OVERVIEW OF SCANNING. Scanning Scanning takes a picture Similar technology to the copy machine but outputs to a digital file, not paper.

Slides:



Advertisements
Similar presentations
A “bundle of rights” controlled by the owner Distribute the work Reproduce the work Display the work Perform the work Create derivative works.
Advertisements

Copyrights for Creatives April 16, 2014 Brocach Irish Pub.
Copyright In Distance Education
Is This ‘Fair Use’? Katie Steele TE 868 Summer 2009.
Copyright Law & Your Websites Computer Science 201 November 21, 2005 Sarah Garner, J.D., M.L.I.S. Law Library Director,
Tuesday, January 21, 2014 Review Copyright Basics and Fair Use (for test) Share “Case Research”
What is it and why should I care?
Fair Use Guidelines Mary Galloway Texas Middle School Texarkana Independent School District Prepared by Christy Tidwell.
Copyright and Alternatives to Copyright Why now? Rita S. Heimes Director, Technology Law Center University of Maine School of Law Rita S. Heimes Director,
Intellectual Property UCLA DIS “Information Ecology” C.Hoda,Fall 2008.
For Students. What is Copyright? “The exclusive right to produce or reproduce (copy), to perform in public, or to publish an original literary or artistic.
Software Protection & Scope of the Right holder Options for Developing Countries Presentation by: Dr. Ahmed El Saghir Judge at the Council of State Courts.
An Introduction to Copyright Central Michigan University Libraries January, 2013.
Processing PDF: How to Go from PDF to E-text to Audio Gaeir Dietrich Director High Tech Center Training Unit of the California Community Colleges Foothill.
Mindy Ward. By Nina Paley Universal sues MySpace for copyright violations November 17, 2006.
1 Copyright & Other Legal Issues. 2 WHAT IS COPYRIGHT? Copyright is the form of protection provided by the laws of the United States to authors of “original.
Jonathan Band Jonathan Band PLLC Google Library Project: Copyright Issues.
Copyright and Fair Use in Distance Education shops/copyquiz.html.
Office of the General Counsel1 COPYRIGHT and the TEACH Act The Technology, Education, and Copyright Harmonization Act Copyright © 2007 Villanova University.
Examples of problems with teacher/school site violations: A company’s logo and link on footer of homepage when company is not their business partner—only.
Canadian Copyright Act Became law in January 1924 and was amended in 1988 (Phase I) The second phase amendments were completed in 1997 when Bill C-32.
Copyright and Fair Use Guidelines: Using Protected Materials to Enhance Instruction.
Copyright and the Classroom What do I do? Johnny Tilton Fall 2013.
IN EDUCATION Copyright and Fair Use Terri L. Gibson. (Aug, 2013)
Copyright and Fair Use Implications for Assistive Technology and Education.
1 The AccessText Network Publishers and DSS Collaborating to Improve College Textbook Accessibility.
CREATING DIGITAL LIBRARIES: A COLLISION COURSE WITH COPYRIGHT LAW Lolly Gasaway November 2011.
Accessibility and Copyright: The Chafee Amendment Allan Adler VP for Legal & Government Affairs Association of American Publishers RPAC Annual Conference.
Copyright, Licensing, & the Provision of Electronic Resources Vicki L. Gregory Associate Professor University of South Florida
Copyright: with Implications for Online Educational Purposes Presenter: Jill Baker Audiovisual Librarian San Diego Mesa College April 25, 2008.
10/6/2015 What is Copyright? Top Ten Myths Robert McAndrews Humble ISD Career & Technology Education Center.
