IAT 355 Introduction to Visual Analytics Perception May 21, 2014IAT 3551.

Slides:



Advertisements
Similar presentations
Reminder: extra credit experiments
Advertisements

Scaling. Scaling seeks to discover how varying the physical parameters of the stimulus affects the psychological parameters. In general, scaling is concerned.
Visual Rhetoric/Visual Literacy
The theory of data visualisation v2.0 Simon Andrews, Phil Ewels
PSYC 1000 Lecture 21. Selective Attention: Stroop.
(c) Chris Curran, Data Display Techniques Christine R. Curran, PhD, RN, CNA October, 2001.
1 Computational Vision CSCI 363, Fall 2012 Lecture 35 Perceptual Organization II.
Achromatic and Colored Light CS 288 9/17/1998 Vic.
Visual Design Principles The recipe to creating good graphic content!
CPSC 533C Static and Moving Patterns Presented by Ken Deeter Slides borrowed from Colin Ware’s PPT Slides.
Features and Objects in Visual Processing
2/23/051 Human Abilities: Color, Vision, & Perception CS 160, Spring 2005 Slides from: James Landay.
Visual Perception Cecilia R. Aragon IEOR 170 UC Berkeley Spring 2006.
Upcoming Stuff: Finish attention lectures this week No class Tuesday next week – What should you do instead? Start memory Thursday next week – Read Oliver.
COLOR IN CARTOGRAPHY Four color characteristics important in thematic mapping, meaning the psychological and aesthetic aspects of printed (NOT digital)
Feature Level Processing Lessons from low-level vision Applications in Highlighting Icon (symbol) design Glyph design.
Next Week Memory: Articles by Loftus and Sacks (following week article by Vokey)
1 SIMS 247: Information Visualization and Presentation Marti Hearst Sept 19, 2005.
Features and Object in Visual Processing. The Waterfall Illusion.
Human Visual System Lecture 3 Human Visual System – Recap
Features and Object in Visual Processing. The Waterfall Illusion.
1 Computer Science 631 Lecture 6: Color Ramin Zabih Computer Science Department CORNELL UNIVERSITY.
© Anselm Spoerri Lecture 2 Information Visualization Intro – Recap Foundation in Human Visual Perception –Sensory vs. Cultural –Attention – Searchlight.
Why use colour? Colour displays are attractive to users and can often improve task performance Benefits: –various colours are soothing or striking to the.
Module 6 Perception.
Modules 11, 15 & 16 A.P. Psychology: Sensation & Perception.
CS 376 Introduction to Computer Graphics 01 / 26 / 2007 Instructor: Michael Eckmann.
Nonphotorealistic Visualization of Multidimensional Datasets SIGGRAPH 2001 Christopher G. Healey Department of Computer Science, North Carolina State University.
Studying Visual Attention with the Visual Search Paradigm Marc Pomplun Department of Computer Science University of Massachusetts at Boston
ELEMENTS OF ART Building Blocks.
Color Management. How does the color work?  Spectrum Spectrum is a contiguous band of wavelengths, which is emitted, reflected or transmitted by different.
Combining Perception and Impressionist Techniques for Nonphotorealistic Rendering of Multidimensional Data By Christopher Healey Presented by Guangfeng.
Chapter 3 Space. Three Kinds of Space Space as format: size, scale, and presentation. Space as the relationships among objects and the areas surrounding.
Text Lecture 2 Schwartz.  The problem for the designer is to ensure all visual queries can be effectively and rapidly served.  Semantically meaningful.
