Texts and Context Preliminary Advanced: Comparative Study of Texts and Context how composed in different times and contexts may reflect changing values.

Slides:



Advertisements
Similar presentations
Course Overview. Learning Objectives To examine the role of the media in todays society. To look at social, economic, political and historical contexts.
Advertisements

GCSE Crossover Coursework Pre1914 texts: Shakespeare and the Prose Study.
Assessing Student Learning: Using the standards, progression points and assessment maps Workshop 1: An overview FS1 Student Learning.
Elective 2: History and Memory In their responding and composing, students consider their prescribed text and other texts which explore the relationships.
Texts and Context MODULE A: Comparative Study of Texts and Context Texts in Time Elective 2: Texts in Time texts composed in different times and contexts.
ETA Study Day June 2011 Area of Study – Belonging Section III – Analytical Response The Crucible - Miller.
Contemporary Scottish Theatre An introduction. What is meant by CST?  Any post-1900 play which is set in Scotland and/or written by a Scottish playwright.
HSC STANDARD ENGLISH Module C: Tex ts and Society
Common Core State Standards (CCSS) Nevada Joint Union High School District Nevada Union High School September 23, 2013 Louise Johnson, Ed.D. Superintendent.
Module B: Close Study of Text Text: Prose Fiction Briar Rose.
British Literature April 29, 2009 Ms. Cares. Freewrite: Consider the following: How do you read? What is your favorite book and why? What types of literature.
EDU 21ACL – Australian Children’s Literature Australian Family Stories Lecture 1 What are Family Stories? © La Trobe University, David Beagley, 2006.
Popular Culture: an Introduction
Module C – Representation and Text
© 2004 The McGraw-Hill Companies. All rights reserved. Chapter 5 Picture Books.
Fact or Fiction: Teaching with Historical Fiction
Unit 1 – Understanding Non-Fiction and Media Texts
Module A: Comparative Study of Texts and Context The comparative study of texts in relation to historical or cultural contexts.
 The syllabus says… “This module requires students to explore various representations of events, personalities or situations. They evaluate how medium.
In your answer you will be assessed on how well you: demonstrate understanding of the concept of belonging in the context of your study analyse, explain.
MODULE A Experience through language Elective II = Distinctively Visual.
CULTURE… Students will develop knowledge and understanding of: howwhyhow and why texts are valued.
Literacy Secretariat Literacy is everyone’s business Introduction to the Australian Curriculum: English Literacy as a general capability.
British Literature April 29, 2008 Ms. Cares. Agenda Letter to the SophomoresLetter to the Sophomores Literary CriticismLiterary Criticism Remember to.
Warm Up #9 Write a short poem in the style of Romanticism (remember: not romance, but the ideas of the Romantic Movement) about any topic you want.
Outcome 1 – Social Values.  All media texts are constructed. As a result, they often reflect the social values - the views, attitudes and beliefs - of.
Texts and Context MODULE A: Comparative Study of Texts and Context Texts in Time Elective 2: Texts in Time texts composed in different times and contexts.
{ Connections and Cultural experiences (What is quality literature?) Kath Lathouras, TARA Anglican School for Girls Parramatta
Thursday 9 th September 2010 Welcome to AS Language & Literature Success criteria: I understand the structure of the course. I know what will be expected.
ELA Common Core Shifts. Shift 1 Balancing Informational & Literary Text.
Elective 2: History and Memory.  The syllabus says… “This module requires students to explore various representations of events, personalities or situations.
Advanced English - Modules
Hamlet… By William Shakespeare… “translation” of the Board of Studies HSC Advanced English Syllabus by L. Krieger.
VELS The Arts. VELS (3 STRANDS) Physical, Personal and Social Learning Discipline-based Learning Interdisciplinary Learning.
LITERARY THEORIES An Introduction to Literary Criticism.
In this case… “A critical study of To Kill A Mockingbird, by Harper Lee”
HSC English PAPER 1. How Meaning Is Made  Meaning is made when the responder comes to an understanding of texts.  There are two important areas to consider:
Past Exam Questions Assess different explanations of the extent to which the media influence people’s attitudes and behaviour? (20 marks) Assess different.
How To Analyze a Reading Presented By: Dr. Akassi Content From The Norton’s Field Guide To Writing.
In this case… “A critical study of To Kill A Mockingbird, by Harper Lee”
Module C REPRESENTATION AND TEXT
IB: Language and Literature
A Vision. Connected Confident Lifelong Learners Actively Involved our young people will be …
Module B: Critical Study of Texts… ??? A single text study – the evaluation of ideas and indicative expression… ??? A serious full-on detailed reading.
Interpretive Criticism: reviews, interpretive essays, critical commentary.
MEDIA TEXTS AND SOCIETY’S VALUES. WHAT ARE THE TWO TEXTS YOU ARE STUDYING FOR MT&SV? The Jetsons (Season ) Hanna Barbera Animation Studio District.
Argumentative Writing Grades College and Career Readiness Standards for Writing Text Types and Purposes arguments 1.Write arguments to support a.
 managing self managing self  relating to others relating to others  participating and contributing participating and contributing  thinking thinking.
In this case… “A critical study of The Pigman by Paul Zindel”
VCE LITERATURE Course Outline UNIT 3 This unit focuses on the ways writers construct their work and how meaning is created for and by the reader.
GCSE English Language 8700 GCSE English Literature 8702 A two year course focused on the development of skills in reading, writing and speaking and listening.
In your answer you will be assessed on how well you: demonstrate understanding of the concept of belonging in the context of your study analyse, explain.
Paper 1: Area of Study Belonging. What is the Area of Study? Common area of study for Advanced and Standard students = Paper 1 is common Explore and examine.
Media. UNIT 3 SAC: Narrative - 40 marks – (All 3 SAC’s - 12%) SAT: Production Exercises SAT: PDP UNIT 4 SAT: Media Process SAC: Social Values - 40 marks.
Texts in society… Module C – texts in society. Into The World Elective: Into The World.
English Extension 1 Preliminary Course. A Word From BOS  2 English (Extension) 12.1 Structure  The Preliminary English (Extension) course consists of.
Using Victorian Curriculum to plan learning in Visual & Media Arts F - 6 Webinar, 23 November 2016.
Kathryn Hendy-Ekers Curriculum Manager for Visual Arts
CONFLICTING PERSPECTIVES
Stage 2 English for EAL Students
Good Samaritan Catholic College English
PAPER TWO - LANGUAGE AND LITERATURE
Frankenstein / Blade Runner
What does Section III attempt to assess?
YEAR 12 LITERATURE Course Outline 2017.
Contemporary Literature
Connections and Cultural experiences (What is quality literature?)
Module C REPRESENTATION AND TEXT
Assessment Objectives...
Welcome to ‘Planning for Media Arts activities for the classroom (F-6)
Presentation transcript:

Texts and Context Preliminary Advanced: Comparative Study of Texts and Context how composed in different times and contexts may reflect changing values and perspectives.  You will compare how the treatment of similar content in a pair of texts composed in different times and contexts may reflect changing values and perspectives. texts in their contexts and comparing values, ideas and language forms and features,heightened understanding of the meaning and significance  By considering the texts in their contexts and comparing values, ideas and language forms and features, students come to a heightened understanding of the meaning and significance of each text.

…texts composed in different times and contexts…

More ideas about historical context…

The novel Animal Farm 1945 By George Orwell and the sci-fi film Elysium 2013 directed by Neill Blomkamp. Texts in time…

So… in what kind of “worlds” did George Orwell and Neill Blomkamp live?  What influenced each of them as they were growing up?  What did they each believe?  What “ticked them off” about the world in which they’d each grown-up in?  What did they each experience which motivated them to tell their stories? In order to “get a clue” about the context of each composer – it is absolutely necessary that you have an insightful understanding (not just “knowledge”) of the historical time and place in which each composer “lived”. You need to understand the cultural, social, political and economic attitudes, values and events which existed BEFORE - DURING – AND AFTER the publication of each text.

1970-present Internet / consumerism / globalisation 1970-present Internet / consumerism / globalisation The industrial revolution Victorian period WWI & II / Social upheaval Modernist period 1950-present The ‘pill’ / Communism Postmodernist period Contemporary- Postmodernist period

Compare CONTEXTS in order to explore the texts Animal Farm V Elysium Victorian Period * Industrial revolution  farmers to urban dwellers  middle class * More “leisure time” * Rise of Trade Unions * Middle Class men were given the vote * British Empire at its strongest * Utilitarian and Liberalism values * Social “Darwinism” used as excuse for social and wealth divisions * The “novel” dramatised domestic and social relationships. Modernism * Modernism reacts against strict Victorian moral values * Rise of technology for ordinary people * mass production Vs craftsmanship * stronger middle-class and more equal rights for women * 2 World Wars and the rise of communism * Rise of Secular politics Postmodernism * “the pill” changed gender attitudes * Women ventured out of ‘domestic duties’ * Decline of religion and the traditional family structure * Rise of a powerful new social group – known as ‘teenagers” * rise of immigration and cultural diversity * Electronic and digital technology  globalisation * Mass media  consumerism * Decline of communism * Environmental issues

Animal Farm: a brief chronology of events related to context…

MID TO LATE 20 TH CENTURY

Who is Neill Blomkamp??  Neill Blomkamp was born on September 17, 1979 in Johannesburg, South Africa. He is known for his work on District 9 (2009), Elysium (2013) and Stargate SG-1 (1997). He is married to Terri Tatchell. They have one child.