Breana McCracken University of Illinois at Urbana-Champaign HathiTrust and Copyright Future Implications - Strong precedent for libraries to continue to.
National Instructional Materials Accessibility Standard (NIMAS) What Districts Need to Know Skip Stahl, Director, NIMAS Development Center.
Copyright and Fair Use for Educators.. What is Intellectual Property?  It is property that comes from an idea that is expressed in a tangible form. 
Copyright and Fair Use. Topics Intellectual Property What is Copyright? What is Fair Use? Common Violations Guidelines TEACH Act 2002.
Intellectual Property Laws and Fair Use Guidelines for Educational Multimedia.
Copyright and Fair Use by Frank Sholedice Extension/Experiment Station Publications Assistant Editor University Communications and Marketing Services New.
Copyright Law Summer Crider Loeffler University of Texas at Brownsville Summer II July 8-August 12th EDTC 6340 Ms. Evans and Dr. Sullivan.
JUNE 2012 VRA/ARLIS SEI SUMMER EDUCATIONAL INSTITUTE FOR VISUAL RESOURCES AND IMAGE MANAGEMENT.
The Quest for Copyright Understanding Miguel Guhlin
Copyrights on the internet vincent yee. Digital Millennium Copyright Act October 28, 1998, President Clinton signed the Act into law.
Becky Albitz Electronic Resources Librarian
Copyright Laws Dodge City Public Schools November 2013 Compiled By: 6-12 Academic Coaches and DCHS Librarian Approved By: 6-12 Administrators.
Copyright Law A Guide for Educators. Jolene Hartnett, RDH, BS Seattle Central College © 2015 Certain materials in this program are included under the.
Can I use that? An introduction to using Creative Commons and copyrighted material in your courses Kathleen DeLaurenti, Digital Scholarship and Music Librarian.
Clearing Permissions for my manuscript What do I need to know and what do I do? Emily Hall Rights Manager
Innovation, Copyright, and the Academy University of California Santa Barbara November 2, 2015 Kenneth D. Crews Gipson Hoffman & Pancione (Los Angeles)
Copyright: Self-Check Jeopardy LS5043: Information and Communication Technologies Check your understanding before you take A.2.1 Copyright Test.
A Copyright Primer What Does it Mean? Why Does NAESB Care?
COPYRIGHT and TEACHING Updated December Today we’ll cover…. Copyright Basics Exceptions and Limitations Making Copyright Decisions.
Copyright Tips for Presenting at SOA Meetings & Webinars January 2016.
COPYRIGHT FAIR USE CREATIVE COMMONS LICENSING OPEN EDUCATION CHARLOTTE ROH, SCHOLARLY COMMUNICATION RESIDENT LIBRARIAN UNIVERSITY OF MASSACHUSETTS AMHERST.
6/18/2016 COPYRIGHT AND Fair Use Guidelines “Respect Copyright, Celebrate Creativity”
The Fair Use Defense to Copyright Infringement An Overview Aaron K. Perzanowski.
A GUIDE TO COPYRIGHT & PLAGIARISM Key Terms. ATTRIBUTION Identifying the source of a work. For example, a Creative Commons "BY" or attribution license.
COPYRIGHT FAIR USE CREATIVE COMMONS LICENSING CHARLOTTE ROH, SCHOLARLY COMMUNICATION RESIDENT LIBRARIAN UNIVERSITY OF MASSACHUSETTS AMHERST MARCH 13, 2015.
Disclaimer This presentation is for informational purposes only and does not constitute legal advice.
Margaret Burnett April 2017
Copyright in the Classroom
Author Rights Sarah A. Norris, Scholarly Communication Librarian,
Fair Use in the Classroom
Copyright and Plagiarism and Citations, Oh My
Sarah Norris, Lily Flick, UCF Libraries
Copyright and Plagiarism and Citations, Oh My! SCHOOL OF PHARMACY
Demo of Alt Media Exchange System for Campuses by Campuses
Copyright Material: What constitutes “Fair Use”?
Copyright.
Principal Deputy County Counsel
Copyright Q & A Freya Anderson Alaska State Library
Presentation transcript:

