 One of the most splendid contribution of the South to theatre  The most enduring  Dance and dance-drama  The marriage of drama, dance, mime, gesture.

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Presentation transcript:

 One of the most splendid contribution of the South to theatre  The most enduring  Dance and dance-drama  The marriage of drama, dance, mime, gesture and music

 T oday Bharata Natyam is one of the most popular and widely performed dance styles and is practiced by male and female dancers all over India.

 Scientifically defines the art and explains its scope

 Dramatic representation was conceived of in three forms: Natya, Nritya and Nritta  Natya= gesture with language, that is drama  In the Nataka, the story is drawn from mythology or historical record, the subject is celebrated

 Rasa is about the human state of mind; focusing on what the mind feels and the expression of the feeling thereafter  Rasa is the emotion experienced by the audience created by the facial expression

 The dance is divided into nine distinct parts each one depicting a significant emotion: › SHRINGARA – Happiness › VEERA – Valour › KARUNYA – Pity › ADBHUTA – Wonder and Surprise › HASYA – Laughter/Mirth › HAYANKA – Fear › BHIBATSA – Disgust › ROUDRA – Anger › SHANTAM – Peace

 Rukminidevi Arundale in South India in the thirties pioneered in the use of the traditional solo dance form Bharata Natyam for dance-drama and ballet

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MY ATTEMPT AT NAVARASA

 Benegal, Som. A Panorama of Theatre in India  Gaudiya Nritya “Presentation through Navarasa”  Varadpande, M.L. Indian Theatre