What is Color? Color is the light reflected from a surface.

Slides:



Advertisements
Similar presentations
DESIGN’S MOST EXCITING ELEMENT
Advertisements

Chapter 28: Color Anand Muthiah Jee Park Miranda Yoo Visit For 100’s of free powerpoints.
COLOR THEORY All About Colors and Color Theory for Art and Graphic Design.
111 Dr. Nihad Almughany University of Palestine Faculty of Applied Engineering and Urban Planning Dept. of Architecture 2 nd Semester Introduction.
HUEHUE. Hues are the family of twelve purest and brightest colors. 3 Primary Colors 3 Secondary Colors 6 Tertiary Colors They form the full spectrum of.
Color Wheel.
Color Theory.
Color Theory “color is a visual sensation perceived by the eye and the mind due to the activity and vibration of light”
How do we see color? Color originates in light. Sunlight, as we perceive it, is colorless. Light goes from the source (the sun) to the object (the apple),
CMYK Cyan Cyan Magenta Magenta Yellow Yellow Black Black.
Hue, Tint, Tone and Shade Every individual color on the Color Wheel can be altered in 3 ways by Tinting Shading Toning And that's before we even think.
C O L O R.
Color is the element of art that is derived from reflective light
Color Theory “color is a visual sensation perceived by the eye and the mind due to the activity and vibration of light”
Basic properties of color: hue, value, and saturation.
The Psychology of Color
Data dan Teknologi Multimedia Sesi 04 Nofriyadi Nurdam.
COM 365 Newspaper Layout & Design
Color Theory. Why Study Color Theory? an understanding of color will help when incorporating it into your own designs. Do not base decisions on "it looks.
ELEMENTS OF ART Value Art Fundamentals of Graphic Design.
Color Theory. Color: Enhances a message Enlivens a presentation Gives an object visual weight and emphasis Adds richness and depth to screen design.
Color Definitions Graphic Design. There are tens of thousands of colors at designers’ disposal, and almost infinite ways of combining them.
Color Chapter 28.
Colors are also divided into WARM and COOL categories. The WARM colors are red, orange and yellow. COOL colors are green, blue and violet.
Color Management. How does the color work?  Spectrum Spectrum is a contiguous band of wavelengths, which is emitted, reflected or transmitted by different.
Color is the light reflected from a surface. Visible light is made up of the wavelengths of light between infrared and ultraviolet radiation (between 400.
The elements of art are a commonly used group of aspects of a work of art used in teaching and analysis, in combination with the principles of art.[1].work.
Unit 2 Lecture 1 Colour. Basic Colour Wheel In paint pigments, pure Yellow, pure Red, and pure Blue are the only hues that can't be created by mixing.
What is color? To have color there must be light. Sir Isaac Newton determined this fact in the mid-1600’s when he proved that light is the source of all.
Color Theory And Photography
Color Theory “color is a visual sensation perceived by the eye and the mind due to the activity and vibration of light”
COLOR An exciting ELEMENT of ART Hue Value Intensity COLOR HAS THREE DIMENSIONS OR QUALITIES:
One Point Perspective.
COLOR.
Color Theory Hue, Tint, Tone, Shade.
Art Elements Color. COLOR is light reflected off objects.
Color Theory KIMBERLY CATES-MERAZ. Choosing the Right Color the most effective color choices go beyond just personal preference colors have an extraordinary.
COLOUR THEORY PROJECT.
Color and You. What Can Color Do? Draw attention away from a certain area of your body Emphasize a special feature Create an illusion of height and size.
Chapter 16 Light. Objectives Chapter 16 Recognize that light is the visible portion of an entire range of electromagnetic frequencies. Describe the ray.
Introduction to Computer Graphics
Wavelength/Frequency of Color(s)
ColorColor Unit 12. Isaac Newton was the first to make a systematic study of color. By passing a narrow beam of sunlight through a triangular- shaped.
» Color is the element of art that is derived from reflective light. You see color because light waves are reflected from objects to your eyes.
Mrs. Lambert- art notes There are 12 basic colors in the color spectrum. The color wheel organizes them for better understanding of how color works
Unit 3: Color Theory Color plays a big role in art from creating certain moods and feelings to developing more interesting compositions. Understanding.
The Psychology of Color The How and Why of Color.
COLOR THEORY Color is the eye’s response to the visual spectrum from red to violet. Different colors in the spectrum are created by different wavelengths.
Color Theory …AND HOW WE SEE COLOR. Daylight (white light) is made up of numerous waves or impulses each having different dimensions or wavelengths. When.
COLOR Color COLOR col·or 1. the property possessed by an object of producing different sensations on the eye as a result of the way the object reflects.
COLOR An exciting ELEMENT of ART Which depends on REFLECTED LIGHT.
Color Theory with Johannes Itten.
The Element of Colour. Intro Colour occurs when light in different wavelengths strikes our eyes. Objects have no colour of their own, only the ability.
What is Color? Color is the light reflected from a surface.
COLOR THEORY.
WHITE LIGHT?  The white light from the sun is made up of different colors.  White light contains all the colors of the visible spectrum. 
The Color Spectrum
What is Color? Color is the light reflected from a surface.
Color Basics.
Color & Color Schemes.
Color Theory.
Color Vocabulary.
Color Theory.
Colour Theory 2.
Hue, Tint, Tone and Shade Every individual color on the Color Wheel can be altered in 3 ways by Tinting Shading Toning And that's before we even think.
Aberdeen Grammar School
The Language of color Interior Design: Obj
The Psychology& Theory of Color
Color.
COLOR THEORY: The Language of color
Presentation transcript:

What is Color? Color is the light reflected from a surface. Visible light is made up of the wavelengths of light between infrared and ultraviolet radiation (between 400 and 700 nanometers).

Forms of Light What do x-rays, sun rays that tan us, the warmth from rays of candle light, TV and radio waves all have in common? They are all forms of light. Some light you can see, and some light you cannot. The light you can't see includes x-rays and radio signals. Energy with wavelengths too short to see is "bluer than blue". Light with such short wavelengths is called "Ultraviolet" light. Energy with wavelengths too long to see is "redder than red". Light with such long wavelengths is called "Infrared" light. The term "Infra-" means "lower than".

They are all forms of light. What do x-rays, sun tanning, the warmth from a candle, TVs, and radios all have in common? http://skyserver.sdss.org/dr1/en/proj/advanced/color/whatis.asp They are all forms of light. Some light you can see, and some light you cannot. The light you can't see includes x-rays and radio signals. The light you can see is called the visible spectrum. The visible spectrum is like a rainbow. Blue Light The visible blue light has a wavelength of about 475 nm. Because the blue wavelengths are shorter in the visible spectrum, they are scattered more efficiently by the molecules in the atmosphere. This causes the sky to appear blue. Green Light The visible green light has a wavelength of about 510 nm. Grass, for example, appears green because all of the colors in the visible part of the spectrum are absorbed into the leaves of the grass except green. Green is reflected, therefore grass appears green.

Our eyes are sensitive to light which lies in a very small region of the electromagnetic spectrum labeled "visible light". This "visible light" corresponds to a wavelength range of 400 - 700 nanometers (nm) and a color range of violet through red. The human eye is not capable of "seeing" radiation with wavelengths outside the visible spectrum. The visible colors from shortest to longest wavelength are: violet, blue, green, yellow, orange, and red. Ultraviolet radiation has a shorter wavelength than the visible violet light. Infrared radiation has a longer wavelength than visible red light. White light is a mixture of the colors of the visible spectrum. Black is a total absence of light. Earth's most important energy source is the Sun. Sunlight consists of the entire electromagnetic spectrum.

Color Models Additive Model Subtractive Model RGB, Light CMYK, Pigment Note that in actual CMYK printing A pure black ink (K) is used because C+Y+M actually results in a dark muddy color.

Additive Model RGB, Light A representation of additive color mixing. Projection of primary color lights on a screen shows secondary colors where two overlap; the combination of all three of red, green, and blue in appropriate intensities makes white. http://en.wikipedia.org/wiki/RGB_color_model

Subtractive Model CMYK, pigment The CMYK model works by partially or entirely masking colors on a lighter, usually white, background. The ink reduces the light that would otherwise be reflected. Such a model is called subtractive because inks “subtract” brightness from white. Layers of simulated glass show how semi-transparent layers of color combine on paper into a spectrum of CMY colors. The CMYK color model (process color, four color) is a subtractive color model, used in color printing, and is also used to describe the printing process itself. CMYK refers to the four inks used in some color printing: cyan, magenta, yellow, and key or black.http://en.wikipedia.org/wiki/RGB_color_model

Additive Color http://www.loc.gov/exhibits/empire/gorskii.html Sergei Mikhailovich Prokudin-Gorskii. Dmitrievskii Church, 1911.