OVERVIEW OF SCANNING

Scanning Scanning takes a picture Similar technology to the copy machine but outputs to a digital file, not paper

Scanning Products Scanning creates a picture. Black and white scanning creates a TIFF. – TIFFs can be multiple pages. Color scanning usually creates a JPEG. – JPEGs are single pages only!!

But I scan to… If you get anything else other than a TIFF or JPEG, you have used software to convert. If you scan to PDF, you have used software to transform your file. – Scanning hardware does not create PDFs.

What is a TIFF? TIFF files are graphics, i.e., pictures of text – Tagged Image File Format (TIFF) Robust, stable standard file type – No version issues – Any program that can open mutlipage graphics can open a TIFF

Why Archive TIFFs? Learning disabled students make up the largest disability group on most campuses. Programs such as Kurzweil 3000 and WYNN, which are designed specifically for LD students, read TIFF files. TIFF files look like the pages from the book, making it easier for LD students.

Converting TIFFs TIFF can be converted to other formats, including other graphic formats. To get to the text you must run a TIFF file through an optical character recognition (OCR) program. – Note: Kurzweil Pro and WYNN Wizard have OCR programs built into them.

In Kurzweil 3000 The TIFF must be opened on a Kurzweil Professional (Scan and Read station)— not a Learn (Read Only) station. Kurzweil runs its own internal OCR. To make the files available on the Learn stations, you must open the TIFF in K3000 and save it as a KESI (.KES) format.

Load image (TIFF) into Kurzweil 3000 Professional* Load image (TIFF) into Abbyy FineReader or Nuance OmniPage** Runs OCR — full structural control Runs OCR — limited structural control E-text Creates a TIFF (Image) KESI file (Kurzweil format) Scan documents

Scanning Terms DPI – dots per inch – 300 dpi standard for text – More is not necessarily better! Mode – Black & white (like line art) – Grayscale (like black & white photos) Duplex vs. Simplex – Double-sided vs. single-sided; two sides at a time vs. one side at a time

Scanning Procedure Remove spine from book (check with print shop/library) Separate any pages still glued together Insert separator sheets as needed Scan to TIFF Burn to CD—one for student, one to archive Log book into the AMX database

Details Chopping books – Guillotine, Exacto knife, Kinko’s – Separate pages Scan to TIFF – Three parts: front matter, chapters, back matter Run OCR – Abbyy FineReader Easier to use, shorter learning curve, good structural recognition – OmniPage Pro Better for technical documents, good automation features Save files

File Structure Label chapter folders as follows: – 01 Chapter – 02 Chapter Label front matter to place it first: – 00 Front Matter Label back matter just with its name: – Back Matter This file structure will create a logical order for the student.

Example

Create a Template

After You’re Done Please share! AMX Database Contact us if you’re not sure who has rights as campus administrator.

AMX Database

LEGAL QUESTIONS

Copyright Copying a book is not legally So what do we do??

Considerations ADA laws Rights of ownership Fair use Chafee Amendment

“[I]t is not an infringement of copyright for an authorized entity to reproduce or to distribute copies or phonorecords of a previously published, nondramatic literary work if such copies or phonorecords are reproduced or distributed in specialized formats exclusively for use by blind or other persons with disabilities.”

Chafee Legalities (A) not be reproduced or distributed in a format other than a specialized format exclusively for use by blind or other persons with disabilities; (B) bear a notice that any further reproduction or distribution in a format other than a specialized format is an infringement; and (C) include a copyright notice identifying the copyright owner and the date of the original publication.

Possible Specific Wording Specialized format for use by student with print disability. Any further reproduction or distribution of this material is an infringement of copyright law. Copyright 0000, Publisher name

But… Cannot operate purely under Chafee – May not be authorized entities (uncertain) – Lack of specialized format – Lack of copy protection

Rights to Access Student owning the book allows us to create alternate formats as part of their educational accommodations – ADA requires us to accommodate students – Purchase of book means copyright holder is compensated

Is It Fair Use?? Fair Use is not a law but an argument under the law Four criteria are considered on a case- by-case basis

Four Factors (1) the purpose and character of the use, including whether such use is of a commercial nature or is for nonprofit educational purposes; (2) the nature of the copyrighted work; (3) the amount and substantiality of the portion used in relation to the copyrighted work as a whole; and (4) the effect of the use upon the potential market for or value of the copyrighted work.

Fair Use For educational purposes—in favor Nature of work is textbook—likely in favor All of book—definitely not in favor No economic impact—in favor

Hathi Trust Case

The Identities of the Parties Indicate the Interests Plaintiffs are organizations interested in protecting the copyrights of members, e.g. The Author’s Guild Defendants: five colleges that participate in the U.M.’s Hathi Trust and Google’s “Mass Digitalization Program (MDP)” to digitize their entire library collections (U.Mich., U.Wis., U.Cal., Indiana, and Cornell) Intervenor: the National Federation of the Blind Amici: three library associations

How It Works Google scans and digitizes the complete college/university library collection 73% of the items scanned are copyrighted, most are non-fiction; 10,000,000+ total Google gives two copies back to the library: scanned images (for preservation) and as text (for search and alternate media) Each institution then contributes two copies to the Hathi Trust’s digital library (MDP)

