BY MARGRET AND ANGELINA KLEOPHADES PAINTER HYDRIA.

Slides:



Advertisements
Similar presentations
Amasis Lekythos Wedding Robert Arlow. Details Named after the potter not the painter (Amasis) who signed it. Height: 17.1cm Date: BC Type.
Advertisements

Ovoid lekythos – Wedding Procession
Two Vases The Amasis Painter. Amasis the Painter had a unique style probably Egyptian because Amasis is a Hellenised version of Ahmosis named after the.
Quiz to date incl some Exekias BA 1. How tall is the Francois vase? 2. How many of the 270 figures on Francois are named with inscriptions? 3. Who painted.
Alexander Mosaic. Date:late 2nd c. B.C. Dimensions:3.42 m. high x 5.92 m. wide (incl. frame) Technique:Mosaic Location:House of the Faun (exedra in the.
Makron Skyphos. Cup: Skyphos Painter: Makron Potter: Hieron Date: BC Height: 21cm Basically, the skyphos portrays Helen of T-roy being abducted.
Pointed Amphora & Hydria
Exekias Belly Amphora Produced by Pare and Ngapoko.
The Niobid Painter Calyx Krater White text: p Black text: p
Kleophrades Painter HYDRIA White text: p Black text: p
Makron Skyphos. OUTLINE OF PRESENTATION Attribution details The Shape The Scene, Side A Composition of Side A Painting Technique The Scene, Side B Composition.
The Berlin Painte r White text: p Black text: p
Berlin Painter Volute krater. Basic facts  Vase shape:volute krater  Function:mixing wine & water  Potter:unknown  Painter:Berlin Painter  Date:
Kleophrades: Pointed amphora. about the painter  Kleophrades worked in Athens between a period of 505BC to 475BC.  Over 100 vases attributed to him.
Berlin Painter: Volute Krater
Ovoid lekythos – Women Weaving
Berlin Painter Volute Krater Fact Scan: Date: BC Type:Volute Krater (Mixing wine and water at the symposium) Technique:Red figure (the figures are.
Achilles painter Lekythos.  NAME: Achilles painter Lekythos  MADE: BC  SIZE: 38cm  POTTER: not known  PAINTER: The Achilles painter  WE DON’T.
Poster Research. The act of symmetry draws the attention of the audience to the house, therefore hinting at the danger within the film. Furthermore the.
The Age of Red-Figure. Intro Red figure technique invented in Athens The opposite in technique to black figure Adding details with paint (rather than.
1 The family Frieze shows a sculptural relief from the Ara Pacis Augustae. What political idea does the name of this monument promote? [ACH] It promotes.
Euthymides Belly Amphora
Dioscuri (Castor and Polydeuces)
A BUFFALO Presentation ;). ATTRIBUTION DETAILS 1. Name: Berlin Painter Volute Krater 2. When Made: BC 3. Size: 65 cm in height 4. Potter: Unknown.
Archaic Greece.   In Greece’s transition from the Dark Age into the final stages of the Archaic period, artistic change accompanied political change.
WHITE-GROUND DECORATION This was the last technique to be developed. Its use suggests that the pottery decorators longed to have the freedom to paint like.
Independent Learning Challenge Year 7 INFORMATION This piece of work should take 3 hours (6 weeks of 30 minute home works). Make sure that you ask your.
 Vase shape:skyphos  Function:deep wine drinking cup  Potter:Hieron  Painter:Makron  Date: BC  Height:21cm.
GUERNICA PABLO PICASSO. “ART IS A LIE THAT MAKES US REALIZE THE TRUTH” BY PABLO PICASSO.
Lydos Column Krater. Key Facts Made in BC 56.5cms tall Potter and painter is known as Lydos Column Krater used to mix wine and water at symposiums.
