Legal Aspects of Captioning for Higher Ed Gaeir Dietrich Director, High Tech Center Training Unit www.htctu.net.

Slides:



Advertisements
Similar presentations
A “bundle of rights” controlled by the owner Distribute the work Reproduce the work Display the work Perform the work Create derivative works.
Advertisements

Copyright Basics for Faculty RVC Faculty Development Day April 21, 2011 Presented by Brent Eckert Technical Services Librarian.
Fair Use in Our University Today Presented by Janet Faulkner, Senior Assistant General Counsel Hillary Corbett, Scholarly Communication Librarian October.
JEANETTE ACOSTA Copyright. © Copyright the exclusive right to make copies, license, and otherwise exploit a literary, musical, or artistic work, whether.
Exemption for Classroom Teaching: Section 110 of the Copyright Law (including The TEACH Act) Insert Date Insert Instructors’ Names / Titles The following.
What is it and why should I care?
Fair Use Guidelines Mary Galloway Texas Middle School Texarkana Independent School District Prepared by Christy Tidwell.
Keeping Your Copyrights Deborah R. Gerhardt – Fall 2005.
The T.E.A.C.H. Act New standards and requirements for the use of copyrighted materials in distance education.
Melanie R. Barber EDUC Dr. D. Wilson October 18, 2010 Copyright Infringement Tutorial.
Copyright Infringement
1 Understanding Applications of the TEACH Act: Distance Education and the New Copyright Law Institute for Computer Policy and Law Educause & Cornell University.
Copyright and Ethics. What is Copyright? Title 17, U.S. Code - A form of protection provided by the laws of the United States to the “authors of original.
C OPYRIGHT — W HAT ’ S THE B IG D EAL Copyright in an Academic Setting.
Copyright Issues for Course Management Systems © Washtenaw Community College
Copyright Treasure Hunt. What is the penalty for copyright infringement?
1 Copyright & Other Legal Issues. 2 WHAT IS COPYRIGHT? Copyright is the form of protection provided by the laws of the United States to authors of “original.
Copyright and Fair Use in Distance Education shops/copyquiz.html.
Office of the General Counsel1 COPYRIGHT and the TEACH Act The Technology, Education, and Copyright Harmonization Act Copyright © 2007 Villanova University.
Intellectual Property for Teaching and Learning Toward an Understanding of Recent Revisions to the Copyright Policy at Rider.
Copyright By Donna Kearley. Video Copyright Rules  Must Meet All Four Rules: 1. Must be shown in a classroom 2. Must be shown by teachers or students.
How Well Do You Know Copyright? Connie Murphy Hylton High School Library 2008.
Copyright “Gotchas” To Avoid When Using Media and Electronic Sources in the Classroom Paul Angerhofer BYU University Counsel.
Teachers and the Law, 8 th Edition © 2011 Pearson Education, Inc. All rights reserved. Teachers and the Law, 8e by David Schimmel, Leslie R. Stellman,
Canadian Copyright Act Became law in January 1924 and was amended in 1988 (Phase I) The second phase amendments were completed in 1997 when Bill C-32.
Copyright Pebblebrook High School July 29, What is copyright? Legal definition: A copyright is attached to an original work of art or literature.
Copyright and the Classroom What do I do? Johnny Tilton Fall 2013.
COPYRIGHT: WHY WE NEED TO BE CAREFUL By: Wesley Rolston and Christina Flores.
Copyright and Fair Use Implications for Assistive Technology and Education.
Section Road Goes to 508 College Gaeir Dietrich  Director High Tech Center Training Unit of the California Community Colleges
Copyright and Fair Use in Education By: Rachel Searcy June 18, 2006.
MediumSpecificsWhat you can doThe Fine Print Illustrations and Photographs Photograph Illustration Collections of photographs Collections of illustrations.
Copyright, Licensing, & the Provision of Electronic Resources Vicki L. Gregory Associate Professor University of South Florida