Sensation and Perception - shape.ppt © 2001 Dr. Laura Snodgrass, Ph.D.1 Shape, Pattern, Form What is needed for shape (pattern, form) ? Facts a theory.
By Emilio Dixon. Line  Definition: A line is a mark made by a moving point and having psychological impact according to its direction, weight and the.
Perception, Cognition and the Visual Seeing, thinking, knowing (link to optical video) (link to optical video) (link to optical video)
Myers EXPLORING PSYCHOLOGY Module 14 Introduction to Sensation and Perception: Vision James A. McCubbin, PhD Clemson University Worth Publishers.
.  Sensation: process by which our sensory receptors and nervous system receive and represent stimulus energy  Perception: process of organizing and.
Module 6 Perception.
Ch 9 Colors Yonglei Tao School of Computing & Info Systems GVSU.
Colour CPSC 533C February 3, 2003 Rod McFarland. Ware, Chapter 4 The science of colour vision Colour measurement systems and standards Opponent process.
Visual Distinctness What is easy to find How to represent quantitity Lessons from low-level vision Applications in Highlighting Icon (symbol) design -
Chapter 6 Section 2: Vision. What we See Stimulus is light –Visible light comes from sun, stars, light bulbs, & is reflected off objects –Travels in the.
Elements of Visual Design Line Shape Texture Space Color.
1 Human information processing: Chapters 4-9 n Computer as a metaphor for human performance n Misses role of emotion and distributed cognition ReceptorsPerception.
Visual Perception & Graphical Principles Seminar on Information Visualization Daniele Della Bruna winter university of Fribourg.
IAT 814 Introduction to Visual Analytics
Three-Receptor Model Designing a system that can individually display thousands of colors is very difficult Instead, colors can be reproduced by mixing.
Mind, Brain & Behavior Wednesday February 19, 2003.
PART 1 Elements of Art what artists use to create art.
Colour and Texture. Extract 3-D information Using Vision Extract 3-D information for performing certain tasks such as manipulation, navigation, and recognition.
Color perception. Wrong representation wavelength sensibility.
Color and Color for the Web First, discuss idea of color (some overlap with lecture on HVS) First, discuss idea of color (some overlap with lecture on.
Outline of today 1. Introduction 2. Visual perception Principles 1. Pre-attentive processing 2. Sequential, Goal-Directed Processing 3. Building Blocks.
Perception l The process by which sensory input is organized and formulated into “meaningful experiences” l Nativism vs Empiricism.
Cognitive - perception.ppt © 2001 Laura Snodgrass, Ph.D.1 Perception The final image we are consciously aware of is a “constructed” representation of the.
1 of 32 Computer Graphics Color. 2 of 32 Basics Of Color elements of color:
Classic Graphic Design TheoryClassic Graphic Design Theory* * “classic theory” because it forms the basis for many decisions in design.
The theory of data visualisation
Our Color vision is Limited
DESIGN PRODUCTION ELEMENT OF DESIGN IN VECTOR GRAPHIC
Review Session 3: Sensation and Perception
Introduction to Perception and Color
Geog 462: Digital Cartography: Graphic Variables
Perception We have previously examined the sensory processes by which stimuli are encoded. Now we will examine the ultimate purpose of sensory information.
Color Model By : Mustafa Salam.
Karl R Gegenfurtner, Jochem Rieger  Current Biology 
Cecilia R. Aragon IEOR 170 UC Berkeley Spring 2006
Experiencing the World
Presentation transcript:

IAT 355 Introduction to Visual Analytics Perception May 21, 2014IAT 3551

Perceptual Processing  Seek to better understand visual perception and visual information processing –Multiple theories or models exist –Need to understand physiology and cognitive psychology May 21, 2014IAT 3552

A Simple Model  Two stage process –Parallel extraction of low-level properties of scene –Sequential goal-directed processing May 21, 2014IAT 3553 Eye Stage 1 Early, parallel detection of color, texture, shape, spatial attributes Stage 2 Serial processing of object identification (using memory) and spatial layout, action

Stage 1 - Low-level, Parallel  Neurons in eye & brain responsible for different kinds of information –Orientation, color, texture, movement, etc. –Arrays of neurons work in parallel –Occurs “automatically” –Rapid –Information is transitory, briefly held in iconic store –Bottom-up data-driven model of processing –Often called “pre-attentive” processing May 21, 2014IAT 3554

Stage 2 - Sequential, Goal- Directed  Splits into subsystems for object recognition and for interacting with environment  Increasing evidence supports independence of systems for symbolic object manipulation and for locomotion & action  First subsystem then interfaces to verbal linguistic portion of brain, second interfaces to motor systems that control muscle movements May 21, 2014IAT 3555

Stage 2 Attributes  Slow serial processing  Involves working and long-term memory  Top-down processing May 21, 2014IAT 3556

Preattentive Processing  How does human visual system analyze images? –Some things seem to be done preattentively, without the need for focused attention –Generally less than msecs (eye movements take 200 msecs) –Seems to be done in parallel by low-level vision system May 21, 2014IAT 3557

How Many 3’s? May 21, 2014IAT 3558

How Many 3’s? May 21, 2014IAT 3559

What Kinds of Tasks?  Target detection –Is something there?  Boundary detection –Can the elements be grouped?  Counting –How many elements of a certain type are present? May 21, 2014IAT 35510

Examples:  Where is the red circle? Left or right?  Put your hand up as soon as you see it. May 21, 2014IAT 35511

Pre-attentive Hue  Can be done rapidly May 21, 2014IAT 35512

Examples:  Where is the red circle? Left or right?  Put your hand up as soon as you see it. May 21, 2014IAT 35513

Shape May 21, 2014IAT 35514

Examples:  Where is the red circle? Left or right?  Put your hand up as soon as you see it. May 21, 2014IAT 35515

Hue and Shape  Cannot be done preattentively  Must perform a sequential search  Conjuction of features (shape and hue) causes it May 21, 2014IAT 35516

Examples  Is there a boundary: –A connected chain of features that cross the rectangle  Put your hand up as soon as you see it. May 21, 2014IAT 35517

Fill and Shape  Left can be done preattentively since each group contains one unique feature  Right cannot (there is a boundary!) since the two features are mixed (fill and shape) May 21, 2014IAT 35518

Examples  Is there a boundary? May 21, 2014IAT 35519

Hue versus Shape  Left: Boundary detected preattentively based on hue regardless of shape  Right: Cannot do mixed color shapes preattentively May 21, 2014IAT 35520

Hue vs. Brightness  Left: Varying brightness seems to interfere  Right: Boundary based on brightness can be done preattentively May 21, 2014IAT 35521

Preattentive Features  Certain visual forms lend themselves to preattentive processing  Variety of forms seem to work May 21, 2014IAT 35522

3-D Figures  3-D visual reality has an influence May 21, 2014IAT 35523

Emergent Features May 21, 2014IAT 35524

Potential PA Features  length  width  size  curvature  number  terminators  intersection  closure  hue  intensity  flicker  direction of motion  stereoscopic depth  3-D depth cues  lighting direction May 21, 2014IAT 35525

May 21, 2014IAT

May 21, 2014IAT

Key Perceptual Properties  Brightness  Color  Texture  Shape May 21, 2014IAT 35528

Luminance/Brightness  Luminance –Measured amount of light coming from some place  Brightness –Perceived amount of light coming from source May 21, 2014IAT 35529

Brightness  Perceived brightness is non-linear function of amount of light emitted by source Typically a power function S = aI n S - sensation I - intensity  Very different on screen versus paper May 21, 2014IAT 35530

Greyscale  Probably not best way to encode data because of contrast issues –Surface orientation and surroundings matter a great deal –Luminance channel of visual system is so fundamental to so much of perception We can get by without color discrimination, but not luminance May 21, 2014IAT 35531

Greyscale  White and Black are not fixed May 21, 2014IAT 35532

Greyscale  White and Black are not fixed! May 21, 2014IAT 35533

Luminance  Foreground must be distinct from background! May 21, 2014IAT Can you read this text?

