SECTION 22.3 POPULAR CULTURE OF THE 1950’S. DID YOU KNOW! AS AMERICAN CULTURE CHANGED DURING THE 1950’S, NEW WORDS AND TERMS EMERGED, INCLUDING HOT ROD,

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Presentation transcript:

SECTION 22.3 POPULAR CULTURE OF THE 1950’S

DID YOU KNOW! AS AMERICAN CULTURE CHANGED DURING THE 1950’S, NEW WORDS AND TERMS EMERGED, INCLUDING HOT ROD, JUNK MAIL,COOL, ROCK’N’ROLL, AND CARRY OUT.

A. THE NEW MASS MEDIA ALTHOUGH REGULAR TELEVISION BROADCAST HAD BEGUN IN THE EARLY 1940’S, THERE WERE FEW STATIONS, AND TELEVISIONS WERE EXPENSIVE. BY THE 1950’S, SMALL BLACK AND WHITE TELEVISIONS SAT IN LIVING ROOMS ACROSS AMERICA.

THE RISE OF TELEVISION POPULARITY THE POPULARITY OF TELEVISION INCREASED AS IT BECAME MORE AFFORDABLE FOR CONSUMERS. IN 1946 THERE WERE BETWEEN 7-8,000 TELEVISION SETS IN THE U.S.

THE RISE OF TELEVISION POPULARITY BY 1957 THERE WERE 40 MILLION T.V. SETS. IN THE LATE 1950’S, THE TELEVISION NEWS BECAME AN IMPORTANT SOURCE OF INFORMATION. ADVERTISING AND SPORTING EVENTS BECAME MORE COMMON.

COMEDY, ACTION, AND GAMES TELEVISION SHOWS FELL INTO THE CATEGORIES OF COMEDY, ACTION, AND ADVENTURE, VARIETY- STYLE ENTERTAINMENT, AND QUIZ SHOWS. ED SULLIVAN’S VARIETY SHOW THE TOAST OF THE TOWN PROVIDED A MIX OF COMEDY, SONG, DANCE, AND ACROBATICS.

COMEDY, ACTION, AND GAMES IN 1956 THE QUIZ SHOW TWENTY ONE CAUSED A UPROAR AFTER IT WAS DISCOVERED THAT MANY OF THE SHOW’S CONTESTANTS WERE GIVEN THE ANSWERS BEFORE THE SHOW.

HOLLYWOOD ADAPTS TO THE TIME WITH THE INCREASE IN TELEVISION VIEWING, THE MOVIE INDUSTRY LOST VIEWERS. MOVIEMAKERS TRIED SEVERAL WAYS TO LURE PEOPLE AWAY FROM THEIR TELEVISION SETS, INCLUDING THE USE OF 3-D GLASSES AND CINEMASCOPE.

HOLLYWOOD ADAPTS TO THE TIME MOVIE ROLES FOR WOMEN WERE STEROTYPICAL, OFTEN DEALING WITH MARRIAGE OR THE HOPE OF MARRIAGE. ROLES FOR AFRICAN AMERICANS WERE OFTEN STEROTYPICAL OR ONE-DIMENSIONAL.

RADIO DRAWS THEM IN RADIO HAD TO FIND WAYS TO GET TELEVISION VIEWERS TO LISTEN AGAIN. RECORDED MUSIC, NEWS, TALK SHOWS, WEATHER, PUBLIC- SERVICE PROGRAMMING, AND SHOWS FOR SPECIFIC AUDIENCES WERE ALL USED TO ENCOURAGE PEOPLE TO TURN ON THEIR RADIOS.

B. THE NEW YOUTH CULTURE YOUNG PEOPLE DURING THIS PERIOD LONGED FOR GREATER EXCITEMENT AND FREEDOM, AND THEY FOUND THAT OUTLET IN NEW AND CONTROVERSIAL STYLES OF MUSIC AND LITERATURE.

ROCK ‘N’ROLL IN 1951 RADIO DISC JOCKEY ALAN FREED GAINED PERMISSION FROM HIS MANAGER TO PLAY AFRICAN AMERICAAN RHYTHM AND BLUES ON THE RADIO. LISTENERS LOVED THE NEW SONGS, AND SOON WHITE ARTIST WERE COPYING THE SOUND TO FORM A NEW STYLE OF MUSIC CALLED ROCK’N’ROLL.

ROCK ‘N’ROLL IN 1956 ELVIS PRESLEY BECAME A ROCK’N’ROLL HERO FOR MANY TEENAGERS. HE BACAME KNOWN AS THE “KING OF ROCK’N’ROLL.” THE MUSIC WAS VERY POPULAR WITH TEENS,BUT PARENTS DISLIKED THE NEW MUSIC.

ROCK ‘N’ROLL THESE VARYING OPINIONS LED TO WHAT BECAME KNOWN AS A GENERATION GAP, OR CULTURAL SEPERATION FROM CHILDREN AND PARENTS.

THE BEAT MOVEMENT A GROUP OF MOSTLY WHITE ARTIST, WHO CALLED THEMSELVES THE BEATS, HIGHLIGHTED THE VALUES GAP THAT EXISTED IN THE U.S. IN THE 1950’S.

THE BEAT MOVEMENT IN 1957 BEAT WRITER JACK KEROUAC PUBLISHED ON THE ROAD. THIS BOOK DESCRIBED FREEWHEELING ADVENTURES WITH A CAR THIEF AND A CON ARTIST. THE BOOK SHOCKED READERS BUT WENT ON TO BECOME AN INSTANT CLASSIC IN LITERATURE.

C. AFRICAN AMERICAN ENTERTAINERS AFRICAN AMERICAN ENTERTAINERS STRUGGLED TO FIND ACCEPTANCE IN A COUNTRY THAT OFTEN TREATED THEM LIKE SECOND CLASS CITIZENS. MOST WERE SHUT OUT BY TELEVISION.

C. AFRICAN AMERICAN ENTERTAINERS AFRICAN AMERICAN ROCK ‘N’ ROLL SINGERS HAD AN EASIER TIME GAINING ACCEPTANCE. CHUCK BERRY, RAY CHARLES, AND LITTLE RICHARD RECORDED HIT SONGS.

C. AFRICAN AMERICAN ENTERTAINERS AFRICAN AMERICAN WOMEN’S RECORDING GROUPS, INCLUDING THE CRYSTALS, THE CHIFFONS, AND THE SHIRELLES, PAVED THE WAY FOR FUTURE WOMEN’S GROUPS.