Three Claimed Purposes for the Scanned Materials Full-text digital searches – For works that are not in the public domain; and – For works the copyright owner has not authorized use The full-text search indicates only –The page numbers on which a particular term is found; and –The number of times the term appears on each page Preservation of printed material Alternate media for individuals certified to have a “print disability”

Third Purpose Addresses a serious problem for blind students – “Prior to the development of accessible digital books, the blind could access print materials only if the materials were converted to braille or if they were read by a human reader, either live or recorded.” – Absent a program like the MDP, “print- disabled students accessed course materials through a university’s disability student services office and most universities are able to provide only reading [materials] … actually required [by the syllabus].”

Arguments Pl. has at least established a prima facie case of copyright infringement – The court agrees but Defendants raise three defenses – Plaintiff organizations have no standing to bring this action since they are not the true copyright holders (not discussed further in this presentation but an important argument) – Defendant’s transformative use of the materials qualifies for the fair use exception to copyright – The Chafee Act makes clear what the defendants are doing is fair use

“Fair Use” Elements of Proof Fair use permits copies to be made for purposes of scholarship, teaching, and research. The burden to prove this is on the defendant. Court Used a Three factor test: – Is the character commercial or for a nonprofit educational purpose (collapsed first two statutory factors) Is the use “transformative”? – Amount of the work copied – Impact on the market and value of the work

Fair Use Factor I Is the character commercial in nature or for a nonprofit educational purpose? Held non-profit, not commercial purposes – The MDP allows scholars to identify related works more efficiently – The collections are protected from deteriorating – Provides print disabled persons access to a wealth of information in the library collections. “[T]o the extent that copying allows print-disabled individuals access to ‘previously published non- dramatic work(s)’ on an equal footing with sighted individuals, it is also potentially permitted [under] the Chaffee Amendment. … The ADA [itself] also provides strong support for the conclusion that the provision of access to print-disabled persons is a protected fair use.”

Is the use “transformative”? – Yes, It is Transformative – Here, except for print-disabled patrons, no actual text of the book is revealed – Rather than access to actual materials, the product of the scan is “superior search capabilities,” giving “rise to new methods of academic inquiry such as text mining”

Meeting the Need – Putting print disabled persons on the same footing as sighted individuals – Not a significant market for publishers – Access to them was NOT an intended use of the original work, the works were intended for the enjoyment of sighted persons – “Making a copy of a copyrighted work for the convenience of a blind person is expressly identified by the House Committee Report as an example of fair use, with no suggestion that anything more than a purpose to entertain or to inform [is] needed to motivate the copying.”

Prong II: Amount of the Work Copied Copying factual works (books, papers, etc.) is more likely fair use than copying creative works – 73% of the identified works are non-fiction

Prong III: Impact on the Market and Value of the Work Does the new use “usurp” the market for the original work? No usurpation found by the court – An entirely noncommercial use – No real likelihood of harm to the copyright holder Books would not be purchased in traditional channels for the two unique purposes of the MDP. Full text searches or access to print- disabled persons aren’t served in traditional channels. – “The provision of access for print-disabled individuals does not significantly impact a market. …. [P]rint disabled individuals are only a tiny minority….” – “This [market impact] argument overlooks the fact that it is minorities such as this that Congress sought to protect through enactments like the ADA.”

Harm of Republication on the Internet? Security procedures in place at the universities are strong Libraries must certify to trustworthiness The argument that this will hurt potential markets is “conjecture”

Judge Baer on Fair Use “A copyright holder cannot preempt a transformative market …. Because I conclude that two of the uses are transformative -- that is the provision of search capabilities and access for print – disabled individuals … does not cause the copyright holder to ‘suffer market harm’ due to the loss license fees.”

Holding on Fair Use (cont.) “The enhanced search capabilities that reveal no in-copyright material, the protection of Defendant’s fragile books, and perhaps most importantly, the unprecedented ability of print- disabled individuals to have an equal opportunity to compete with their sighted peers in the ways imagined by the ADA protect the copies made by the Defendants as fair use to the extent that Plaintiffs have established a prima facie case of infringement.”