Copyright: with Implications for Online Educational Purposes Presenter: Jill Baker Audiovisual Librarian San Diego Mesa College April 25, 2008.
Copyright – What you should know! Matthew Mayo and Martha Nixon EDTC 6149.
Copyright and Fair Use What you need to know!. Understanding COPYRIGHT “All tangible, creative works are protected by copyright immediately upon creation.”
Copyright in Online Education ETLO ©. Janis H. Bruwelheide, Ed.D.  Professor of Education  Montana State University  Project Director, BATE.
Copyright What Educators Need to Know. Copyright The following sources were consulted in the preparation of this program: – Gary Becker - Copyright: A.
Copyright and Fair Use. Topics Intellectual Property What is Copyright? What is Fair Use? Common Violations Guidelines TEACH Act 2002.
COPYRIGHT LAW Zahra Hadi Educational Technology EDUC 5302.
The Quest for Copyright Understanding Miguel Guhlin
Copyright Best Practices How to effectively leverage copyrighted materials in the face-to-face and online classroom while not getting huge fines and legal.
Copyright: What Every Teacher and Student Should Know Katie Amend Casey Moffett.
Becky Albitz Electronic Resources Librarian
Copyright Laws Dodge City Public Schools November 2013 Compiled By: 6-12 Academic Coaches and DCHS Librarian Approved By: 6-12 Administrators.
Copyright Law A Guide for Educators. Jolene Hartnett, RDH, BS Seattle Central College © 2015 Certain materials in this program are included under the.
Copyright and Fair Use Website Permissions. What is Copyright? A copyright is a form of protection provided by the laws of the US to authors of “original.
The TEACH Act and You Technology, Education, and Copyright Harmonization Act Emily Hester.
Copyright: Self-Check Jeopardy LS5043: Information and Communication Technologies Check your understanding before you take A.2.1 Copyright Test.
What is the penalty for copyright infringement? What does the term “fair use” mean and who included in the fair use clause? In copyright law, there is.
Copyright for teaching. 2 katelyncollins/category/week-5 CC BY.
PENALTY FOR COPYRIGHT INFRINGEMENT FAIR USE CLAUSE USE OF MULTIMEDIA IN THE CLASSROOM CONDITIONS FOR USING SOMEONE ELSE’S WORDS CONDITIONS FOR USING ANOTHER’S.
Online Media Copyright and Fair Use Guidelines How teachers and students can be held accountable to properly use and create online media.
Copyright Laws are Serious! As Teachers We Must Be Aware By: Amy Wethington.
Copyright Presentation Education Applications of Technology Dr.Justin Burris By: Adrion East.
What Teachers Need to Know.  “Foster the creation and dissemination of literary and artistic works”  “Promote the Progress of Science and the useful.
Ethical and Legal Concerns Tyler Veak, PhD Scholarly Communication Librarian Guillermin Library July, 2012.
NAMTC Presents: Copyright Policies, After the Basics.
Hosted By: Nathan Shives Jeremy Donalson.  A copyright is a form of protection given by the laws of the United States to authors of original works. 
THE EDUCATOR’S GUIDE ON THE COPYRIGHT LAWS PRESENTED BY : TIFFANY SPENCER.
BITS, BYTES AND COPYRIGHTS COPYRIGHT IN THE ONLINE TEACHING ENVIRONMENT.
A GUIDE TO COPYRIGHT & PLAGIARISM Key Terms. ATTRIBUTION Identifying the source of a work. For example, a Creative Commons "BY" or attribution license.
& Teach Act. Click here take interactive quiz: On November 2nd, 2002,
Disclaimer This presentation is for informational purposes only and does not constitute legal advice.
Fair Use in the Classroom
Copyright By: Grace Collins.
Copyright and Online Education
Copyright Introduce Group 1 Kathy Sorrell Angie Dennis Jane Roberts
Copyright and Fair Use Use of Video Media Ava Leigh Fletcher
No One Has the Right to Copy NOT EVEN TEACHERS
Presentation transcript:

