Journal #5 To make the Romantics proud, respond to the following paintings emotionally. What do you like/dislike, how does it make you feel?

Caspar David Friedrich Monk by the Sea Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights. Caspar David Friedrich Monk by the Sea 1809-10 oil on canvas

Caspar David Friedrich Abbey in the Oak Forest Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights. Caspar David Friedrich Abbey in the Oak Forest 1810 oil on canvas 3 ft. 7 1/2 in. x 5 ft. 7 1/4 in.

Caspar David Friedrich Wanderer Above the Sea of Fog Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights. Caspar David Friedrich Wanderer Above the Sea of Fog 1818 oil on canvas

Caspar David Friedrich The Polar Sea (Sea of Ice) Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights. Caspar David Friedrich The Polar Sea (Sea of Ice) 1823-1825 oil on canvas 96.7 x 126.9 cm

John Constable The Haywain Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights. John Constable The Haywain 1821 oil on canvas 4 ft. 3 in. x 6 ft. 2 in.

Joseph Mallord William Turner The Slave Ship Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights. Joseph Mallord William Turner The Slave Ship 1840 oil on canvas 2 ft. 11 11/16 in. x 4 ft. 5/16 in.

Joseph Mallord William Turner Rain, Steam and Speed Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights. Joseph Mallord William Turner Rain, Steam and Speed 1844 oil on canvas 3 ft. 11 3/4 in. x 4 ft.

Thomas Cole The Oxbow 1836 oil on canvas 4 ft. 3 1/2 in. x 6 ft. 4 in. Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights. Thomas Cole The Oxbow 1836 oil on canvas 4 ft. 3 1/2 in. x 6 ft. 4 in.

Among the Sierra Nevada Mountains, California Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights. Albert Bierstadt Among the Sierra Nevada Mountains, California 1868 oil on canvas 6 ft. x 10 ft.

Twilight in the Wilderness Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights. Frederic Edwin Church Twilight in the Wilderness 1860s oil on canvas 3 ft. 4 in. x 5 ft. 4 in.

Goya

The Sleep of Reason Produces Monsters from Los Caprichos Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights. Francisco Goya The Sleep of Reason Produces Monsters from Los Caprichos ca. 1798 etching and aquatint 8 1/2 x 6 in.

Francisco Goya Family of Charles IV Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights. Francisco Goya Family of Charles IV 1800 oil on canvas 9 ft. 2 in. x 11 ft.

Francisco Goya The Third of May, 1808 Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights. Francisco Goya The Third of May, 1808 1814 oil on canvas 8 ft. 8 in. x 11 ft. 3 in.

Francisco Goya The Third of May, 1808 Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights. Francisco Goya The Third of May, 1808 1814 oil on canvas 8 ft. 8 in. x 11 ft. 3 in.

Journal #7 Compare these two pieces. Which do you prefer?

http://www. mcah. columbia. edu/arthum2/publicportfolio. cgi http://www.mcah.columbia.edu/arthum2/publicportfolio.cgi?view=2751&columns=2

Francisco Goya y Lucientes The Giant Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights. Francisco Goya y Lucientes The Giant c. 1808 oil on canvas 45 5/8 x 41 3/8 in.

Saturn Devouring His Children Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights. Francisco Goya Saturn Devouring His Children 1819-1823 fresco on canvas 4 ft. 9 in. x 2 ft. 8 in.

Early Photography Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.

Louis-Jacques-Mandé Daguerre Still Life in Studio Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights. Louis-Jacques-Mandé Daguerre Still Life in Studio 1837 Daguerreotype

Eugène Durieu & Eugène Delacroix Draped Model (back view) Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights. Eugène Durieu & Eugène Delacroix Draped Model (back view) ca. 1854 albumen print 7 5/16 x 5 1/8 in.

Josiah Johnson Hawes and Albert Sands Southworth Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights. Josiah Johnson Hawes and Albert Sands Southworth Early Operation under Ether, Massachusetts General Hospital ca. 1847 Daguerreotype

Nadar (Gaspard-Félix Tournachon) Eugène Delacroix Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights. Nadar (Gaspard-Félix Tournachon) Eugène Delacroix 1855 gelatin-silver print

Nadar (Gaspard-Félix Tournachon) Sarah Barnhardt Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights. Nadar (Gaspard-Félix Tournachon) Sarah Barnhardt 1865 gelatin-silver print

Julia Margaret Cameron Ophelia, Study no. 2 Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights. Julia Margaret Cameron Ophelia, Study no. 2 1867 albumen print 1 ft. 1 in. x 10 2/3 in.

Xie Kitchin reclining with parasol Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights. Lewis Carroll Xie Kitchin reclining with parasol 1876 albumen print

A Harvest of Death, Gettysburg, Pennsylvania, July 1863 Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights. Timothy O’Sullivan A Harvest of Death, Gettysburg, Pennsylvania, July 1863 1863 gelatin-silver print

Blessed Art Thou among Women Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights. Gertrude Käsebier Blessed Art Thou among Women 1899 platinum print on Japanese tissue 9 3/8 x 5 1/2 in.

Slide concept by William V Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.

Pre-Raphaelites Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.

John Everett Millais Ophelia 1852 oil on canvas Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights. John Everett Millais Ophelia 1852 oil on canvas 2 ft. 6 in. x 3 ft. 8 in. Her clothes spread wide, And mermaidlike awhile they bore her up- Which time she chanted snatches of old tunes, As one incapable of her own distress.

Dante Gabriel Rossetti Proserpine Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights. Dante Gabriel Rossetti Proserpine ca. 1877 oil on canvas 4 ft. 1 3/4 in. x 2 ft.

Dante Gabriel Rossetti Beata Beatrix Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights. Dante Gabriel Rossetti Beata Beatrix ca. 1863 oil on canvas 2 ft. 10 in. x 2 ft. 2 in.

Sir Edward Coley Burne-Jones The Baleful Head Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights. Sir Edward Coley Burne-Jones The Baleful Head 1886-87 oil on canvas

Sir Edward Coley Burne-Jones The Merciful Knight Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights. Sir Edward Coley Burne-Jones The Merciful Knight 1886-87 oil on canvas

John William Waterhouse The Magic Circle Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights. John William Waterhouse The Magic Circle 1886 oil on canvas