Color Systems  HSV: Hue, Saturation, Value –Hue: Color type –Saturation: “Purity” of color –Value: Brightness May 21, 2014IAT 35535

CIE Space  The perceivable set of colors May 21, 2014IAT 35536

Color for Categories  Can different colors be used for categorical variables? –Yes (with care) –Colin Ware’s suggestion: 12 colors red, green, yellow, blue, black, white, pink, cyan, gray, orange, brown, purple May 21, 2014IAT 35537

Why 12 colors? May 21, 2014IAT 35538

Just-Noticeable Difference  Which is brighter? May 21, 2014IAT 35539

Just-Noticeable Difference  Which is brighter? May 21, 2014IAT (130, 130, 130)(140, 140, 140)

Weber’s Law  In the 1830’s, Weber made measurements of the just-noticeable differences (JNDs) in the perception of weight and other sensations.  He found that for a range of stimuli, the ratio of the JND ΔS to the initial stimulus S was relatively constant: ΔS / S = k May 21, 2014IAT 35541

Weber’s Law  Ratios more important than magnitude in stimulus detection  For example: we detect the presence of a change from 100 cm to 101 cm with the same probability as we detect the presence of a change from 1 to 1.01 cm, even though the discrepancy is 1 cm in the first case and only.01 cm in the second. May 21, 2014IAT 35542

Weber’s Law  Most continuous variations in magnitude are perceived as discrete steps  Examples: contour maps, font sizes May 21, 2014IAT 35543

Stevens’ Power Law  Compare area of circles: 1 20 May 21, 2014IAT 35544

Stevens’ Power Law s(x) = ax b s is the sensation x is the intensity of the attribute a is a multiplicative constant b is the power b > 1: overestimate b < 1: underestimate May 21, 2014IAT [graph from Wilkinson 99]

Stevens’ Power Law May 21, 2014IAT [Stevens 1961]

Stevens’ Power Law Experimental results for b : Length.9 to 1.1 Area.6 to.9 Volume.5 to.8 Heuristic: b ~ 1/sqrt(dimensionality) May 21, 2014IAT 35547

Stevens’ Power Law  Apparent magnitude scaling May 21, 2014IAT [Cartography: Thematic Map Design, p. 170, Dent, 96] S = 0.98A 0.87 [J. J. Flannery, The relative effectiveness of some graduated point symbols in the presentation of quantitative data, Canadian Geographer, 8(2), pp , 1971] [slide from Pat Hanrahan]

Relative Magnitude Estimation Most accurate Least accurate Position (common) scale Position (non-aligned) scale Length Slope Angle Area Volume Color (hue/saturation/value) May 21, 2014IAT 35549

Color Sequence  Can you order these? May 21, 2014IAT 35550

Possible Color Sequences May 21, 2014IAT Grey Scale Full Spectral Scale Partial Spectral Scale Single Hue Scale Double-ended Hue Scale

HeatMap May 21, 2014IAT 35552

ColorBrewer May 21, 2014IAT 35553

Color Purposes  Call attention to specific data  Increase appeal, memorability  Represent discrete categories May 21, 2014IAT 35554

Using Color  Modesty! Less is more  Use blue in large regions, not thin lines  Use adjacent colors that vary in hue & value May 21, 2014IAT 35555

Using Color  For large regions, don’t use highly saturated colors (pastels a good choice)  Do not use adjacent colors that vary in amount of blue  Don’t use high saturation, spectrally extreme colors together (causes after images)  Use color for grouping and search May 21, 2014IAT 35556

Texture  Appears to be combination of –orientation –scale –contrast  Complex attribute to analyze May 21, 2014IAT 35557

Shape, Symbol  Can you develop a set of unique symbols that can be placed on a display and be rapidly perceived and differentiated?  Application for maps, military, etc.  Want to look at different preattentive aspects May 21, 2014IAT 35558

Glyph Construction  Suppose that we use two different visual properties to encode two different variables in a discrete data set –color, size, shape, lightness  Will the two different properties interact so that they are more/less difficult to untangle? –Integral - two properties are viewed holistically –Separable - Judge each dimension independently May 21, 2014IAT 35559

Integral-Separable  Not one or other, but along an axis May 21, 2014IAT 35560

Integral vs. Separable Dimensions Integral Separable May 21, 2014IAT [Ware 2000]

Shapes  Superquadric surface can be used to display 2 dimensions  Color could be added May 21, 2014IAT 35562

Change Blindness  Is the viewer able to perceive changes between two scenes? –If so, may be distracting –Can do things to minimize noticing changes – – May 21, 2014IAT 35563