CHAPTER 24 AN AGE OF MODERNITY, ANXIETY, AND IMPERIALISM 1894-1914.

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Presentation transcript:

CHAPTER 24 AN AGE OF MODERNITY, ANXIETY, AND IMPERIALISM

QUIZ pp

QUIZ ANSWERS

TOWARD THE MODERN CONSCIOUSNESS Fin de Siecle = the end of the century 1.The new physics 2.Glorification of the irrational 3.New view of the human mind 4.Rebellion in the arts – “Modernism”

THE EMERGENCE OF A NEW PHYSICS MARIE AND PIERRE CURIE 1.French scientists 2.Radium 3.Subatomic particles MAX PLANCK 1.German scientist 2.The quantum theory ALBERT EINSTEIN 1.German born American physicist 2.Theory of Relativity 3.Space and time are not absolute, they are relative to the observer 4.E= mc2 5.Father of the atomic age

ALBERT EINSTEIN

FRIEDRICH NIETZSCHE 1.German philosopher who attacked bourgeois society and culture 2.Attacked the rationalism of European society  drained society of emotion, passion, and instinct 3.Christianity made Western civilization weak and feeble  “a slave morality” 4.“the will to power” 5.Reject Christianity, middle class values, morality, equality, and democracy

An attack on mass culture and call for greatness “A declaration of war on the masses by higher men is needed!... Everything that makes soft and effeminate, that serves the end of the people or the feminine, works in favor of universal suffrage, i.e. the domination of the inferior men. But we should take reprisal and bring this whole affair to light and the bar of judgment.”

WORKS BY NIETZSCHE Beyond Good and Evil The Birth of Tragedy Thus Spoke Zarathustra Twilight of the Idols

In Greek mythology, Apollo and Dionysus are both sons of Zeus. Apollo is the god of the Sun, dreams, reason, and plastic visual arts while Dionysus is the god of wine, ecstasy, and intoxication. In the modern literary usage of the concept, the contrast between Apollo and Dionysus symbolizes principles of individualism versus collectivism, light versus darkness, or civilization versus primitivism. APOLLONIAN v. DIONYSIAN

GOD IS DEAD God is dead. God remains dead. And we have killed him. How shall we comfort ourselves, the murderers of all murderers? What was holiest and mightiest of all that the world has yet owned has bled to death under our knives: who will wipe this blood off us? What water is there for us to clean ourselves? What festivals of atonement, what sacred games shall we have to invent? Is not the greatness of this deed too great for us? Must we ourselves not become gods simply to appear worthy of it? —Nietzsche

NIHILISM

Bunny Lebowski: Uli doesn't care about anything. He's a Nihilist. The Dude: Ah, that must be exhausting.

LIFE HAS NO MEANING!!! Nihilism (pronounced /ˈnaɪ.əlɪzəm/ or /ˈniː.əlɪzəm/; from the Latin nihil, nothing) is the philosophical doctrine suggesting the negation of one or more putatively-meaningful aspects of life. Most commonly, nihilism is presented in the form of existential nihilism which argues that life is without objective meaning, purpose, or intrinsic value. [1] Moral nihilists assert that morality does not inherently exist, and that any established moral values are abstractly contrived. Nihilism can also take epistemological, metaphysical or ontological forms, meaning respectively that, in some aspect, knowledge is not possible or that contrary to our belief, some aspect of reality does not exist as such.

THE UBERMENSCH = THE SUPERMAN …the Übermensch represents a higher biological type reached through artificial selection and at the same time is also an ideal for anyone who is creative and strong enough to master the whole spectrum of human potential, good and "evil", to become an "artist-tyrant". In Ecce Homo, Nietzsche vehemently denied any idealistic, democratic or humanitarian interpretation of the Übermensch: "The word Übermensch [designates] a type of supreme achievement, as opposed to 'modern' men, 'good' men, Christians, and other nihilists... When I whispered into the ears of some people that they were better off looking for a Cesare Borgia than a Parsifal, they did not believe their ears.“ …the combination of ruthless warrior pride and artistic brilliance that defined the Italian Renaissance embodied the sense of the Übermensch for Nietzsche. …Nietzsche intended the ultra-aristocratic figure of the Übermensch to serve as a Machiavellian bogeyman of the modern Western middle class and its pseudo-Christian egalitarian value system.

“ For believe me!- the secret of realizing the greatest fruitfulness and the greatest enjoyment of existence is: to live dangerously! Build your cities on the slopes of Vesuvius! Send your ships out into uncharted seas! Live in conflict with your equals and with yourselves!” Thus spoke Zarathustra, part I, Walter Kaufmann transl.