Drawing & Painting Abstract or Non-Objective?. Abstract or Non-Objective Painting? Wassily Kandinsky. Improvisation 26 (Oars). 1912. Oil on canvas. Pablo.

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Presentation transcript:

Drawing & Painting Abstract or Non-Objective?

Abstract or Non-Objective Painting? Wassily Kandinsky. Improvisation 26 (Oars) Oil on canvas. Pablo Picasso. Three Musicians Oil on canvas.

Subject Treatment Realism / Imitiationalism –Subject looks natural or “real.” Abstract / Formalism –Based on a subject—you can recognize objects or symbols. Non-Objective / Formalism –No subject, object, or clues of subject. –Based only on the Elements & Principles of Art.

Progression - Piet Mondrian Mondrian grew to believe that non-objective work was the purest form of art

Progression – Wassily Kandinsky Kandinsky was inspired by Music.

Methods for Abstraction… Shadow Tracing Grid Cubism Expressive Color

Susan Briggs - shadows

Using a Grid to create Abstraction Chuck Close, Self-Portrait, 2000

Robin Ann Walker Texas grid painting, commissioned for Texas Clinic, Plano, TX 120"w x 60"h

N, corporate commission, 132" x 60"

Ray Johnson, Calm Center, 1951

Grid – repeated objects/scenes

Expressive Color Franz Marc The Yellow CowThe Large Blue Horses

Cubism

Europe Collaboration between Braque & Picasso Essence of objects is captured by showing the object from multiple views Rejection/manipulation of perspective Introduction of manufactured objects into painting (Collage) Two types: Analytical & Synthetic

Analytical ( ) Destroys form & reconstructs it Reduces subjects into cubes Limited color Chaos / Randomness Tilting planes Cut shapes No obvious light source Collage Synthetic ( ) More color Decorative pattern Flat - no depth Unusual perspective Collage Transparent planes

Hamilton Teardown 24" x 24" Oil on canvas Three Flat Conversion 12" x 12" Oil on canvas Kariann Fuque

North Avenue, Goose Island Rail 24" x 24" Oil on canvas over panel North Avenue Bridge Drift 30" x 30" Oil on canvas over panel

Mark Mehaffey – Non-Objective work

Abstract or Non-objective Work Objectives - Clear focal point Fore, mid and backgrounds are addressed Balanced Composition Varied paint applications Use of experimental techniques Contrast or Unity/Variety shown through use of Elements of Art.

Artist Research Journal Page Chose from one of the following artists and create an “Artist Research Journal Page” in your sketchbook. –Include a sketch and/or a printed image of one of their pieces (include credit line).  Piet Mondrian  Wassily Kandinsky  Susan Briggs  Chuck Close  Robin Ann Walker  Ray Johnson  Franz Marc  Pablo Picasso  Juan Gris  Paul Klee  Kariann Fuque  Mark Mehaffey