“People draw and paint pictures or make carvings of their idea of spirits; or spirits are represented by masks at ceremonies and festivals.” -Introduction.

Slides:



Advertisements
Similar presentations
Traditional African Society
Advertisements

West African Masks By Dana Munson & Adrianna Thomas.
ART AND AESTHETICS: The Artistic Enterprise in Pre/Postcolonial African Societies.
Masking Traditions in Africa British Marines displaying their loot after the sack of Benin, 1897.
Hair Matters. Head, BP (500BC-200AD) Terracotta.
Early African Art Chapter 13. Historical Background 0 Africa has more indiginous languages than any other location 0 Plagued by war and fighting (Hutus.
Chapter 15 Africa Before 1800 Kim Dinh Riley Gamboa.
Masking Traditions in Africa
MASKS OF AFRICA Text taken from The Art of African Masks by Carol Finley Lerner Publishing Company Minneapolis, MN 1999.
©2002 Oxford University Press PowerPoint Overheads to accompany Phillip E. Allen Douglas R. Holberg CMOS Analog Circuit Design Chapter 5 CMOS Amplifiers.
©2002 Oxford University Press PowerPoint Overheads to accompany Phillip E. Allen Douglas R. Holberg CMOS Analog Circuit Design Chapter 10 Digital — Analog.
©2002 Oxford University Press PowerPoint Overheads to accompany Phillip E. Allen Douglas R. Holberg CMOS Analog Circuit Design Chapter 6 CMOS Operational.
©2002 Oxford University Press PowerPoint Overheads to accompany Phillip E. Allen Douglas R. Holberg CMOS Analog Circuit Design Chapter 2 CMOS Technology.
©2002 Oxford University Press PowerPoint Overheads to accompany Phillip E. Allen Douglas R. Holberg CMOS Analog Circuit Design Chapter 3 CMOS Device Modeling.
©2002 Oxford University Press PowerPoint Overheads to accompany Phillip E. Allen Douglas R. Holberg CMOS Analog Circuit Design Chapter 1 Introduction and.
©2002 Oxford University Press PowerPoint Overheads to accompany Phillip E. Allen Douglas R. Holberg CMOS Analog Circuit Design Chapter 8 Comparators.
Presented by: John Deryusorh Willie
All You Ever Wanted to Learn About African Art Part II
Introduction to West Africa
African Masks. Native Art Africa is the home of the earliest findings of human civilization. Almost as old as human culture is the human need to create.
Art and Culture in Contemporary Africa. Burkina Faso