Judge Baer’s Conclusion: “This is the Essence of Fair Use” “I cannot imagine a definition of fair use that would not encompass the transformative uses made by Defendant’s MDP and would require that I terminate this invaluable contribution to the progress of science and cultivation of the arts that at the same time effectuates the ideals espoused by the ADA.”

And Don’t Forget the Chafee Amendment Act An amendment to the copyright act Authorized entities are permitted to reproduce and distribute previously published non-dramatic literary work in specialized formats exclusively for the use of persons with disabilities

University of Michigan (UM) is an “Authorized Entity” An “authorized entity” – Non-profit organization – Or, governmental entity – Primary mission to provide specialized services relating to Training or Education or Adaptive reading or Information access needs of blind and other persons with disabilities

“Fair Use” or “Authorized Entity” Either Way Works for UM – UM library meets this definition – Other defendants may not but they “may certainly rely on fair use, as explained above … in the event they are not authorized entities [under Chafee]”

Is the Use Fair? Search engine indexing is a fair use Digitizing texts may have great social value – Create unique and efficient research tools – Preserve literature – Create access to books not previously available to persons with print disabilities

No Market Harm Digitizing books does not necessarily diminish or threaten the otherwise existing market for those books

ADA Americans with Disabilities Act affirmatively requires “equal access to copyrighted information.” – Digitizing to create this access is a fair use under copyright law Programs in the nature of the MDP program at the University of Michigan satisfy both fair use and Chafee requirements.

One More Argument for Universal Design “Courts seem highly sympathetic to the idea that universities ought to be allowed to translate their traditional research and teaching models to use digital delivery technologies. Their new duties to print-disabled students come with significant benefits, as well.” James Grimmelmann, HathiTrust: A Landmark Copyright Ruling, Publisher’s Weekly On (October 13th, 2012)

Lessons Learned

Most Important Factor Copyright holders have a right to benefit from their intellectual property We need to do our due diligence to ensure that we do not diminish the value

Bottom Line Ownership is important – Student OR campus owning book – Ask for receipt and keep it. – If received from a fellow student, ask for a handwritten note. Student contracts agreeing not to share are so important – Make sure the student’s signature is on file

Can We Keep It? One book = one copy of e-text – It’s a package deal. Recommend including statement in student contract Check with administration for wording – Something like: “If you sell the book associated with this e-text, then return the e-text to DSPS.”

Best Practice Best practice is to at least ask publisher for permission (or at least notify them)— BUT you must accommodate students Bottom line: Publishers do not want to sue a customer

And Remember… Accommodating students is a campus responsibility Do try to get e-text from the publishers…but when in doubt, scan!

E-TEXT FROM PUBLISHERS

AB 422 Student has certified print disability Written request ( / fax okay) College or student has purchased text Student enrolled in class Student agrees not to share or copy Publisher may request student signature Publisher does not need student's name

AB 422 limitations Text must be required by instructor Text must be produced primarily for post-secondary use Math, science, and engineering are currently exempt (You can request text only.) Novels, mainstream books, and reference books are exempt

AB 422 vs. Scanning AB 422 – e-text from publishers – must purchase book – student enrolled in the class – required textbooks – Publishers’ permission required to share Scanning – scan in-house – must purchase book – no enrollment restrictions – no restrictions on type of book – permission not specifically required, but good to notify

Alternate Text Production Center (ATPC) – ATPC will request books from publishers for the CCCs – Turnaround for archived books very fast – Turnaround for other books depends on publishers ATPC also does braille

Access Text Network Basic membership is free – Request books from member publishers Premium membership – $250/ yr OR contribute 25 titles to the exchange – Exchange files from member publishers

ATN Publishers Cengage Learning Elsevier F.A. Davis Company John Wiley & Sons Jones & Bartlett Learning Kogan Page Lynne Rienner Publishers Macmillan Higher Education McGraw-Hill Education Pearson Education SAGE Publications, Inc. Sinauer Associates Springer Publishing W.W. Norton

Other Services Accessible Textbook Finder – – Find e-text – Searches Bookshare, Learning Ally, and others Search “Publisher Look-up” – Find contact info for non-ATN publishers

Be Aware! Files usually require clean up Scanning is sometimes still faster and easier Especially when you know how to get the most from your scanner! ;-)