 Duplication (short-run) vs.  Replication (large volume-500+)  Packaging choices  UPC (Universal Product Code)  Selling CDs/distribution  Physical.

Slides:



Advertisements
Similar presentations
By Monique Litherland Royal Valley High School.
Advertisements

Module 4: Copyright All My Own Work:
Copyright, part 1 (press spacebar to continue) Yes, there will be a test over this!
The Project  The purpose of the project is to create an interactive lesson to review/reinforce the concept of illegal file sharing and its consequences.
IRMA Anti-Piracy Compliance Programme. What is IRMA? International Recording Media Association IRMA developed the Anti-Piracy Compliance Programme in.
Copyright What about it?. Who owns copyright?  Copyright means the right to copy  Canadian copyright law allows for only the owner or creator of the.
Internet Piracy. History In the 1980’s mail was used to distribute pirated material Pirated material originally consisted of copyrighted games, software,
Intellectual Property Boston College Law School February 1, 2007 Copyright – Digital Issues.
Software Copyright. Learning Objectives: By the end of this topic you should be able to:
HSC: All My Own Work Copyright.
Music Publishing The New Math Deal By Professor Ed Calle Miami-Dade College - School of Entertainment Design Technology The New Math Deal By.
By: Lauren Monteith, Derek Love, Cole Howell, and Reggie Jones.
Internet and Multimedia Issues  Students will be able to... ◦ Explain the difference between innocent and willful infringement ◦ Recognize sources of.
Marketing Music and Theater Chapter 8.3. Today’s Music  The media used for recording and playing back music and the channels of distribution continue.
There are two copyrights in any recorded piece of music: 1)The copyright in the musical work (notes and lyrics); and 2)The copyright in the sound recording.
INCOME FROM A SONG TRACING THE MONEY FLOW FourFront Media & Music Christopher Knab Copyright 2000 All Rights Reserved.
1/nov/21/multiple-choice-students- teachers-technology How does copyright affect me?
January 2009: PRS Template Presentation An i ntroduction to PRS for Music.
Paul Kelly CIS Music Piracy  Music Piracy  File Sharing  Peer-to-Peer  History of illegal music Downloads.
 Provide a basis for determining who in the organization should control access to a particular item of information.
1 Music 2.0 Revenue Streams, Consumer Behavior and Policy Issues Kristin Thomson Ignite : Philly June 11, 2008 Kristin Thomson and Michael Bracy Future.
WHAT IS THE MUSIC INDUSTRY? MUSIC INDUSTRY DEFINITION – A BUSINESS MAINLY SPLIT INTO FOUR PARTS INCLUDING:RECORDING OF THE MUSIC, SONG WRITING, PUBLISHING,
Ethics & Responsibility
Intellectual Property
BROADCASTING INDUSTRY: ROYALTY AND COLLECTING SOCIETIES
Business Models In Media Industries. Definitions (1) A business model is an action methodology for the systematic and routine generation of money or equivalent.
1 Intellectual Property “Gift of Fire”. 2 Intellectual Property - Have you ever give a CD to a friend that contained a copy of a computer game or a programs?
TAXI ROAD RALLY November, 2014NOT LEGAL ADVICE!1 Music Business and Terminology This presentation is general information. Nothing in it should be construed.
Copyright and Fair Use Online Presenter: David Wittenstein ©2007 Dow Lohnes PLLC Jon Hart David Wittenstein
Is Your Church LEGAL? Music? Video? Streaming? February 24, 2013 Tamara Fisher, Communication Director Georgia-Cumberland Conference.
The Recording Industry Week 4. THE RISE OF RECORDS As late as 1880 or 1890, people growing up in a middle-class U.S. household had no recorded music in.
COPYRIGHT LAW IN MEDIA NOTES. WHAT IS COPYRIGHT? The exclusive right to reproduce, publish, and sell the matter and form of a literary, musical, or artistic.
The Copyright, Designs and Patents Act (1988) A POWERPOINT PRESENTATION By Add your name(s) here Copyright and Piracy.
1 Safety, Copyright, and Fair Use Professional Communication: Copyright © Texas Education Agency, All rights reserved. Images and other multimedia.
Music Content IP: The Building Blocks of the Music Business Donald R. Simon, J.D./LL.M. Kaplan University.
“The Culture Industry” and the “Mass Culture” Critique "mass culture" is produced for masses, not individuals Made for passive consumption Culture (such.
MUSIC COMM. I MS. JOHNSTON. MUSIC How many of you download music? –iTunes –Zune Marketplace –podsafeaudio –LimeWire.
PrintImagesAudioVideo Software and Internet.
To examine how the music industry has changed over time To understand current trends in how the audience consumes music A History of the Music Industry.
Movie Piracy Created by: Charlotte. Movie Piracy: An illegal act of recording a movie, television program, or a video that is copyrighted, and that you.
Intellectual Property What’s legal?. Discuss Terms  intellectual property, plagiarism, copyright-patent-trademark, public domain, fair use  piracy,
Copyright with a digital touch Techapalooza 2011.
October 2010 Music Publishing Overview. 2 Overview of Music Publishing Music Publishing is the business of acquiring, administering and exploiting rights.
HSC: All My Own Work What is copyright and what does it protect? How does it relate to me?
Licensing. Some Nuggets... US IP value = $5.5 trillion or more $180 billion in revenue annually – $2.8B in 1970; $27B in 1990 US IP exports = more than.
Principles of AAVTC Ethics & Copyright Copyright © Texas Education Agency, All rights reserved. Images and other multimedia content used with permission.
1 Safety, Copyright, and Fair Use Professional Communication: Copyright © Texas Education Agency, All rights reserved. Images and other multimedia.
Canadian Media Our Culture, Our Identity. “ Living next to (the United States) is in some ways like sleeping with an elephant. No matter how friendly.
Chapter 3 Sounds & music. How does music make us feel?
Part 2: Songwriting, Publishing, Copyright, and Licensing.
Copyright or Copywrong? Music Lesson #4 Transformative Use- Mixed and Mashed.
Professional Communication:
Copyright for the Net-Generation
What Board Members Should Know About Copyright Compliance
Music Licensing 101 Webinar June 28, 2017 Click HERE for audio
Music Publishing.
Music Publishing Overview
The Digital Millennium Chapter Two
Copyright Jeopardy Music Theory 2009.
Ethics & Copyright.
Licensing.
Copyright Notes MUM 2700 Professor Calle 11/16/2018 Copyrights.
Music Distribution Digital vs Physical.
Copyright For Students.
Satellite Sound Waves In Tune With The Future.
AV Production Ethics & Copyright Trade & Industrial Education
Copyright Laws.
POST-UNIT REFLECTIONS
POST-UNIT REFLECTIONS
Professional Communication:
Presentation transcript:

 Duplication (short-run) vs.  Replication (large volume-500+)  Packaging choices  UPC (Universal Product Code)  Selling CDs/distribution  Physical alternatives to CDs?

 Copyright  Publishing  Recording Company (contract) vs.  Independent  Public Domain

 Performing Rights (SOCAN)  Mechanical Rights (CMMRA, SODRAC, ASCAP, BMI)  Sheet music photocopying rights (Copibec)  Synchronization Rights  Royalties

 Aggregators (CDBaby, Tunecore)  ISRC (International Standard Recording Code)  Paid downloads vs.  Streaming  Free downloads?

 CD mail outs  Radio Promoter  DMDS (Digital Media Distribution System)  E.P.K. (electronic press kit)  Radio stations: satellite, college, internet, standard, galaxie  Muzak  Video (television, internet)

 Nielsen SoundScan  ISRC  Aggregators website  Playlists/Cue sheets  SOCAN

 CRTC (Canadian Radio-Television & Communications commission)  CanCon (Canadian Content)  MAPL symbol (Music, Artist, Performance, Lyrics)  CARAS (JUNO Awards)

 licensing of cover songs  piracy  illegal downloading  file sharing  sampling  fair use  getting permission

Feedback: Privacy Policy Feedback
Do Not Sell My Personal Information
About project: SlidePlayer Terms of Service

© 2025 SlidePlayer.com. Inc. All rights reserved.