Hot Issues in Copyright Ebooks, orphans, first sale … Massachusetts Library System Wednesday Jan 30, 2013 at 12:00 PM Presented by Mary Minow, J.D., A.M.L.S.

Slides:



Advertisements
Similar presentations
Licensing Digital Content Negotiation Interpretation Application.
Advertisements

Copyright Update July 12, 2012 The Direction of Fair Use for Education: New Law and New Possibilities.
SCHOLARLY COMMUNICATIONS UPDATE CHRISTINE FRUIN VPO FOR SCHOLARLY COMMUNICATIONS.
COPYRIGHT AND COPYWRONG Respect Copyright, Celebrate Creativity.
Copyright Law & Fair Use Rights Sponsored by the Intellectual Freedom Committee VLA Annual Conference Friday, October 26, 2012; 3:15–4:00 p.m.
Copyrights for Creatives April 16, 2014 Brocach Irish Pub.
Copyright and Alternatives to Copyright Why now? Rita S. Heimes Director, Technology Law Center University of Maine School of Law Rita S. Heimes Director,
Copyright Law Boston College Law School January 30, 2002 Works of Authorship (cont’d)
The T.E.A.C.H. Act New standards and requirements for the use of copyrighted materials in distance education.
Copyright Law Boston College Law School February 25, 2003 Rights - Reproduction, Adaptation.
© 2002 Steven J. McDonald What do these have in common? The Mona Lisa The Starr report What I am saying Your idea for a web page The Wexner Center for.
Copyright, Fair Use, and Derivative Works
Copyright and Ethics. What is Copyright? Title 17, U.S. Code - A form of protection provided by the laws of the United States to the “authors of original.
Copyright Issues for Course Management Systems © Washtenaw Community College
What is copyright? the exclusive legal right, given to an originator or an assignee to print, publish, perform, film, or record literary, artistic, or.
1 Copyright and Education: Trends, Developments, and Future Directions Institute for Computer Policy and Law Educause & Cornell University Ithaca, New.
1 Copyright & Other Legal Issues. 2 WHAT IS COPYRIGHT? Copyright is the form of protection provided by the laws of the United States to authors of “original.
C©PYRIGHT & FAIR USE.
Copyright and Fair Use in Distance Education shops/copyquiz.html.
Copyright Laws in the Classroom Britany Howell The University of West Alabama LM 563.
Examples of problems with teacher/school site violations: A company’s logo and link on footer of homepage when company is not their business partner—only.
Copyright and Fair Use Guidelines: Using Protected Materials to Enhance Instruction.
© 2001 Steven J. McDonald What do these have in common? The Mona Lisa The Starr report What I am saying Your idea for a web page The Guggenheim Musuem.
Copyright Basics Rick Morris, J.D., LL.M Attorney-at-law Assistant Professor Northwestern University.
Copyright and the Classroom What do I do? Johnny Tilton Fall 2013.
Ebooks and Libraries: Tuesday March 12, 2013 Presented by Mary Minow, J.D., A.M.L.S. LibraryLaw.com Legal Issues for Library Administration and Staff An.
Mary Minow J.D., A.M.L.S. New Copyright Tools and Best Practices: Copyright Law Update 2010 An webinar January 14, 2010.
IN EDUCATION Copyright and Fair Use Terri L. Gibson. (Aug, 2013)
Copyright and Fair Use Implications for Assistive Technology and Education.
CREATING DIGITAL LIBRARIES: A COLLISION COURSE WITH COPYRIGHT LAW Lolly Gasaway November 2011.
By Collin Henry. Copyright is a protection that covers published and unpublished literary, scientific and artistic works, and other forms of expression.
Copyright: with Implications for Online Educational Purposes Presenter: Jill Baker Audiovisual Librarian San Diego Mesa College April 25, 2008.
1 SIMPSONS SOLICITORS Get it on Google: Google Book Search A review of the US actions against Google Inc. and the implications in Australia.
Kris Helge, J.D., M.L.S. Director of Library Services
Copyright Laws & Regulations Created by The University of North Texas in partnership with the Texas Education Agency.
Copyright Laws & Regulations. Copyright © Texas Education Agency, All rights reserved. 22 A.Title 17 of U. S. Code 1. Protection provided by law.
Becky Albitz Electronic Resources/Copyright Librarian
Copyright Laws for Education Susan Rheinwald Fernando Prieto.
The Quest for Copyright Understanding Miguel Guhlin
T HE D ISTRIBUTION R IGHT The distribution right is the exclusive right “to distribute copies or phonorecords of the copyrighted work to the public by.
Copyrights on the internet vincent yee. Digital Millennium Copyright Act October 28, 1998, President Clinton signed the Act into law.
Becky Albitz Electronic Resources Librarian
Copyright Law A Guide for Educators. Jolene Hartnett, RDH, BS Seattle Central College © 2015 Certain materials in this program are included under the.
Can I use that? An introduction to using Creative Commons and copyrighted material in your courses Kathleen DeLaurenti, Digital Scholarship and Music Librarian.
Innovation, Copyright, and the Academy University of California Santa Barbara November 2, 2015 Kenneth D. Crews Gipson Hoffman & Pancione (Los Angeles)
Copyright and Fair Use Website Permissions. What is Copyright? A copyright is a form of protection provided by the laws of the US to authors of “original.
Copyright: Self-Check Jeopardy LS5043: Information and Communication Technologies Check your understanding before you take A.2.1 Copyright Test.
COPYRIGHT AND FAIR USE By: Linda Corriveau. “In the United States, copyright law protects the authors of "original works of authorship, including literary,
Creative Commons terms and definitions By Chelsey Maton.
What Teachers Need to Know.  “Foster the creation and dissemination of literary and artistic works”  “Promote the Progress of Science and the useful.
Ethical and Legal Concerns Tyler Veak, PhD Scholarly Communication Librarian Guillermin Library July, 2012.
COPYRIGHT FAIR USE CREATIVE COMMONS LICENSING OPEN EDUCATION CHARLOTTE ROH, SCHOLARLY COMMUNICATION RESIDENT LIBRARIAN UNIVERSITY OF MASSACHUSETTS AMHERST.
Ethical Issues. Introduction to Copyright, Plagiarism Get out your note sheet.
6/18/2016 COPYRIGHT AND Fair Use Guidelines “Respect Copyright, Celebrate Creativity”
A GUIDE TO COPYRIGHT & PLAGIARISM Key Terms. ATTRIBUTION Identifying the source of a work. For example, a Creative Commons "BY" or attribution license.
I can hear it? Can I use it? Copyright: Audio What are our rights? Natasha Smith Marie Webb March 10, 2016 Audio Copyright Workshop for Teachers.
COPYRIGHT FAIR USE CREATIVE COMMONS LICENSING CHARLOTTE ROH, SCHOLARLY COMMUNICATION RESIDENT LIBRARIAN UNIVERSITY OF MASSACHUSETTS AMHERST MARCH 13, 2015.
Disclaimer This presentation is for informational purposes only and does not constitute legal advice.
Copyright and Fair Use Guidelines Presented by Misty Bellard.
Copyright Laws & Regulations
Margaret Burnett April 2017
Copyright in the Classroom
Copyright material does not permit reproducing the material, publicly displaying or performing it, or engaging in any of the acts reserved for the copyright.
CopyRight or CopyWrong? Fair Use and Faculty Reserves
Fair Use in the Classroom
Copyright By: Grace Collins.
Copyright.
All About Copyrighting
Copyright and Fair Use in Education
Happy Birthday to Copyright! 25 Years of Fair Use
Presentation transcript:

Hot Issues in Copyright Ebooks, orphans, first sale … Massachusetts Library System Wednesday Jan 30, 2013 at 12:00 PM Presented by Mary Minow, J.D., A.M.L.S. LibraryLaw.com

Legal information Not legal advice! Legal Disclaimer

Agenda Ebooks Lending content Litigation: Google Books, Hathi Trust Other issues E-reserves Streaming videos UCLA, YouTube Changing formats

Lending Content Copyright v. Licenses Specific Copyright Exception: FIRST SALE

Lending Content Copyright v. Licenses Specific Copyright Exception: FIRST SALE PART OF PUBLIC LAW

Lending Content Copyright v. Licenses Specific Copyright Exception: FIRST SALE PRIVATE CONTRACT overrides copyright law (almost always)

What is Copyright FIRST SALE? Loan books Sell used books Copyright Law 17 U.S.C. Sect. 109

Dont take for granted! First Sale Doctrine in United States Public Lending Right Euros © Will Spaetzel Some Rights Reserved. Attribution-NonCommercial-ShareAlike 2.0 Generic Spaetzel Not true everywhere!Public Lending Right = authors paid when books are loaned

First Sale: Under Review Case to watch Capitol Records v Redigi (New York Southern District) Is there a right to sell used digital music? If yes, ebooks next Massachusetts based MP3 reseller Deletes MP3 from users computer

Digital First Sale? Outdated law. Rights triggered when copy is made, even if original is deleted.* *may make INCIDENTAL OR FAIR USE argument, depending on circumstances

First Sale: Under Review Case to watch Kirtsaeng v. Wiley (U.S. Supreme Court) See also First Sale Fast Facts for Libraries / Library Copyright Alliance Jan. 18, Are copies printed abroad subject to First Sale? If no, possible erosion of print loans, library booksales works made overseas

LENDING CONTENT Copyright Safe OK: Public Domain Creative Commons Permission (e.g. local author)

New rights models unglue.it – creative commons Rights holders set dollar mount, readers pledge $ to unglue Success = Creative Commons License

