The Northern Renaissance Chapter 17 Section 2 The Northern Renaissance

Renaissance Art in Northern Europe Should not be considered an appendage to Italian art. But, Italian influence was strong. Painting in OIL, developed in Flanders, was widely adopted in Italy.

The differences between the two cultures: Italy  change was inspired by humanism with its emphasis on the revival of the values of classical antiquity. N. Europe  change was driven by religious reform, the return to Christian values, and the revolt against the authority of the Church. More princes & kings were patrons of artists.

Characteristics of Northern Renaissance Art The continuation of late medieval attention to details. Tendency toward realism & naturalism [less emphasis on the “classical ideal”]. Interest in landscapes. More emphasis on middle-class and peasant life. Details of domestic interiors. Great skill in portraiture.

The Northern Renaissance Begins By the late 1400s, Renaissance ideas had spread to Northern Europe Especially: England, France, Germany, and Flanders (now part of France and the Netherlands). End of Hundred Years War in 1453 sparks growth in Flanders

The Northern Renaissance Begins England and France were unified under strong monarchs Francis I of France invited Leonardo da Vinci to retire in France Fontainebleau castle became a showcase for Renaissance art artists were especially interested in realism

The School of Fontainebleau It revolved around the artists at Francis I’s Palace at Fontainebleau. A group of artists that decorated the Royal Palace between the 1530s and the 1560s. It was an offshoot of the Mannerist School of Art begun in Italy at the end of the High Renaissance. characterized by a refined elegance, with crowded figural compositions in which painting and elaborate stucco work were closely integrated. Their work incorporated allegory in accordance with the courtly liking for symbolism.

The School of Fontainebleau Gallery [right] by Rosso Fiorentino & Francesco Primaticcio 1528-1537

Artistic Ideas Spread War in Italy resulted in artists moving to Northern Europe for safer lifestyle N. European artists who studied in Italy carried Renaissance ideas back to their homelands

German Painters 1494-Albrecht Dürer studied in Italy woodcuts and engravings emphasis upon realism Hans Holbein the Younger portraits almost photographic in detail Emigrated to England Painted portraits of King Henry VIII

Albrecht Dürer (1471-1528) The greatest of German artists. A scholar as well as an artist. His patron was the Emperor Maximilian I. Also a scientist Wrote books on geometry, fortifications, and human proportions. Self-conscious individualism of the Renaissance is seen in his portraits.  Self-Portrait at 26, 1498.

Dürer – Self-Portrait in Fur-Collared Robe, 1500

Durer – The Triumphal Arch, 1515-1517

The Triumphal Arch, details

The Triumphal Arch, details

Hans Holbein, the Younger (1497-1543) One of the great German artists who did most of his work in England. While in Basel, he befriended Erasmus. Erasmus Writing, 1523  Henry VIII was his patron from 1536. Great portraitist noted for: Objectivity & detachment. Doesn’t conceal the weaknesses of his subjects.

Artist to the Tudors Henry VIII (left), 1540 and the future Edward VI (above), 1543.

Holbein’s, The Ambassadors, 1533 A Skull

Multiple Perspectives

Flemish Painters Flanders-the artistic center of northern Europe Jan van Eyck Used oil-based paints layers of paint created a variety of subtle colors in clothing and jewels Pieter Bruegel the Elder skillful in portraying large numbers of people everyday peasant life

Giovanni Arnolfini and His Wife (Wedding Portrait) Jan Van Eyck 1434

Jan van Eyck - Giovanni Arnolfini & His Wife (details)

Pieter Bruegel the Elder (1525-1569) One of the greatest artistic geniuses of his age. Worked in Antwerp and then moved to Brussels. In touch with a circle of Erasmian humanists. Was deeply concerned with human vice and follies. A master of landscapes; not a portraitist. People in his works often have round, blank, heavy faces. They are expressionless, mindless, and sometimes malicious. They are types, rather than individuals. Their purpose is to convey a message.

Bruegel’s, Tower of Babel, 1563

Bruegel’s, Mad Meg, 1562

Bruegel’s, The Beggars, 1568

Bruegel’s, Parable of the Blind Leading the Blind, 1568

Bruegel’s, Niederlandisch Proverbs, 1559

Northern Writers Try to Reform Society Italian humanists were very interested in reviving classical languages and classical texts Northern humanists were critical of the failure of the Church to inspire people to live a Christian life Christian humanism focused on the reform of society

Christian Humanists Desiderius Erasmus wrote The Praise of Folly in order to improve society, all people should study the Bible Thomas More wrote Utopia an imaginary land where greed, corruption, and war have been weeded out More wrote in Latin, but later translated when popular

Women’s Reforms formal schooling - usually sent only their sons Christine de Pizan First woman to earn a living as a writer Wrote in French Men frequently made objections to educating women She questioned different treatment of boys and girls

Sir Thomas More, Lord Chancellor of England

The Elizabethan Age Renaissance spread to England in the mid-1500s known as the Elizabethan Age, after Queen Elizabeth I Well-rounded education She supported the development of English art and literature

William Shakespeare People regard him as the greatest playwright of all time He revealed the souls of men and women through scenes of dramatic conflict Tragedies: Macbeth, Hamlet, Othello, Romeo and Juliet, and King Lear Comedies: A Midsummer Night’s Dream and The Taming of the Shrew

Printing Spreads Renaissance Ideas Around 1045, Bi Sheng of China invented movable type most Chinese printers found movable type impractical due to large number of characters Gutenberg Improves the Printing Process 13th century - blockprinted items reached Europe from China. Too slow and laborious for demand

Johann Gutenberg improved process Gutenberg Bible first full-sized book printed with movable type

The Legacy of the Renaissance Changes in Society • Printing changed society by making more information available and inexpensive enough for society at large. • A greater availability of books prompted an increased desire for learning and a rise in literacy throughout Europe. • Published accounts of new discoveries, maps, and charts led to further discoveries in a variety of fields. • Published legal proceedings made the laws clear so that people were more likely to understand their rights. • Christian humanists’ attempts to reform society changed views about how life should be lived. • People began to question political structures and religious practices Changes in the Arts • Art drew on techniques and styles of classical Greece and Rome. • Paintings and sculptures portrayed individuals and nature in more realistic and lifelike ways. • Artists created works that were secular as well as those that were religious. •Writers began to use vernacular languages to express their ideas. • The arts praised individual achievement.