 Immigrated to Canada at 18 years old  Graduated from Vancouver Film School's 3D Animation and Visual Effects program in 1998  (May 10, 2010) Merited a position in Time magazine's - The 100 Most Influential People in the World ("Artists" category) - with an homage contributed by Ridley Scott  He is friends with Michael Bay, creator of the Transformer films Who is Neill Blomkamp??

Known for his:  Cinéma vérité technique  Blending naturalistic and photo-realistic computer-generated effects  Social commentary using Science Fiction Who is Neill Blomkamp??

 What cultural – social – political – values, attitudes and events would have influenced: 1.Blomkamp as he was growing up? 2.Blomkamp’s family? 3.Blomkamp’s perception of the word as an adult? As a father? Who is Neill Blomkamp??

context lead to changed values being reflected in texts:  changes in context lead to changed values being reflected in texts:  use of the language of texts,  purposes and audiences,  analysis of the content,  values and attitudes conveyed through a range of readings (different people’s points of view)

Which means… What are the similarities between the two texts? Comparative study of common features of both texts: … Which means… What are the similarities between the two texts? Common premiseStructure

Examination rubric… EXAMINATION / ASSESSMENT RUBRIC In your answer you will be assessed on how well you: ■ demonstrate understanding of the meanings of a pair of texts when considered together  what  what are the common ideas / attitudes / values / assumptions / information / human characteristics / human relationships between Animal Farm Farm and Elysium? ■ evaluate the relationships between texts and contexts  How  How closely are the two texts similar? How How distantly are they different? Why? ■ organise, develop and express ideas using language appropriate to audience, purpose and form How? = what language / film forms and features are used in each text to show the ideas etc… Different contexts… WRITE ACCURATELY – no waffling-on… waffling-on… you must keep returning to your thesis statement

 evaluate how different contexts effect how composers use of medium of production, textual form, perspective and choice of language influence meaning. Weigh-up / assess Film, print, Novel, sci-fi feature film Dominant? Resistant? Subversive? Marginalised? Disenfranchised? Popular? Cultural? Christian? Non- Christian? Post-modern? Feminist? Capitalist? Marxist? Formal? Colloquial? Idioms – simile – metaphor – modality – dialogue – imagery – symbols – motifs – audio effects – camera angles, shot types and movement – contrast – irony – satire – persuasive – positive or negative tone – emotive language – factual language – stereotypes – cliches – catch phrases – journalese - Show specific ideas, events, people, values, attitudes about history and memory. Time period  Cultural, social, historical, technological

Analyse how Animal Farm and Elysium imaginatively portray individuals who challenge the established values of their time.

Analyses skilfully how Orwell / Bloomkamp portray individuals who challenge the established values of their time Demonstrates skilfully an understanding of the relationships between Animal Farm and Elysium and their contexts using well-selected and detailed textual reference Composes a perceptive response using language appropriate to audience, purpose and form Marks 17–20

In better responses, candidates considered the key notion of individuals challenging established values and produced a shaped response that developed and sustained a thesis which genuinely addressed the question and which used a discerning selection of textual references. In weaker responses, candidates tended to identify some similarities between these texts, often with a limited understanding of the significance of these similarities. They often considered the key concept of established values of their time in a superficial or generalised way or ignored it. Treatment of context was not integrated into the discussion and was frequently a reference to the time of composition rather than an understanding of how context is reflected in the construction and reception of texts. They often relied on a few basic or inappropriate references to texts. In better responses, candidates considered the key notion of individuals challenging established values and produced a shaped response that developed and sustained a thesis which genuinely addressed the question and which used a discerning selection of textual references. In weaker responses, candidates tended to identify some similarities between these texts, often with a limited understanding of the significance of these similarities. They often considered the key concept of established values of their time in a superficial or generalised way or ignored it. Treatment of context was not integrated into the discussion and was frequently a reference to the time of composition rather than an understanding of how context is reflected in the construction and reception of texts. They often relied on a few basic or inappropriate references to texts. Comments from the marking centre – NSW BOS