DIGITAL WATERMARKING OF AUDIO SIGNALS USING A PSYCHOACOUSTIC AUDITORY MODEL AND SPREAD SPECTRUM THEORY By: Ricardo A. Garcia University of Miami School.

Slides:



Advertisements
Similar presentations
Department of Computer Engineering University of California at Santa Cruz MPEG Audio Compression Layer 3 (MP3) Hai Tao.
Advertisements

Spread Spectrum Chapter 7. Spread Spectrum Input is fed into a channel encoder Produces analog signal with narrow bandwidth Signal is further modulated.
CHAPTER Modulation.
Digital Audio Coding – Dr. T. Collins Standard MIDI Files Perceptual Audio Coding MPEG-1 layers 1, 2 & 3 MPEG-4.
AUDIO COMPRESSION TOOLS & TECHNIQUES Gautam Bhattacharya.
Computer Communication & Networks Lecture # 06 Physical Layer: Analog Transmission Nadeem Majeed Choudhary
DIGITAL COMMUNICATIONS.  The modern world is dependent on digital communications.  Radio, television and telephone systems were essentially analog in.
Digital Representation of Audio Information Kevin D. Donohue Electrical Engineering University of Kentucky.
1 Digital Audio Compression. 2 Formats  There are many different formats for storing and communicating digital audio:  CD audio  Wav  Aiff  Au 
Audio and Video Watermarking Joseph Huang & Weechoon Teo Mr. Pirate.
Lecture 8: Spread Spectrum
Cellular Communications
1 Audio Compression Techniques MUMT 611, January 2005 Assignment 2 Paul Kolesnik.
Digital Data Transmission ECE 457 Spring Information Representation Communication systems convert information into a form suitable for transmission.
Spread Spectrum Steganography Nick Sterling Sarah Wahl Sarah Summers.
MPEG Audio Compression by V. Loumos. Introduction Motion Picture Experts Group (MPEG) International Standards Organization (ISO) First High Fidelity Audio.
SPREAD SPECTRUM In spread spectrum (SS), we combine signals from different sources to fit into a larger bandwidth, but our goals are to prevent eavesdropping.
1 DIGITAL RADIO -- The Eureka 147 DAB System THE THIRD AGE OF BROADCASTING The First Age of Radio Broadcasting - the era of AM The Second age - FM.
Spread Spectrum Steganography
1 CMPT 371 Data Communications and Networking Spread Spectrum.
Sep 08, 2005CS477: Analog and Digital Communications1 Example Systems, Signals Analog and Digital Communications Autumn
IT-101 Section 001 Lecture #15 Introduction to Information Technology.
Fundamentals of Perceptual Audio Encoding Craig Lewiston HST.723 Lab II 3/23/06.
Why to Apply Digital Transmission?
1 Audio Compression Multimedia Systems (Module 4 Lesson 4) Summary: r Simple Audio Compression: m Lossy: Prediction based r Psychoacoustic Model r MPEG.
Spread Spectrum Techniques
STEGANOGRPAHY [APPLICATION – I]
Digital Image Watermarking Er-Hsien Fu EE381K Student Presentation.
Digital Audio Watermarking: Properties, characteristics of audio signals, and measuring the performance of a watermarking system نيما خادمي کلانتري
DIGITAL WATERMARKING OF AUDIO SIGNALS USING A PSYCHOACOUSTIC AUDITORY MODEL AND SPREAD SPECTRUM THEORY * By: Ricardo A. Garcia *Research done at: University.
MULTIMEDIA: CRYPTO IS NOT ENOUGH 9/09/2015 | pag. 2.
CE 4228 Data Communications and Networking
Audio Compression Usha Sree CMSC 691M 10/12/04. Motivation Efficient Storage Streaming Interactive Multimedia Applications.
CELLULAR COMMUNICATIONS 4. Modulation. Modulation  Radio signals can be used to carry information  Audio, data, video  Information is used to modify.
Software Defined Radio
How to Achieve Robustness & Fragility in Watermarking Technology.
Radio Signals Modulation Defined The purpose of radio communications is to transfer information from one point to another. The information to be sent.
A Power Independent Detection (PID) Method for Ultra Wide Band Impulse Radio Networks Alaeddine EL-FAWAL Joint work with Jean-Yves Le Boudec UWB4SN 2005:
MPEG Audio coders. Motion Pictures Expert Group(MPEG) The coders associated with audio compression part of MPEG standard are called MPEG audio compressor.
1 Audio Compression. 2 Digital Audio  Human auditory system is much more sensitive to quality degradation then is the human visual system  redundancy.
Data and Computer Communications Eighth Edition by William Stallings Lecture slides by Lawrie Brown Chapter 9 – Spread Spectrum.
Spread Spectrum Spread-spectrum techniques are methods by which energy generated in a particular bandwidth is deliberately spread in the frequency domain,
Basic Concepts of Audio Watermarking. Selection of Different Approaches Embedding Domain  time domain  frequency domain DFT, DCT, etc. Modulation Method.
Week 7 Lecture 1+2 Digital Communications System Architecture + Signals basics.
CDMA Code Division Multiple Access. is a channel access method
Coding Theory. 2 Communication System Channel encoder Source encoder Modulator Demodulator Channel Voice Image Data CRC encoder Interleaver Deinterleaver.
Digital Transmission & Analog Transmission. 4.#2 1. DIGITAL-TO-DIGITAL CONVERSION Digital Data -> Digital Signal Three techniques: 1.line coding (always.
CDMA TECHNOLOGY DEFINITION OF CDMA TECHNOLOGY A coding scheme, used as a modulation technique, in which multiple channels are independently coded for.
VIRGINIA POLYTECHNIC INSTITUTE & STATE UNIVERSITY MOBILE & PORTABLE RADIO RESEARCH GROUP MPRG Combined Multiuser Detection and Channel Decoding with Receiver.
Basics Modulation Multiple Access
1 William Stallings Data and Computer Communications 7 th Edition Chapter 9 Spread Spectrum.
A Power Independent Detection (PID) Method for Ultra Wide Band Impulse Radio Networks Alaeddine EL-FAWAL Joint work with Jean-Yves Le Boudec ICU 2005:
Code Division Multiple Access (CDMA) Transmission Technology
Data and Computer Communications Eighth Edition by William Stallings Lecture slides by Lawrie Brown Chapter 9 – Spread Spectrum.
Data and Computer Communications Ninth Edition by William Stallings Chapter 9 – Spread Spectrum Data and Computer Communications, Ninth Edition by William.
EC 2401*** WIRELESS COMMUNICATION. Why Wireless Benefits – Mobility: Ability to communicate anywhere!! – Easier configuration, set up and lower installation.
Stallings, Wireless Communications & Networks, Second Edition, © 2005 Pearson Education, Inc. All rights reserved Spread Spectrum Chapter.
Diana B. Llacza Sosaya Digital Communications Chosun University
Submitted To: Submitted By: Seminar On Digital Audio Broadcasting.
DATA AND COMPUTER COMMUNICATIONS Eighth Edition by William Stallings Lecture slides by Lawrie Brown Chapter 9 – Spread Spectrum.
[1] National Institute of Science & Technology Technical Seminar Presentation 2004 Suresh Chandra Martha National Institute of Science & Technology Audio.
Outline Introduction Type of Multiplexing FDMA TDMA CDMA Future Work
Introduction to Audio Watermarking Schemes N. Lazic and P
Robust Data Hiding for MCLT Based Acoustic Data Transmission
DIRECT SEQUENCE SPREAD SPECTRUM WITH FREQUENCY HOPPING
Spread Spectrum Audio Steganography using Sub-band Phase Shifting
Basic Concepts of Audio Watermarking
MPEG-1 Overview of MPEG-1 Standard
Govt. Polytechnic Dhangar(Fatehabad)
DIGITAL WATERMARKING OF AUDIO SIGNALS USING A PSYCHOACOUSTIC AUDITORY MODEL AND SPREAD SPECTRUM THEORY By: Ricardo A. Garcia University of Miami School.
Presentation transcript:

