Things to Get: Things to Get: The handout from the table in the front of the room The handout from the table in the front of the room Notebook paper Notebook.

Slides:



Advertisements
Similar presentations
Baroque Art & Architecture.
Advertisements

Baroque Art Summary Baroque Summary (1600s) Religious and political conflict around Europe (Thirty Years’ War); Catholic Church responding.
Essential Question: How did the Renaissance change art in Western Europe? Warm-Up Question: Define these terms: Renaissance Humanism Classicism Why did.
Notebook Quiz will begin in 3 minutes!
Agenda February Culture Projects Due NEXT FRIDAY!! To get: –Two Pieces of paper –If it ain’t Baroque…Reading To do: –Opener –Lecture w/ short Bernini video.
Baroque that was primarily associated with the religious tensions within Western Christianity: division on Roman Catholicism and Protestantism. In response.
Baroque Art The Council of Trent, in which the Roman Catholic Church answered many questions of internal reform raised by both Protestants and by those.
Rembrandt (1606 – 1969) Painter & Printmaker (1606 – 1969) Painter & Printmaker.
Renaissance Artists Essential Question: In your own words, define the following terms: Renaissance Humanism Classicism Warm-Up: Why did the Renaissance.
Baroque Era – defined by a music period – year of the first opera production 1750 – year of the death of Bach.
The Beginnings of Modern Art Traditions Renaissance Mannerism Baroque Rococo.
Baroque Cloze Learning. C_________ painted C________ __ S________ M__________ in This artist uses extreme contrast, or t___________. A_________.
Baroque Baroque - From the Portuguese or Spanish “barroco” meaning “rough of imperfect pearl.” Refers to something being elaborate; with many details.
Mannerism – between the Renaissance & Baroque Periods c Deliberate distortion: elongated, twisting forms -- Often religious -- Dramatic lighting;
Baroque Art.
Baroque Art Slides # Baroque Historical Background: The Baroque came about in Rome near the end of the 16 th century – much of the art was patronized.
2 pt 3 pt 4 pt 5pt 1 pt 2 pt 3 pt 4 pt 5 pt 1 pt 2pt 3 pt 4pt 5 pt 1pt 2pt 3 pt 4 pt 5 pt 1 pt 2 pt 3 pt 4pt 5 pt 1pt ITALIAN REN. ART OF THE REN. Identifying.
■ Essential Question: – How did the Renaissance change art in Western Europe? ■ Warm-Up Question: – Define these terms: Renaissance Humanism Classicism.
Unit 7 – Quiz 1 You may use your reading packet. 
Bellringer Create a foldable by defining the following terms: – Humanism – Renaissance – Secular – Patron – Perspective – Vernacular Use page 417 in the.
BAROQUEARTBAROQUEART. BAROQUE ART Originated in Italy The artistic and musical style after the Renaissance Ornate, sensual, expressive, realistic,
Baroque Art A.D.. Baroque Art- WHY… If it isn’t “broke” why fix it? The High Renaissance artists were so exceptional that artists after them.
Opening Agenda Things to Get: Things to Get: The 2 handouts from the table in the front of the room The 2 handouts from the table in the front of the room.
The Baroque Era lasted began around 1600 in Rome and spread in Europe.
Art 102 Fall 2013 Rembrandt Lecture. Rembrandt Left a record of his life in self-portraits Is a Protestant—his paintings show a Protestant sensibility.
2 pt 3 pt 4 pt 5pt 1 pt 2 pt 3 pt 4 pt 5 pt 1 pt 2pt 3 pt 4pt 5 pt 1pt 2pt 3 pt 4 pt 5 pt 1 pt 2 pt 3 pt 4pt 5 pt 1pt ITALIAN REN. ART OF THE REN. Identifying.
Art in the Era of Absolutism
Spain Dates and Places: 1600 to 1700 Iberian peninsula and the Americas People: Catholic nation War leaves economy in decline Absolute monarchs DIEGO VELÁZQUEZ,
Baroque Style of Art & Architecture ► ► Dramatic, emotional. ► Colors were brighter than bright; darks were darker than dark. ► Brought together.
 Baroque is derived from the Italian word “barocco” which means “misshapen pearl.”  rejected the classical styles of the Renassiance.  Art.
Baroque Art Characteristics Powerful use of chiaroscuro. Contrasting of light and shadow. They range from brilliant to deep gloom. Dramatic compositions.
More Art Awesome…I mean really Baroque ► 1600 – ► From a Portuguese word “barocca”, meaning “a pearl of irregular shape.” ► Implies strangeness,
Baroque Era. Baroque  The term baroque was not a complement – it originally meant overdone – too many notes in music, too much color in painting, and.
Baroque – Dutch Flemish
Caravaggio or La Tour Why? La Tour was an artist in France. He was one of Caravaggio’s followers; he became the court painter to King Louis XIII in 1639.
“David” by Michelangelo, 1504 “David” by Bernini, 1623.
Mannerism – between the Renaissance & Baroque Periods c ish -- Deliberate distortion: elongated, twisting forms -- Often religious --multiple.
What do you notice about the music?. Art in the Era of Absolutism Baroque Art: 17th Century Art of the Monarchs, late Reformation and Counter Reformation.
Chapter Nineteen Baroque Art. Baroque Art of Italy and Flanders Counter-Reformation: an effort by the Catholic Church to lure people Baroque art:a style.
AP Art History PowerPoint Project by Arnold James h_rembrandt_the night watch_james.
Mannerism – between the Renaissance & Baroque Periods c ish -- Deliberate distortion: elongated, twisting forms -- Often religious --multiple.
Mannerism – between the Renaissance & Baroque Periods c Deliberate distortion: elongated, twisting forms -- Usually religious -- Dramatic.
Baroque Ilya Ryazantsev MIIGAiK Moscow Baroque Baroque is a term used to describe a period and style of art. It is used to describe paintings, sculptures,
Baroque Humanities Mrs. Adkins. History/Background Began in Italy Catholic Church is still very powerful. Catholic Church (The Council of _______)
Baroque Art Late 1600’s to Early 1700’s in Europe and Italy.
Baroque Art and Architecture The art of Absolute Monarchs, Constitutional Monarchies and the Dutch Renaissance.
The Netherlands in the 17 th Century FRANS HALS, Archers of Saint Hadrian, c Oil on canvas, approx. 6’ 9” x 11’. Frans Halsmuseum, Haarlem.
NOTES FOR TOPIC 9 Baroque The dominant style of European art from c to c The word probably derives from the Portuguese barroco, used to describe.
The Baroque is often thought of as a period of artistic style that used exaggerated motion and clear, easily interpreted detail to produce drama, tension,
Baroque ► 1600 – ► Portuguese word “barocca” ► “a pearl of irregular shape.” ► Implies strangeness, irregularity, and extravagance. ► The more.
Introduction to visual art
What do you notice about the music?
Baroque Era – defined by a music period
Art of the Reformation Baroque & Dutch Realism
Mannerism – between the Renaissance & Baroque Periods c
Week 4: Rembrandt’s Nightwatch
Baroque Architecture.
Baroque = “oddly shaped pear”
Baroque Lesson 2.
Opening Agenda Things to Get:
The Renaissance and Reformation
What adjectives come to mind when you listen to the music?
Baroque Era – defined by a music period
Baroque Era – defined by a music period
Baroque Art History AWN 3m1.
FINAL EXAM – SPRING multiple choice
Baroque Art.
Baroque Painting Artwork Created from 1400 – 1700 AD Theme:
Presentation transcript:

Things to Get: Things to Get: The handout from the table in the front of the room The handout from the table in the front of the room Notebook paper Notebook paper Things to Do: Things to Do: Opener: Preview of Baroque Art Opener: Preview of Baroque Art Notes: Baroque art and artists Notes: Baroque art and artists Exit Slip: Characteristics and Controversies of Baroque Art in Review Exit Slip: Characteristics and Controversies of Baroque Art in Review

 Using the article provided, answer the questions on your learning guide provided. The Conversion of St. Paul, o

 The Baroque period began in 1600 in Rome when Catholic popes began to finance magnificent cathedrals and works to display their faith’s triumph after the Counter-Reformation.  The church wanted to attract new worshippers by overwhelming them with theatrical, “must see” architecture.

 30 Years War  Started out as a religious war between the Catholics & Protestants in the Holy Roman Empire but changed to a political war involving the following countries and regions: the Ottoman Empire, Austria, Poland, the Netherlands, Germany, Denmark, France, Spain, & Sweden  Results: Treaty of Westphalia and a rise in nationalism  Protestant Reformation/Catholic (Counter) Reformation  Martin Luther “thesis” against the Catholic Church  Influences Art:  Catholic- religious subject matter  Popes wanted to remake Rome as the cultural center of the western world.  Council of Trent suggested that religious art: be directed toward clarity, realism, and emotion to increase understanding, make it more meaningful to everyday life, and to arose piety and fervor.  Protestant- avoids religious subjects in favor of landscapes, etc.

 Most sumptuous and ornate in the history of art  Art was expanded into everyday life.  Light was used to create an emotional impact.  Classical elements were used without classical restraint  Visual art was supposed to speak to the illiterate rather than the well-informed. content/uploads/2009/03/judith-slaying-holofernes.jpg

* Introduction Rembrandt, Velasquez, Caravaggio, Bernini

The Conversion of St. Paul Las Meninas Ecstasy of St. Teresa The Night Watch

 Baroque:  Started in Italy  Artists either lived, worked, or studied in Rome  Comes from the term “barrocco”  A Portuguese word meaning “irregularly shaped pearl”  Originally a negative term

 Although started in Italy, became an international phenomenon  Mercantile class and Absolute monarchs are the patrons outside of Italy  Catholic Church:  Wanted to establish Rome as the cultural center of the Western world  Role of art: Art should be used to teach to the illiterate  responsible for defending the Catholic Faith  Protestants:  Role of Art: Worshippers should rely on the Bible to learn about the gospel… not art.