The Trojan Horse. The Basics Fourth Style 62 cm wide, 39 cm high Date unknown Chilling effect of foreboding and imminent doom Subjects Greek, but treatment.
Kleophrades Painter: Pointed amphora White text: p.50-53
This is an aid to supplement everything else not your only notes.
MAKRON Skyphos White text: p Black text: p
Lydos White text: p Black text: p Current location: The Metropolitan Museum of Art, New York Shape: Column krater Function: mixing bowl for.
Euthymides Belly Amphora
The Achilles Painter White text: p.71 Black text: p
Euthymides. Shape: Belly amphora Use: Two-handled Greek vase with a swollen belly, narrow neck, and a large mouth. In antiquity an amphora was often used.
Kleophrades: pupil of Euthymides
Exekias Belly Amphora. Exekias -Ancient Greek vase painter and potter. -Worked approx. between 550BC – 525BC. -Mainly worked with technique known as ‘black.
The Achilles Painter White text: p.71 Black text: p
Attribution Details This was made between BC The size of the vase is 52 cm Potter: Meidias The painter is unknown since he did not sign his name.
Name: Penthesileia Painter Pyxis When Made: 460 – 450 BC Size: 17cm including lid Potter: Unknown Painter: The Penthesileia Painter There is a large cup.
The content of the picture itself is framed within a beautiful old archway and looks out onto the great wall of china. This adds to the attractiveness.
10. KLEOPHRADES PAINTER POINTED AMPHORA. Date: BC Type:Pointed Amphora-Red figure Potter: Kleophrades Painter: "Kleophrades Painter" Height: 56.
Meidias Painter Vase: Hydria Potter: Meidias Painter: The Meidias Painter Date: c BC Height: 52.2 cm.
Amasis Painter Ovoid Lekythos. Attribution Details Name: Ovoid Lekythos Made: 550 BC Size:17cm Potter and Painter: Amasis Painter Amasis may not be the.
The Niobid Painter. The Niobid Painter Basic Info Potter: Unknown Painter: The Niobid Painter Vase Shape: Calyx Krater Function: Bowl to mix wine and.
9. MAKRON SKYPHOS. *It is a more mature red-figure example than the ones that we have met so far. If you use the most recent handout on skyphoi you should.
4. EXEKIAS EYE-CUP. Date:c535 BC Type:“Eye-cup” Black-figure Potter: Exekias-signed Painter: Exekias?-unsigned Width: 30 cm Subject: Inside: Dionysus.
3 EXEKIAS BELLY AMPHORA Side ASide B. Date: BC Type:Belly Amphora-Black figure Potter: Exekias-signed Painter: Exekias-signed Height: 61 cm Subject:Side.
11. KLEOPHRADES PAINTER HYDRIA. Date: BC (Arias says 480 BC) Type:Hydria-Red figure Potter: Kleophrades Painter: "Kleophrades Painter" Height:
Berlin painter.
The Achilles Painter Lekythos. Name: The Achilles Painter Lekythos When made: BC Size: 38.4cm Potter: Unknown Painter: The Achilles Painter.
Greek Vase Painting Techniques Black figure technique
Side B Characters identified; The Dioskouri – Twin brothers Castor and Polydueces, Queen Leda of Sparta and King Tynadareus with a Slave boy. Castor is.
Name: Kleophrades Painter Made: BC Size: 56cm Potter: Kleophrades Painter: Kleophrades painter The real name of the Kleophrades Painter is unknown,
10. KLEOPHRADES PAINTER POINTED AMPHORA
Vase Attributes Name: Exekias Kylix When Made: 535 BC Size: 30.5 cm
14. PENTHESILEIA PAINTER - PYXIS
The Penthesileia Painter Pyxis
20 question revision quiz
Vase Test One.
8. EUTHYMIDES BELLY AMPHORA
Terms to use when describing vases
12. BERLIN PAINTER - VOLUTE KRATER
16. MEIDIAS PAINTER - HYDRIA
KLEOPHRADES PAINTER HYDRIA
Euphronios Calyx Krater
6. AMASIS PAINTER LEKYTHOS - WEDDING
Presentation transcript:

BY MARGRET AND ANGELINA KLEOPHADES PAINTER HYDRIA

ATTRIBUTION DETAILS NAME: Kleophades Painter hydria WHEN MADE : BC SIZE : 45 cm POTTER : Kleophades PAINTER : The Kleophades painter HOW DO WE IDENTFIY THE PAINTER? Because the vase is unsigned and it was very similar to another vase that was signed by Kleophades therefore the vase is attributed to the same painter. IN WHAT WAY WAS THE PAINTER RELATED TO EUTHYMIDES ? He was his student.

12.2 THE SHAPE 1. VASE SHAPE : Hydria 2. WHAT WAS IT USED FOR? Carrying water 3. HOW MANY HANDLES ? 3 4. WHY DOES IT HAVE THIS MANY HANDLES? WHAT ARE THEY USED FOR? Two of handles are used for carrying the vase and the third is used for pouring. 5. WHY IS THE VASE SHAPE PERFECT FOR ITS USE? The vases narrow neck works to prevent spillage. The side handles work to make carrying the vase easier.

12.3 THE SCENES 1. WHAT IS THE GENERAL THEME FOR THE SCENES THAT RUN AROUND THIS VASE? The sack of Troy by the victorious Greeks. 2. WHAT PARTICULAR SCENE IS SHOWN HERE? NAME THE THREE PEOPLE INVOLVED AND EXPLAIN THEIR RELATIONSHIPS. Aeneas, Anchlses and Ascanius. Their relationship is that their a family. And there fleeing before they die.

12.3 THE SCENES 1. Referring to the picture on the previous page, what mood is the painter trying to get across? That there is danger, the need to escape. 2. How does he manage to achieve this mood? You can see the three figure walking away from the soldier and the body on the ground. Also it looks as though they are sneaking off.

1. What particular scene is shown here? This scene shows Cassandra being raped by Ajax. Cassandra is the Daughter of King Prima and priestess of Apollo. She is naked while being pulled by her attacker. 2. What mood is the painter trying to create ? Sacrilege and cruelty. 3. How does he manage to achieve this mood? The painter manages to show the mood by the actions being done to the female figure (Cassandra) and showing cruelty against women by using physical abuse. 4. What is happening in this scene? A Trojan women being sold into slavery. The crouching women, covering her ears in terror. She is also cowering behind the statue of Athena. 5. Mood being created ? Enslavement and the negative aspects of war. 6. How does he show it? By showing the Trojan crouching and cowering away. It shows how helpless women were during war.

12.5 PAINTING TECHNIQUE 1. Black slip raised relief line: Relief line was painted first to show level and volume 2. Background: after the relief line was painted the background was painted in with black slip. Background was dark to emphasize the image. 3. Dilute honey coloured glaze : Example1: to show the inside of things like the shield being held in the first picture. It shows the depth of the inside of the shield. Also gives it a 3D look. 4. Example2: The colour of the hair in picture 3. We are able to see the detail of the persons hair because of the change in colour. 5. Added colour : Redish/purple glaze was used for blood. IN pictures 1 and 2 it shows clearly where the figures have been wounded.

12.6 STYLE 1. different poses: picture 2, we see a soldier crouching low behind his shield while a women towers above him. Also the bottom picture shows us the female figure sold in to slavery crouching low. 2. Foreshortening: The soldier in picture 2, his leg shows foreshortening. The leg disappears behind his thigh. 3. Drapery: Drapery here shows fine lines (folds) in the chitons. It flows and shows movement. Many layers in female drapery. 4.Attention to detail: Lines show a figures age through hair. Also in drapery- the many layers of cloth. 5.Eyes: The eyes are side on. The eyes are frontal view and the rest of the face is seen profile.

12.3 SCENE THE SACK OF TROY AND THE DEATH OF PRIAM 11. What is the mood in this scene ? cruelty 12. How does he manage to achieve this mood? Showing the death of Priam’s grand son Astyanax.

An armed Greek warrior crouches behind his shield as he is attacked by a furious Trojan woman with a large pestle or a chair leg, the use of a domestic object suggesting she is desperate, but courageous. Courage is the mood in this scene how does he manage to achieve it? 13. What is happening in this scene ?

THE RESCUE OF AITHERA 16. What is happening in this scene? Aithera is the grand mother of Theseus and she was taken to Troy as Helen’s Maid. The son’s of Theseus called Akamas and Demophon, Rescue’s her. 17. Mood: liberation (freeing of Aithera)

12.4 COMPOSITION 1.What difficulties did the painter have with The shape of the vase and how did he over Come these difficulties ? Make reference to both pictures on this page. The painting is strongly influenced by the sharp inwards slope of the pot at the shoulder. The painter has created a series of pyramidal groupings of characters to counteract this: You can locate each of the pyramids. Very difficult, reflects his interest in triangles, eg in the main scene opposite the large handle the triangle is formed by the fallen Greek behind Neoptolemos and the lean of Neoptolemos to the weeping palm with the woman under it. Each group is self-contained but linked to the other groups.

The frieze occupies the severely sloping shoulder of the vase. There is greater space at the shoulder than the neck, so the frieze is composed of a series of triangles These represent either continuous or near continuous action Large space occupied by bodies, altars, drapery and Children 2. What borders are used on this vase? Scene framed above and below by decorative motifs – tongues

3. How successfully has the artist show depth? He is successful at it. For example: The shields- you can now see The outside and also The inside of the shield giving It a 3D type of look. Foreshortening- the warrior is Kneeling down. And his body is in a flexible position.

CLOSE UP PICTURE OF KLOEPHRADES PAINTER : VASE HYDRIA