Color Gamuts The Visible spectrum consists of billions of colors, a monitor can display millions, a high quality printer is only capable of producing thousands, and older computer systems may be limited to 216 cross-platform colors. Reproducing color can be problematic with regard to printed, digital media, because what we see is not what is possible to get. Although a monitor may be able to display 'true color' (16,000,000 colors), millions of these colors are outside of the spectrum available to printers. Since digital designs are generated using the RGB color system, colors used in those designs must be part of the CMYK spectrum or they will not be reproduced with proper color rendering. Working within the CMYK color system, or choosing colors from Pantone© palettes insures proper color rendering. http://www.worqx.com/color/color_systems.htm

Primary Colors Primary colors are the most basic colors; they cannot be broken down into component colors. The primary colors are different depending on which color model you are using. The primary colors in the Newtonian color model are red, yellow, and blue. Graphics taken from www.colormatters.com

Secondary Colors These are the colors formed by mixing the primary colors. Graphics taken from www.colormatters.com

Describing Color Hue Value Saturation (Chroma) The ‘color’ of the color. Red, Orange, Yellow, Green, Blue, Indigo, Violet Value Lightness (tint) or darkness (shade) of a color. Saturation (Chroma) Intensity of the hue in the color. Desaturated colors tend to look gray.

Color Relationships Primary Colors Essential colors, cannot be broken down into component colors Secondary Colors Mixture of two primary colors Analogous Colors located close together on a color wheel. Complementary Colors Located opposite each other on a color wheel Newtonian (Artist’s) Color Wheel Monochromatic Colors Shades and tints of the same color Shade and Tint Add black or white Intensity Amount of saturation) Graphics taken from www.worqx.com/color

Color Temperature WARM COOL Temperature can be measured absolutely, or relatively. For example, yellow-green is warmer than cyan-green, but both are cool colors. An approximate separation of absolute color temperature is denoted below: COOL WARM This dividing line in approximate, and very imprecisely placed. Nearly any color could appear as either warm or cold depending on the surrounding colors, especially those near the dividing line.

Newton’s Color Model A color circle, based on red, yellow and blue, is traditional in the field of art. Sir Isaac Newton developed the first circular diagram of colors in 1666. Graphics taken from www.colormatters.com

Tints, Tones and Shades of Hues These are the purest and brightest colors. They form the full spectrum of colors which progress around the Primary Color Wheel in gradual increments. These color schemes are bold, cheerful and exciting. TINTS A Tint is sometimes called a Pastel. It's simply any color with white added. A color scheme using Tints is soft, youthful and soothing. SHADES A Shade is simply any color with black added. Shades are deep, powerful and mysterious. They work well in a masculine environment and are best used as dark accents. TONES A Tone is created by adding both white and black. Any color that is "greyed down" is considered a Tone. Tones are somehow more pleasing to the eye. They can be complex, subtle and sophisticated. Graphics taken from http://www.color-wheel-artist.com/index.html

Johannes Itten From 1919 to 1922, Itten taught at the Bauhaus, developing the innovative "preliminary course” which was to teach students the basics of material characteristics, composition, and color. He also published a book, The Art of Color. Itten's so called "color sphere" went on to include 12 colors. http://en.wikipedia.org/wiki/Johannes_Itten

Color Context and Josef Albers Red appears more brilliant against a black background and somewhat duller against the white background. In contrast with orange, the red appears lifeless; in contrast with blue-green, it exhibits brilliance. Notice that the red square appears larger on black than on other background colors. Josef Albers, also from the Bauhaus, discusses the relative nature of color in his book, Interaction of Color. Graphics taken from www.colormatters.com

Color Symbolism - 1 Natural Associations Psychological or Cultural Associations Color conveys meanings in two primary ways - natural associations and psychological symbolism. People are comfortable when colors remind them of similar things. For example, a soft shade of blue triggers associations with the sky and a psychological sense of calm. Successful design requires an awareness of how and why colors communicate meaning. The source of these meanings can be quite conspicuous, such as those found in nature — red is the color of blazing fire and blood, blue the color of cooling waters and the sky. Other meanings may be more complex and not universal. As a starting point, the communicative properties of a color can be defined by two categories: natural associations and psychological (or cultural) associations. Occurrences of colors in nature are universal and timeless. For example, the fact that green is the color of vegetation can be considered a universal and timeless association. Graphics taken from www.colormatters.com

Color Symbolism - 2 Natural Associations Psychological or Cultural Associations Color may generate another level of meaning in the mind. This symbolism arises from cultural and contemporary contexts. As such, it is not universal and may be unrelated to its natural associations. For example, green’s associations with nature communicate growth, fruitfulness, freshness and ecology. On the other hand, green may also be symbolic of good luck, seasickness, money and greed — all of which have nothing to do with green plants. These associations arise from a complex assortment of sources. Furthermore, color may have both positive and negative symbolism. For example, although blue is the beautiful color of the sky on a sunny day, it can be symbolic of sadness or stability. Idiomatic American English reflects these traits in phrases such as “singing the blues” and “blue chip stocks.” Red is another example of dual symbolism. On one hand, as the color of fire and blood, it is an energizing, aggressive and bold color. In direct contrast, red is used for “STOP” signs throughout the world today. Graphics taken from www.colormatters.com