Seventeenth Century England. from the Harmonia Macrocosmica of Andreas Cellarius, Ptolemaic OrbitsHarmonia Macrocosmica.

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Shakespearean Sonnets

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Presentation transcript:

Seventeenth Century England

from the Harmonia Macrocosmica of Andreas Cellarius, Ptolemaic OrbitsHarmonia Macrocosmica

Metaphysics A branch of philosophy that studies “being and reality”. Asks questions like: “What is the nature of reality?” “Does God Exist?”

Metaphysical Poets Seventeenth Century poets who focused on metaphysics Wit a form of intellectual humor, often displayed through the clever comparison of disparate objects or ideas; ironic and often humorous. Metaphysical Conceit A far-fetched extended comparison between objects which are apparently dissimilar. A type of extended metaphor that typically attempts to ground abstract concepts in concrete objects. Carpe Diem Latin phrase for “Seize the Day” An idea that means to live for today and enjoy the pleasures of the moment

The World Outside the Cave = The Intelligible World The Sun = Symbol of the Form of the Good or the world of ideas The World Inside the Cave = The Visible World The Fire = Appearance of the Sun Prisoners= Us as we see the world Puppets on the Road= the forms we try to explain The Shadows on the Wall = Our attempt to interpret the form

Sonnet a 14 line lyrical poem, usually about some aspect of love. The poem is written in iambic pentameter, a special kind of rhythm in poetry. There are three kinds of sonnets: Petrarchan (Italian), Spenserian, Shakespearean.

1Whoso list to hunt ? I know where is an hind ! But as for me, alas ! I may no more, The vain travail hath wearied me so sore ; I am of them that furthest come behind. 5Yet may I by no means my wearied mind Draw from the deer ; but as she fleeth afore Fainting I follow ; I leave off therefore, Since in a net I seek to hold the wind. Who list her hunt, I put him out of doubt As well as I, may spend his time in vain ! And graven with diamonds in letters plain, There is written her fair neck round about ; ' Noli me tangere ; for Cæsar's I am, 14And wild for to hold, though I seem tame.' A B B A A B B A C D D C E E Rhyme Scheme

Petrarchan ABBA ABBA CDE CDE or CDC DCD Spenserian ABAB BCBC CDCD EE Shakespearean ABAB CDCD EFEF GG

Scansion Breaking poetry down into the syllables that are stressed in a line and the ones that aren’t

One, two, Buckle my shoe. Three, four, Open the door. Five, six, Pick up sticks. Seven, eight, Lay them straight. Nine, ten, A big fat hen. One, two, Dum, Dum Buckle my shoe. Dum, Da, Dum

One Two DumDum / Buckle My Shoe Dum Da Da Dum / //UU

One day I wrote her name upon the strand, But came the waves and washed it away: Again I write it with a second hand, But came the tide, and made my pains his prey. Our love shall live, and later life renew. Iambic Pentameter A line with 10 syllables, written in a series of 5 iambic feet U = Unstressed word / = Stressed Word /////UUUUU up·on (e-pòn´) preposition a·way (e-wâ´) adverb a·gain (e-gèn´) adverb sec·ond (sèk´end) noun re·new (rî-n¡´, -ny¡) verb U / U / U / U / U / U / U / U / U / U / U / U / U / U / U / U / U / U / U / U /