Legal Aspects of Captioning for Higher Ed Gaeir Dietrich Director, High Tech Center Training Unit

Laws Requiring Captions  FCC: Federal Communications Commission –Governs airwaves –Laws apply to broadcasters and to programs originally captioned uploaded to Internet  ADA –Requires government PSAs be caption  Section 508 –Requires captioning of videos –Applies to federal government

Why caption?  Most colleges are captioning when a student who requires captions requests them  In other words, it is an accommodation

ACCESS VS. ACCOMMODATION

Federal Laws  ADAAA (Americans with Disabilities Act as Amended) –Title II (public colleges/universities) –Title III (private colleges/universities)  Rehabilitation Act –Section 504 –Section 508 9/2/2015

ADA & Section 504  Accommodation model –i.e., if it doesn’t work for a student fix it for that student  Auxiliary aids and services are provided to allow full participation by disabled student  Both laws very similar in this area

Section 508  Part of Rehabilitation Act of 1973, as amended in 1998  Section 508 standards added in 2001  As written it applies only to the federal government

Does 508 apply to you?  Some states have adopted the Section 508 Standards – stateLawAtGlance.php  Even if Section 508 does not apply directly, it should still be considered best practice to ensure an equally effective experience for all students 9/2/2015www.htctu.net8

Section 504 vs. Section 508  Section 504 addresses individuals’ needs for auxiliary aids and services (accommodations).  Section 508 addresses the infrastructure that allows access. 9/2/2015www.htctu.net9

Rehabilitation Act of 1973  Section 504 is about accommodation. –Making it work for individuals –Disability service offices created to serve students’ needs.  Section 508 is about access. –Create accessible software, Web sites, videos, and documents. –Purchase accessible products. –Campuswide responsibility 9/2/2015www.htctu.net10

A Campus Analogy  Section 504 –Deaf student requests that videos for her class be captioned  Section 508 –New videos must be captioned before being shown in the classroom for the first time 9/2/2015www.htctu.net11

United We Stand  Access and accommodation work together –It’s a continuum  Not fully accessible? Accommodate. 9/2/2015www.htctu.net12

Access vs. Accommodation 9/2/2015www.htctu.net13

Applying This to Videos  The campus buys captioned materials when possible  When not possible, ordering department pays for captioning before the video is used  AND Individual accommodations may still be required 9/2/2015www.htctu.net14

COPYRIGHT But what about…

Introducing: COPYRIGHT  Section 106 of title 17, United States Code, as amended in 1995 and 2002  § 106 · Exclusive rights in copyrighted works

Five Fundamental Rights  Copyright law gives the copyright owner five fundamental, exclusive rights –Reproduction –Adaptation –Publication –Performance –Display

The Copyright Act  Which means that without permission we CANNOT –Reproduce… –Adapt… –Publish… –Perform… –Display… –Their works!  AND we cannot do so until copyright runs out!

1976 Amendments to the U.S. Copyright Act  General Rule –“[F]or works created on or after January 1, 1978, copyright protection endures for the period of the life of the author plus 70 years. See generally 17 U.S.C. §§ *” AIM Commission Report *Complete text found in Section 106 of title 17, United States Code, as amended in 1995 and 2002

Is This Fair?  Stanford Law School, The Center for Internet and Society  Fair(y) Use Tale –“Professor Eric Faden of Bucknell University created this humorous, yet informative, review of copyright principles delivered through the words of the very folks we can thank for nearly endless copyright terms.” –CIS Web site  3/fairy-use-tale 3/fairy-use-tale

Exceptions  Written into the Copyright Act, Chapter 17 of the U.S. Code, as amended in 1987 –“Fair use” – based on existing court doctrine now Section 107 of the Copyright Act –TEACH Act: Technology, Education, and Copyright Harmonization Act of 2002 Mediated instructional activities transmitted via digital networks

Fair Use  Is a defensive argument under the law –Affirmative defense  Does not give specific direction of how works can or cannot be used  Allows one to argue that the usage should be considered fair because…

“Fair Use”: Four Factors  A fair use analysis requires the court to balance at least four factors set forth in the statute: –purpose and character of the use, –nature of the copyrighted “work” [book, thesis, article, etc.], –amount and substantiality of the portion used, and –effect upon the market for the copyrighted work

Fair Use  Fair Use is not a law but an argument under the law  For video captioning –For educational purposes—in favor –Nonfiction works—often in favor, but dramatic works more protected –Making a complete copy—not in favor –If no economic impact—in favor

Bottom Line  If you are not impacting the copyright owner’s income or potential for income from their work, you are probably pretty safe

TEACH Act  The Technology, Education, and Copyright Harmonization (TEACH) Act –November 2, 2002  Instructors may use a wider range of works in distance learning environments  Greater latitude when it comes to storing, copying and digitizing materials

TEACH and Media  Part of mediated instructional activities  Specific students enrolled in a specific class  Either 'live' or asynchronous class sessions.  "reasonable and limited portions," such as might be used in live classroom session,  develop and publiciz its copyright policies  technological measures to ensure compliance

But NOT  Transmission of textbook materials  Electronic reserves, coursepacks (electronic or paper) or interlibrary loan (ILL).  Commercial document delivery.  Conversion of materials from analog to digital formats, except when for authorized transmissions and when a digital version of a work is unavailable or protected by technological measures