Exploration, Colonialism, and Independence Later African Art.
Chapter Twelve The Arts of Africa.
Burkina Faso: Cultural Connections A supplement to ISSUE 3 of the Schools for Africa Newsette International Educational Excellence Committee Image from.
Face Mask Guro Peoples Côte d’Ivoire Mid-20 th Century.
Ancient Ghana was located in West Africa. They played a huge role in the gold-salt trade, where they traded their gold for North Africa’s salt.
Aim: How did tribalism organize ancient African society? Do Now: Who are the people in your immediate family? Aim: How did tribalism organize ancient African.
AFRICAN SOCIETY. Africa below the Sahara, was a vibrant part of civilization.
Asses the importance of art and culture in Africa.
Africa via the 6 Themes. Physical Geography.
INTRO TO WEST AFRICA: label the following countries using page A19 in the green textbook Mauritania Chad Togo Ivory Coast Guinea Mali Nigeria Ghana Liberia.
Africa Chapters 15 & 32.
Modern Africa.
Africa CE. Enduring Understandings  Human life and art has radiated from Africa well beyond the continent.  African arts are active, motivate.
African Art Ricky Flores. Masks Masks: A) What are masks used for in traditional African culture? They are used in parts of religious ceremonies done.
African Art Terry Luong. Masks Masks: A) What are masks used for in traditional African culture? Masquerades B) What is the purpose of animal masks? To.
Self-Portraiture through Masks. Templo Mayor (Main Temple). Tenochtitlan (modern Mexico City, Mexico). Mexica (Aztec) C.E. Stone (temple);
A digital lesson about African masks and masquerading  2005 Pearson Publishing.
Emphasis on the human figure Emphasis on the human figure: The human figure is the primary subject matter for most African art. In historical periods involving.
Ancient African Art.
A lesson about African masks and masquerading  2005 Pearson Publishing.
African Mask Project Introduction Unit of Study: Sub-Saharan Africa Developed by Mrs. B. Escalante.
Africa By:Brianna McGuire.
West Africans Value Arts Chapter 6, Section 4 Historical and Artistic Traditions, page 150~151 Created by: Miharu Sugie, Sarah Doyle, and Anais Teyton.
Masking Traditions: Honoring our mothers. The Religious Landscape.
Global Prehistory images 1-11
Traditional Africa Tribalism Bell Work: (A) 5 Questions You would like know about Africa (B) List as many African countries as possible. Pretest 1-10 I.D.
Masking Traditions: honoring our mothers The Religious Landscape.
Unit: 6 Africa STYLE of ART This symbol indicates that there is a video on KHAN Academy This symbol indicates that there is a video on You Tube, Smart.
CH 19 SEC 3 West Africa I. A History of Rich Trading Empires The three main empires that rose in West Africa were the Songhai, Ghana, and Mali. The main.
Act. 4.2 African Art African art was not made to be viewed on walls in museums or displayed in glass cases. They were made for a variety of purposes: to.
© Oxford University Press How are the plates moving?
Ethnic Groups in Africa
This Afro-Brazilian Mask was purchased in Salvador de Bahia, Brazil
AFRICA AFTER 1800 GARDNER 34-2 PP
Figure 2. CONSORT flow diagram.
Ensuring outstanding teaching in art & design
Figure 1. Conceptual model of well-being related to involvement in theatre. From: Theatre Involvement and Well-Being, Age Differences, and Lessons From.
Africa C.E. Content
AFRICA AFTER 1800 GARDNER 34-2 PP
African Culture.
Jegede on African art - slide 1
Triangles and Art Maggie K..
Traditional African Society
Sacred and Secular Imagery: The Masking Tradition
What important religious and cultural aspects make-up today’s Africa?
Carnival of the Animals Introduction and Royal Lion’s March
Traditional African Culture
Countries of Africa.
Presentation transcript:

“People draw and paint pictures or make carvings of their idea of spirits; or spirits are represented by masks at ceremonies and festivals.” -Introduction to African Religions John S. Mbiti

*recreation of a diagram in Intro. To African Religions, John Mbiti. Pg.70

Dan and We Masks nart.org/facingthe mask/diversity_d anwe.html allery.com/african/ masks_rare.html yama.com/d an/pics..htm

Sande Society The Mende, Vai and Gola peoples of Sierra Leone and Liberia ctions/aonwc/africanart/ larger /function_perform.html cinc.com/gallery/ex hibit.htm

Animal Masks Spirits of the Bush The Ijo of Nigeria and The Guro of the Ivory Coast s..htm /diversity_male.html

Baule Figures art/pages/baou5.htmhttp://perso.wanadoo.fr/afric art/pages/baou5.htm u/~kamuseum/exh ibitions/online/afric a/index8.htm O/nieuwenhuysen/african- art/african-art-collection- statues.htm w.eliteart ofafrica.c om/Sculp ture/Afric an%20Sc ulpture.ht m eBoUsuFigures/BauleBoUsu02.html umich.edu/ ~hartspc/u msdp/UMA /

Nail Fetishes minkondi um/Superstitions.html#Congo

Bakota Guardians artgallery.de/produkte/figur en/p_bakota-f01-h.html

Bibliography Lawson, E. Thomas. Religions of Africa. Harper & Row. New York, NY:1985. Mbiti, John S.. Introduction to African Religions. 2cnd ed.. Heinemann International. Portsmouth, NH:1975. Tshiluila, Shaje A., Buganza, Mulinda Habi. ‘Kongo,’ Grove Art Online, (Oxford University Press, Accessed [ ]) Willett, Frank. African Art: An Introduction. Praeger Publishing. New York, NY:1971. Ravenhill, Phillip L.: ‘Baule,’ Grove Art Online, (Oxford University Press, Accessed [ ])