Minimalism/Post-Minimalism

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Presentation transcript:

Minimalism/Post-Minimalism Art in New York Minimalism/Post-Minimalism

Frank Stella, Die Fahne Hoch Frank Stella, Die Fahne Hoch!, 1959, enamel on canvas, 10' 1 ½" X 6' 1".

Frank Stella, Ophir, 1960-61, copper and oil paint on shaped canvas, 9' X 7' (irregular).

Roy Lichtenstein, Brushstroke, 1965.

Claes Oldenburg, Lipstick (Ascending), 1969-74.

Donald Judd, Untitled, 1965, galvanized iron, 11’ 3” high, MoMA, NY.

Donald Judd, Untitled, 1972, copper, enamel and aluminum.

Donald Judd, Untitled (Wall Sculpture) Orange and Purple, 1965.

Donald Judd, Untitled, 1966-68.

Donald Judd, Untitled, (Core Piece), 1969.

Donald Judd, Untitled, 1976. plywood, Dia Art Foundation.

Donald Judd, Untitled, 1971, Anodized aluminum, Collection Walker Art Center

Donald Judd, Marfa, Texas.

Dan Flavin, Pink out of a Corner (to Jasper Johns), 1963, pink fluorescent light.

Dan Flavin, Untitled, 1969.

Dan Flavin, Monument to V. Tatlin, Menil Compound, Richmond Hall, 1964.

Dan Flavin, Structural design for support skeleton for an 88 foot tall sculptural light tube hung in the rotunda of the Solomon Guggenheim Museum, 1992.

Dan Flavin, Structural design for support skeleton for an 88 foot tall sculptural light tube hung in the rotunda of the Solomon Guggenheim Museum, 1992.

Dan Flavin, Monuments to V Dan Flavin, Monuments to V. Tatlin series, Menil compound in Richmond Hall, Houston.

Carl Andre, Equivalent VIII, 1966, Firebricks, 12.7 X 68.6 X 229.2cm.

Carl Andre, Equivalent VIII, 1966.

Fall, 1968, Hot-rolled steel, 21 units, 6’ X 28’ X 6’ (each); 6’ X 49’ X 6’ overall. Solomon R. Guggenheim Museum, New York.

Carl Andre, Cedar Tango, 2002.

Robert Morris, Untitled (Pink Felt), 1970.

Robert Morris, Untitled, 1968.

Robert Morris, Untitled (Threadwaste), 1968.

Robert Morris, Untitled, 1967.

Richard Serra, Belts, 1966-1967, industrial rubber belts and neon tube lights on a wall, 6‘ X 18’ X 20“.

Richard Serra, Casting, 1969, lead.

Richard Serra, Prop, 1968, sheets of lead, 84" high.

Richard Serra, One Ton Prop (House of Cards), 1969, lead.

Richard Serra, 2-2-1: To Dickie and Tina, 1969-94, lead.

Richard Serra, Tilted Arc, 1981, Cor-Ten steel, 10‘ X 120‘ X 3", Federal Plaza, New York City (demolished in 1989).

Richard Serra, Tilted Arc, 1981 (removed in 1989), hot-rolled steel, Federal Plaza, New York.

Richard Serra, Sculptures, Steel, Guggenheim Museum, Bilbao, Spain.

Richard Serra, Between the Torus and Sphere , 2003-2005, Guggenheim Bilbao Museum.

Richard Serra, Open Ended, 2007-2008, Gagosian Gallery in London.

Richard Serra, Two torqued toruses of weatherproof steel, 2007-2008, Gagosian Gallery in London.