COPYRIGHT AND VIDEOS

Off-Air Taping  The U.S. Supreme Court has held that off- air taping by individuals for home use is legal in most cases. The same is not true for taping programs for use in a classroom setting. The use of off-air taped materials by teachers is permitted, under the "fair use" concept, only under certain restricted conditions. See "Fair use" in off-air videotaping: the Kastenmeier guidelines."Fair use" in off-air videotaping: the Kastenmeier guidelines

Kastenmeier Guidelines  fairuse/guidelines.php  created by an Ad Hoc Committee (see House Report 2223 [H.R. 2223])  Do not have the force of law, HOWEVER, they have been cited by the courts in a number of copyright cases  apply to off-air recording by non-profit educational institutions

Kastenmeier In a Nutshell  Retained for a period not to exceed the first forty-five (45) consecutive calendar days after the date of recording  Used once and repeated once only when instructional reinforcement is necessary  Must include the copyright notice on the broadcast program as recorded

By the Way  Programs videotaped from TV will have the captions there EVEN if they were not turned on during taping  Recording to DVD varies

Other Guidance  Center for Media and Social Impact  use/related-materials/codes/code-best- practices-fair-use-media-literacy-education

VIDEOS AND CAPTIONING

A Word about Captions  Always done in the language spoken in the video –Spanish language videos would be captioned in Spanish, not English –Subtitles not the same, but often will do  Include all auditory content, not just speech –Slamming doors, barking dogs, laughter, etc. are all included in text descriptions

Be Aware  Closed captions are turned on and off with a “decoder”  Televisions (since the ‘80s) have decoders built in; not all overhead projectors do –Epson, Panasonic, Smart make projectors with decoders  External decoders can be purchased

Captioning In-depth under 508  “Raw footage” exempt –Single use, restricted use, not archived  Restricted access materials –If no users require captions, do not need  Transcripts –Not sufficient for video (must have synchronized text and video) –Fine for audio-only podcasts

You Tube  Yes, can be captioned  May not need permission if you simply stream words at the same time as the video –Subtitle Horse, Amara  If it is a single-use, accommodate as necessary, rather than providing access

Podcasts  Audio only –A transcript is all that is needed  Audio and video –Synchronized captions required if it is public access –Accommodation can be provided on request if it is a restricted audience (i.e., locked inside LMS)

Audio Description  508 does require it –Can be technically very challenging  However, only needed in order to make content clear –Can potentially be handled by other means  Suggest accommodate as needed

Legal Issues  Unless your campus owns the copyright, get permission –To caption –To change format (VHS to DVD; DVD to Web)  Legal opinion from California Community Colleges Chancellor’s Office – cc/LO_M_02-22.pdf

M02-22: August 2,2002, CCCCO  Recommendations –Purchase captioned materials whenever possible –Borrow captioned version through Interlibrary Loan –Provide an alternate captioned video –Obtain permission to caption –Caption without permission

Captioning without Permission  Make an attempt to obtain permission –Repeat attempts (3 times?) –After repeated attempts, caption  Finding the copyright holder may not be possible –Document the attempt and caption  Can rely on Fair Use –Campus (or instructor) owns the video

And What IS Fair?  If you caption, only circulate the number of copies you OWN –If campus owns one copy, only circulate one copy –Lock the other copy away  Remember, fair use does not smile upon you if you impact the copyright holder’s income from their IP

Copyright Holder Wants a Copy  Sometimes copyright holder says you can caption if you provide them a copy  Concern over a private gift of public funds…  BUT…consider that this is the cost of captioning charged by the copyright holder  Yes, copyright holders CAN charge you to caption

What If They Say “No”?  Accommodate the student  May need to caption and then not retain the captioned version  HOWEVER, keep you transcript and time- coded files for next time

Instructor-Owned Video  Work with your library!  Caption  Hold onto instructor video and loan them the captioned video  If they leave institution, they can get back their version  Your captioned version gets locked away unless campus owns, as well

OR  Get instructor to sign documentation ensuring that they will not use the two copies independently  Then give them both copies

RESOURCES

Resources  Subtitle Horse – –Captions and You Tube in a separate interface  Amara – –Similar plus uses crowd sourcing to caption  Captioning Key – –Best practices on how to caption

Thank you!  Gaeir Dietrich    –High Tech Center Training Unit