Licenses

understand default copyright rights before signing understand default copyright rights before signing

Douglas County Libraries and Califa: Statement of Common Understanding Uses copyright law, not license Describes how copyright law applies One user- One loan

LITIGATION: Hathi Trust Book Scans as FAIR USE OK for preservation searching text mining print disabled users Now on appeal. Orphan works program suspended, not currently at issue Authors Guild v. HathiTrust

LITIGATION: Google Books Scanned over 20 million books with library partners Search snippets 2005 Authors and publishers sued Google Proposed settlement: BOOKS RIGHTS REGISTRY (sell orphans) Court REJECTED Current status: publishers settled authors have not Authors Guild v. Google Not at issue: 2 million public domain books 2 million previews with publisher agreements

Google Books Authors Guild v. Google For updates thepublicindex.org Institute for Information Law and Policy at New York Law School.

Orphans: Public Comment Period Deadline Feb. 4,

Updating library copyright Feb 8 Columbia Univ Updating library copyright Feb 8 Columbia Univ

Agenda Other issues E-reserves Streaming videos UCLA, YouTube Changing formats

E-Reserves Cambridge University Press v. Becker COURT (May 2012): 26 not registered or de minimis 44 FAIR USE 5 Infringing Look to amount and market harm Rejected CLASSROOM GUIDELINES Reasonable limits: One chapter of book with 10+ chapters 10 % of book less than 10 chapters On appeal See ARL Issue Brief by Brandon C. Butler suebrief_15may12.pdf

Streaming Videos: UCLA Case UCLA converted DVDs to streaming for in course management system November 2012: Court found it could be FAIR USE – the streaming did not substitute for purchase and did not cause market harm. January 2013 : Second amended complaint dismissed Assn for Information Media & Equipment v. University of California

May We Show YouTube Video? Copyright and YouTube Terms of Service Copyright Law – Specific exception OR MAKE FAIR USE CASE Performance by instructors or pupils in face-to- face teaching activities of nonprofit educational institution in classroom or similar place devoted to instruction See also TEACH Act for distance ed 17 U.S.C. Sect. 110(1)and (2)

May We Show YouTube Video? Copyright and YouTube Terms of Service Copyright Law – Specific exception OR MAKE FAIR USE CASE Performance or display to the public on apparatus commonly used in private homes permissible unless –Direct charge to audience or further transmission to the public OK for non food/drinking establishments with less than 2,000 sq ft if no more than six loudspeakers (no more than four per room) (for audio only) no more than four audiovisual devices (no more than one per room) and diagonal screen size no greater than 55 inches 17 U.S.C. Sect. 110(5)

YouTube Terms

YouTube Terms of Service 4. General Use of the ServicePermissions and Restrictions YouTube hereby grants you permission to access and use the Service as set forth in these Terms of Service, provided that: A.You agree not to distribute in any medium any part of the Service or the Content without YouTube's prior written authorization, unless YouTube makes available the means for such distribution through functionality offered by the Service (such as the Embeddable Player). B.You agree not to alter or modify any part of the Service. C.You agree not to access Content through any technology or means other than the video playback pages of the Service itself, the Embeddable Player, or other explicitly authorized means YouTube may designate. D.You agree not to use the Service for any of the following commercial uses unless you obtain YouTube's prior written approval: the sale of access to the Service; the sale of advertising, sponsorships, or promotions placed on or within the Service or Content; or the sale of advertising, sponsorships, or promotions on any page of an ad-enabled blog or website containing Content delivered via the Service, unless other material not obtained from YouTube appears on the same page and is of sufficient value to be the basis for such sales. E.Prohibited commercial uses do not include: uploading an original video to YouTube, or maintaining an original channel on YouTube, to promote your business or artistic enterprise; showing YouTube videos through the Embeddable Player on an ad- enabled blog or website, subject to the advertising restrictions set forth above in Section 4.D; or any use that YouTube expressly authorizes in writing. (For more information about what constitutes a prohibited commercial use, see our FAQ.)

Copyright Geek Time: Changing Formats A derivative work is a work based upon one or more preexisting works, such as a translation, musical arrangement, dramatization, fictionalization, motion picture version, sound recording, art reproduction, abridgment, condensation, or any other form in which a work may be recast, transformed, or adapted. A work consisting of editorial revisions, annotations, elaborations, or other modifications which, as a whole, represent an original work of authorship, is a derivative work. 17 U.S.C. Sect. 101 To be copyrightable, a derivative work must differ sufficiently from the original to be regarded as a new work or must contain a substantial amount of new material. Making minor changes or additions of little substance to a preexisting work will not qualify a work as a new version for copyright purposes. The new material must be original and copyrightable in itself. Titles, short phrases, and formatting are not copyrightable.

Agenda Ebooks Lending content Litigation: Google Books, Hathi Trust Other issues E-reserves Streaming videos UCLA, YouTube Changing formats