 Increased Trade  New desires- growth of slavery  New wealth= new patrons beyond courts and churches  New Science theories  Sun at the center of the universe

 Most sumptuous and ornate in the history of art  Art was expanded into everyday life.  Visual art was supposed to speak to the illiterate rather than the well-informed.  Light was used to create an emotional impact.  Chiaroscuro  Italian for “lightdark”  a bold contrast between light & dark.  Tenebrism  Italian for "murky"  It creates the look of figures emerging from the dark.  which is a heightened form of chiaroscuro.

 Probably the most revolutionary artist of his time  Characterized by his temper  imprisoned for several assaults and for killing a man  Received pardon and died two days later  He did not idealize the human and religious experience.  Considered profane/vulgar  Orphaned at age 11, went to Rome in 1588, and found a patron in Cardinal Francesco del Monte.  First commissions: scenes of the life of St. Matthew The Crucifixion of Saint Peter, 1601

 The works caused public outcry because of their realistic and dramatic nature. The Calling of St. Matthew

 The Conversion of St. Paul, 1601

 Subject:  St. Paul hears the word of God; falls off his horse and is blinded by the bright light of God  Significance:  Religious art was secularized  Saints and miracles appeared to be ordinary events  Elements and Principles of Art:  The audience is brought into the action through the use of chiaroscuro, tennebrism, and perspective.  Controversies  “down and dirty” style  St Paul is on the ground, and you see the horse’s rear

 Gianlorenzo Bernini sculptor/architect -last of great artists to work for the popes -Major works: - St. Peter’s Piazza - David - Ecstasy of St. Teresa (and Cornaro Chapel)

What are the defining characteristics of Bernini’s David that make it so distinct from Michelangelo’s and Donatello’s Davids? Answer the questions provided on your learning guide.

 The entire chapel is designed to show this sculpture off (there are painted balconies on the wall with spectators).  The sculpture depicts St. Teresa when she sees a vision and hears voices (notice her face).  The saint and angel appear to be on swirling clouds, light created on the side of the wall, the marble quivering…  The entire pieces shows emotion, drama, and passion.

 month/graphics/large/rembrandt_self-portrait.jpg

  Born in Leyden; son of a miller  1634: Marries Saskia van Ulenborch  : extremely successful  many commissions, big house, art collection, rich wife  1642: Saskia dies -> turning point in art  His paintings are characterized by luxurious brushwork, rich color, and a mastery of chiaroscuro self-portrait-1629.jpg

 the greatest artist of the Dutch school  Painter, draftsman, and etcher of the 17th century; –a giant in the history of art.  His paintings are characterized by luxurious brushwork, rich color, and a mastery of chiaroscuro  Numerous portraits and self-portraits exhibit a profound penetration of character.  Between  Early career:  He received many commissions for portraits as well as for paintings of religious subjects  Later career:  In the 1630s and 1640s he made many landscape drawings and etchings. Supper at Emmaus (1648) The Anatomy Lesson of Dr. Nicolaes Tulp (1632)

 Rembrandt was at his most inventive in this work, popularly known as The Night Watch,  Complete the questions on your learning guide as you travel around the room to read the articles covering the Night Watch. The Militia Company of Captain Frans Banning Cocq

 Rembrandt was at his most inventive in this work, popularly known as The Night Watch,  Each man is painted with the care that Rembrandt gave to single portraits, yet the composition is such that the separate figures are second in interest to the effect of the whole. The Militia Company of Captain Frans Banning Cocq

 Subject summary:  Shows Cocq’s company welcoming Marie de’ Medici’s (Queen of France) morning arrival at Amsterdam’s city gate  Elements of Art:  painting moves in diagonals (figures walking toward the center- implied movement)  Controversies:  Patrons contributed equally to the cost of the painting; however, not all are represented equally  Original title was Captain Frans Banning Cocq Mustering His Company but called the Night Watch in 1700’s because it had darkened with age  Connection to Artist:  Turning Point: Declining interest in his work and financial problems The Militia Company of Captain Frans Banning Cocq The Night Watch: 1642

 The Syndics of the Drapers' Guild (1662) And many portraits. And many portraits.

  1621: Royal painter for Philip IV  Lived in Madrid  Studied in Rome in June 1629  Painted many portraits of the Royal Family  Throughout career, style became richer, color more brilliant, the figures more animated  Garnder’s video King Philip IV of Spain, 1644, oil on canvas

 Maids of Honor ( Las Meninas)  1656  As you watch the following video on Las Meninas, complete the questions found on your learning guide.  Is this a formal portrait?  A genre scene?  Who is the subject?  Is the viewer looking at a portrait of margarita, or are the king and queen having their portrait painted by Velazquez while their daughter watches?

Subject summary: Worldly affairs await outside of this family moment Every day life on regal scale- Portrait of the Royal Family Elements of Art: - Line wasn’t used by artist; the forms are less solid as viewer approaches work Connection to Artist: Portrayed in image: cross added after artist’s death Significance: - Velasquez unites the world of the sitter and the viewer - Reminiscent of what Northern Renaissance artist/portrait?

 Complete the chart you began for your opener using the notes you took during this class. ArtistArtworkSubjectBaroque Characteristics Controversies or Cool Facts Rembrandt Velazquez Caravaggio Bernini