vienna, Austria, the second oldest of six children his family immigrated to the USA in 1887 and settled in New York Max and Dave Fleischer made their first cartoon using rotoscope device. Max Fleischer ( )

AD Seminar in Contemporary Theory | Fall 2006 | Daria Tsoupikova | School of Art and Design | UIC 1917 patent for the rotoscope the idea of using frames of a live action film as the basis for drawing animation. Extensive use of this technique was made in Fleischer's Out of the Inkwell series, one of the highlights being a boxing match between the cartoon Koko the Clown and a live kitten. Max Fleischer ( )

AD Seminar in Contemporary Theory | Fall 2006 | Daria Tsoupikova | School of Art and Design | UIC 1919 established Fleischer Studios for producing animated cartoons and short subjects. At one point, all of his siblings worked there. Out of Inkwell. Max Fleischer ( )

AD Seminar in Contemporary Theory | Fall 2006 | Daria Tsoupikova | School of Art and Design | UIC 1923 a 50-minute animation film about Albert Einstein's theory of relativity the first sound animated cartoons using the Lee DeForest Phonofilm sound-on-film process. This series was known as “Ko-ko Song Car-Tunes" and featured the follow the bouncing ball gimmick, so the audience could sing along a feature-length film about Charles Darwin's theory of evolution combining animation and live action. Max Fleischer ( )

AD Seminar in Contemporary Theory | Fall 2006 | Daria Tsoupikova | School of Art and Design | UIC Max Fleischer ( )

AD Seminar in Contemporary Theory | Fall 2006 | Daria Tsoupikova | School of Art and Design | UIC 1930 Betty Boop made her first appearance in the cartoon Dizzy Dishes, the sixth installment in Fleischer's Talkartoon series. The Fleisher Studio top artist Grim Natwick came up with a new female character: a seductive, nameless side-character who was modeled after Helen Kane, a waning Hollywood star at the time, known for her high- pitched "Boop-Oop-a-doop". This character, who was initially the nameless girlfriend of 'Bimbo the Dog', would develop into the popular and world famous character, Betty Boop. Max Fleischer ( )

AD Seminar in Contemporary Theory | Fall 2006 | Daria Tsoupikova | School of Art and Design | UIC 1938 Fleischer Studios moved from New York City to Miami, Florida to avoid pending unionization of the New York studios. 1941, Paramount Pictures, taking advantage of a significant debt owed to them by Fleischer Studios, took over the studio and renamed it Famous Studios. Fleischer and his brother ran the company for another year before resigning. He later tried unsuccessfully to sue Paramount and get money back from the company for selling his cartoons to television, often cutting them heavily to fit particular time-slot requirements. Max Fleischer ( )

AD Seminar in Contemporary Theory | Fall 2006 | Daria Tsoupikova | School of Art and Design | UIC 1941 'Superman' series Max Fleischer ( )

AD Seminar in Contemporary Theory | Fall 2006 | Daria Tsoupikova | School of Art and Design | UIC He later took a job of producing and directing the Handy Corporation's rare cartoon shorts, one of which was Rudolph the Red Nosed Reindeer went to Bray Studios 1972 lived at the Motion Picture Country House, where he died from congestive heart failure. Ironically, he died eleven days after signing a contract with King Features to reintroduce Betty Boop to the world, a deal which would have made him millions. Max Fleischer ( )

AD Seminar in Contemporary Theory | Fall 2006 | Daria Tsoupikova | School of Art and Design | UIC 1906 born in Texas Started as a Rosa Bonheur-style painter in Texas study painting in Philadelphia Pennsylvania Academy (where she first saw Kandinsky's work); later she studied stage lighting at Yale (in the first class to which women were admitted); made a round-the- world dance and drama tour as a teacher-lecturer; worked with Joseph Schillinger on his mathematical projections and with Leon Theremin on his electronic musical invention. Together they experimented with using optical color projection devices synchronized to music. She then became fascinated with utilizing mathematical formulas to order sequences. Mary Ellen Bute ( )

AD Seminar in Contemporary Theory | Fall 2006 | Daria Tsoupikova | School of Art and Design | UIC Mary Ellen Bute ( )

AD Seminar in Contemporary Theory | Fall 2006 | Daria Tsoupikova | School of Art and Design | UIC 1932 first attempt with abstract film was in collaboration with Joseph Schillinger and Lewis Jacobs on the unfinished Synchronization. Bute's introduction to Ted Nemeth (who became her husband in 1940) led to a partnership that produced 12 short musical "seeing-sound" abstract films, several commercial TV ventures. Mary Ellen Bute ( )

AD Seminar in Contemporary Theory | Fall 2006 | Daria Tsoupikova | School of Art and Design | UIC 1934 Rhythm in Light 1936 Dada 1938 Escape 1939 Spook Sport - began working with color Tarantella Ted Nemeth & Norman McLaren 1940 Spook Sport Ted Nemeth & Norman McLaren 1947 Polka Graph 1948 Color Rhapsodie 1952 Abstronic 1950s using an electronically controlled light beam to choreograph images. In the late 1950s, she began directing live action films adapted from modern literature. Mary Ellen Bute ( )

AD Seminar in Contemporary Theory | Fall 2006 | Daria Tsoupikova | School of Art and Design | UIC Mary Ellen Bute ( )

AD Seminar in Contemporary Theory | Fall 2006 | Daria Tsoupikova | School of Art and Design | UIC Mary Ellen Bute ( )

AD Seminar in Contemporary Theory | Fall 2006 | Daria Tsoupikova | School of Art and Design | UIC 1904 born in Columbus, Ohio Work as a highly competent and conscientious commercial illustrator The family lived in St. Louis Developed award winning "Men At Work" series 1931 start making films 1932 moved to Glenn Falls, New York 1946 Glen Falls Sequence 1949 Motion Painting No Long Bodies Douglas Crockwell ( ?)

AD Seminar in Contemporary Theory | Fall 2006 | Daria Tsoupikova | School of Art and Design | UIC Douglas Crockwell ( ?)

AD Seminar in Contemporary Theory | Fall 2006 | Daria Tsoupikova | School of Art and Design | UIC Douglas Crockwell ( ?)

AD Seminar in Contemporary Theory | Fall 2006 | Daria Tsoupikova | School of Art and Design | UIC Douglas Crockwell ( ?)

AD Seminar in Contemporary Theory | Fall 2006 | Daria Tsoupikova | School of Art and Design | UIC Douglas Crockwell ( ?)

AD Seminar in Contemporary Theory | Fall 2006 | Daria Tsoupikova | School of Art and Design | UIC 1924 studied landscape painting 1931 Dayton Art Institute 1933 National Academy of Design in New York 1935 ban instructor in art and director of dramatics at Wittenberg College in Ohio moved to New York and began working at the Guggenheim with the support of Hilla Rebay made several experimental films, including Contrathemis, an eight- minute, animated production, for which he did some four thousand drawings Composition Composition Color Sequence 1945 Composition 4 (Three Themes In Variation) Dwinell Grant ( )

AD Seminar in Contemporary Theory | Fall 2006 | Daria Tsoupikova | School of Art and Design | UIC Dwinell Grant ( )

AD Seminar in Contemporary Theory | Fall 2006 | Daria Tsoupikova | School of Art and Design | UIC Dwinell Grant ( )

AD Seminar in Contemporary Theory | Fall 2006 | Daria Tsoupikova | School of Art and Design | UIC Dwinell Grant ( )

AD Seminar in Contemporary Theory | Fall 2006 | Daria Tsoupikova | School of Art and Design | UIC Dwinell Grant ( )