DIGITAL WATERMARKING OF AUDIO SIGNALS USING A PSYCHOACOUSTIC AUDITORY MODEL AND SPREAD SPECTRUM THEORY By: Ricardo A. Garcia University of Miami School of Music 1999

Objectives: Design an algorithm and implement a system capable of embedding digital watermarks into audio signals Use spread spectrum techniques to generate the watermark. Use a psychoacoustic auditory model to shape the watermark

Characteristics: Not perceptible (transparent) Resistant to degradation –Removal attempts –Transmission by analog/digital channel –Sub-band coders Original audio is not required in recovery

Design Approach:

SPREAD SPECTRUM Communication system –Uses all the available spectrum –Each channel uses an orthogonal code –All other channels appear as “noise”

TDMAFDMA CDMA spread spectrum

Direct Sequence Spreading Uncoded Direct Sequence Binary Phase Shift Keying Uncoded DS/BPSK

De-Spreading and Data Recovery

Coded DS/BPSK Transmitter: –Repeat Code –Interleaving Receiver: –De-interleaving –Decoder (decision rule)

PSYCHOACOUSTIC AUDITORY MODEL Simultaneous frequency masking Calculate an approximated masking threshold T(z) LINEAR LOGARITHMIC

Frequency  Bark Scale Mapping Critical bands Basilar membrane spreading function B(z)

Psychoacoustic Auditory Model

Noise Shaping Replace components below masking threshold with components from watermark Level of the watermark below threshold Each band has its own scaling factor

Noise Shaping

PROPOSED SYSTEM Transmission: watermark generation and embedding

Reception: watermark recovery

SYSTEM PERFORMANCE Survival over different channels –MPEG –Mini Disc –Two consecutive D/A - A/D –Analog Tape –FM Stereo Radio –FM Mono Radio –FM Mono Radio (weak signal) –AM Radio

MPEG LAYER 3 Level: -2 dB

Listening Test Transparency was achieved for all the watermarking levels. Total listening trials: 40 level = -2 dB 24 correct identifications level = -4 dB 19 correct identifications level = -6 dB 19 correct identifications

CONCLUSIONS The perceptual quality of the audio signal was retained The watermark signal survives to different removal attacks (redundancy) Few parameters are needed at the receiver to recover the watermark

FURTHER RESEARCH Performance with different types of music Changes in the playback speed of the signal Bit error detection and recovery Optimal spread spectrum parameters Multiple watermark embedding Crosstalk interference