Colonial and Revolutionary Art Making A New Nation, Part I

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Colonial and Revolutionary Art Making A New Nation, Part I American Studies William Fremd High School

Earliest Art in Colonial Life Art should be considered an artifact of history, not as a document. Art was notably absent for the first 50-60 years of colonial life. Why? Thomas Smith: Self-Portrait, 1680

Limners Someone who draws for a specific, private audience Primary occupation was home decorating (furniture, etc.); portraiture was a sideline Frequently anonymous (unsigned) Anonymous: The Mason Children, 1670 (attributed to the Freake painter)

Anonymous: Elizabeth Freake and Baby Mary, ca. 1670

Anonymous: Anne Pollard

Joshua Johnson: Portrait of Sea Captain John Murphy Joshua Johnson was the first distinguished African-American painter.

Ralph Earl: Roger Sherman

Ralph Earl: Portrait of A Man with A Gun

Robert Feke: Sir Isaac Royall and Family

John Hesselius: Charles Calvert and Colored Slave, 1761

Justus Engelhardt Kuhn: Henry Darnall III as A Child

18th Century Painting Drastic improvements in technique: depth, perception Artists were more well trained. John Singleton Copley: Paul Revere

John Singleton Copley: The Gore Children

John Singleton Copley: Mr. and Mrs. Mifflin

John Singleton Copley: Mrs. Seymour Fort

John Singleton Copley: Boy and Squirrel

John Singleton Copley: Watson and the Shark