ART
MUSEUMS LOURVE PARIS, FRANCE
TATE, LONDON
HERMITAGE, ST. PETERSBERG, RUSSIA
PRADO SPAIN
GUGGENHEIM IN BILBAO, SPAIN
BRITISH MUSEUM
RENAISSANCE 16 th c. Figures from the Bible, classical history, mythology, commissioned portraits, use of perspective, CHIAROSCURO, secular backgrounds and material splendor.
BOTTICELLI
PRIMIVERA
Brunelleschi Florence
RAPHAEL SCHOOL OF ATHENS
MARRIAGE OF THE VIRGIN
MICHAELANGELO
baroque
DA VINCI
BAROQUE Response of Counter Reformation More colorful, richer in texture and decoration Scenes embody mystery and drama, violence and spectacle. Stir emotions and win back defectors. Art for the public consumption
Bernini
Durer
Caravaggio
El Greco
The Resurrection
Rembrandt Northern Renaissance/ baroque
RUBENS
FRANZ HALS DESCARTES
HALS
BOY W/ LUTE
Northern Realism 17 th century Values: quiet opulence, comfortable, comfortable domesticity, realism Middle class Dutch patrons commission secular works: portraits, still life's, landscapes
VERMEER
MILLET
‘THE ANGELEUS’
‘THE FIELD’
ROCOCO ART OF FRENCH ARISTOCRACY PORTRAYING NOBILITY IN SYLVAN SETTINGS OR ORNATE INTERIORS CANDY BOX ART. FRIVOLOUS, DELICATE, ELEGANCE, SWEETNESS
BOUCHER
FRAGNORD
BOUCHER ‘The Love Letter”
HOGARTH NOON GIN LANE
RIGAUD
Watteau Next slide “the country dance”
WATTEAU
NEO CLASSICISM 18 TH C. A RETURN TO CLASSICAL ANTIQUITY FOR INSPIRATION, SCENES ARE HISTORICAL AND MYTHOLOGICAL APPEAL IS TO INTELLECT NOT THE HEART EMOTIONS ARE RESTRAINED VALUES: REASON, ORDER, BALANCE, REVERANCE FOR ANTIQUITY
JACQUES LOUIS DAVID
Ingress
ROMANTICISM 19 TH C. REACTION AGAINST COLD AND UNFEELING REASON OF THE ENLIGHTENMENT AND AGAINST THE DESTRUCTION OF NATURE RESULTING FROM THE INDUSTRIAL REVOLUTION STRESS IS ON LIGHT, COLOR, SELF EXPRESSION IN OPPOSITION TO THE EMPHASIS ON LINE AND NEOCLASSICALISM VALUES: EMOTION, FEELING, MORBIDITY, EXOTICISM, MYSTERY.
GERICAULT
DELICROIX TAINGER LIBERTY
MASSACRE AT CHOIS
SPEED OF STEAM
BURNING OF PARLIAMENT
Turner ‘Burial at Sea”
Shipwreck
GOYA
CONSTABLE
DAUMIER
CARTOONIST
EIFFEL
IMPRESSIONISM ATTEMPT TO PORTRAY THE FLEETING AND TRANSITORY WORLD OF SENSE IMPRESSIONS BASED ON SCIENTIFIC STUDIES OF LIGHT FORMS ARE BATHED IN LIGHT AND ATMOSPHERE COLORS FUSE FROM A DISTANCE VALUES: THE IMMEDIATE, ACCIDENTAL, AND TRANSITORY
CZANNE The Card Players
MONET VENICE
RENOIR THE BOATING PARTY
DEGAS
SEURAT
Side Show
Toulouse Lautrec
RODIN THINKER
GATES OF HELL
EXPRESSIONISM 19 TH AND 20 TH C. INDEBTED TO FREUD ART TRIES TO PENETRATE THE FAÇADE OF BOURG. SUPERFICIALITY AND PROBE THE PSYCHE, THAT WHICH LURKS BENEATH AN INDIVIDUAL’S CALM AND ARTIFICAL POSTURE. VALUES: SUBLIMNAL ANXIETY –PICTORAL VIOLENCE…MANIFEST AND LATENT
MANET
MUNCH
DESPERATION
ANXIETY
KIRCHNER Street Scene
The red cocotte
The tempest
Beckman ‘the night’
Van Gogh “Starry Night”
SURREALISM 20 th c. Also indebted to Freud Explores the dream world and world without logic or reason or meaning The strange encounters between objects Subject often indecipherable in their strangeness Values: the dream sequence, illogic, fantasy
Ernst 3 children and a nightingale
De Chirico
‘nostalgia”
Dali
Miro ‘dog barking at the moon
Chagall ‘self portrait w/ seven fingers’ ‘self portrait’
POST IMPRESSIONISM GAUGUIN
CUBISM No single point of view No continuity or simultaneity of image contour All possible views of subject are compressed into one view of top, sides, front and back Values: a new way of seeing a view of the world as a mosaic of multiple relationships
PICASSO
STILL LIFE WITH A CHAIR CANNING
Three Dancers
SEATED WOMAN
Matisse
The Dance
Harmony
‘open window’
Kirchner Berlin Street Scene
Street in Berlin
KATHIE KOLLWITZ
BRAQUE ‘THE TABLE’
ABSTRACT EXPRESSIONISM NON REPRESENTATIONAL ART SHAPES, LINES AND COLORS
BRAQUE
MOORE RECLINING FIGURE
Abstract Rothko orange and red
De KOONING WOMAN
Dadaism Life is random and uncontrolled Inability to control our lives Literally means ‘hobby horse’
DADAISM THE FANTASTIC AND THE ABSURD HANNAH HOCH CUT WITH A KITCHEN KNIFE
Houseman “Spirit of our Times”
DuChamp Three stoppages
Anslem…Departure from Egypt
GIOCOMETTI MAN POINTING DOG
THE PALACE
ARCHITECTURE HOW DOES IT DEFINE A PERIOD? HOW DOES IT SHOW WHO IS IN POWER? HOW DO ART AND ARCHITECTURE REFLECT THE ECONOMIC INTEREST OF THE PEOPLE?
MEDIEVAL GOTHIC GIVES WAY TO GRANDEUR OF BAROQUE(ecclesiastical and royal bldg) 18 th c. gives way to classical and aristocratic style Replaced by romantic, neo-gothic and industrial architec. Of 19thc Blends into the rising bldgs. Of the industrial cities of 20 th c.
Architecture Christopher Wren St. Paul’s Cathedral
IM PEI
Pyramid at the Lourve
BAUHAUS\GROPIUS
Christo and Jeanne- Claude Art that enhanced people’s sensual experience of the everyday world
Previous slide is the wrapping of the Reichstag in Berlin
Enhancing the rural terrain
Paris bridge
The Gates, Central Park
AMEN