Sue Schwer Down the Shore Photography Guild.  Be able to evaluate your own photographs to improve as a photographer.  Understand the components that.

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Presentation transcript:

Sue Schwer Down the Shore Photography Guild

 Be able to evaluate your own photographs to improve as a photographer.  Understand the components that are essential for a good photograph.  Through evaluation identify the areas where you need improvement and identify new learning objectives to grow as a photographer  Be able to provide constructive feedback to other photographers.

 Technical  Composition  Subject/Feeling/Message

 Exposure  Are there areas of underexposure or overexposure?  Do they distract attention away from your subject  Why do you think they occurred?  What can you do to fix it?  What can you do differently in the future to prevent the problem.

 Focus  Is the main subject in focus?  Is it a sharp or soft focus?  Does the type of focus work for the photo? Depth of Field (DOF)  Is DOF shallow or deep?  Does DOF work in this shot to bring attention to the subject?

 Lighting / White Balance  Is the lighting soft or harsh?  Does the type of lighting enhance or detract from the things in the photo?  Is the white balance set correctly?  Is there a cast to the photo (yellowish, orangish, greenish)?

 Centered vs. "Rule of Thirds".  Is the main subject in the center of the frame?  Is it on a third? Somewhere else?  Does the chosen composition work, or would you have done something differently?  Fore, Middle, and Backgrounds  (Most applicable to landscape photos) Does the photo contain all three? If not, do you think it would be better if it did?  Cropping/Framing  Is there wasted empty space in the photo?  Should the crop have been tighter?  Is it cropped so tightly that important parts of the photo have been cutoff?

 Color / Tonal Range.  What type of colors do you see?  Did the photographer use a lot of primary colors? Secondary? Complementary?  Are the colors too vivid? Not vivid enough?  If you are looking at a B&W photo, is there a true black, true white, with a large tonal range in between, or is the photo too "gray"?  Diagonals, S-Curves, etc.  Did the photographer make use of any visually-interesting elements, such as diagonal lines or S-curves?  Leading lines.  Do the lines and overall composition make you want to look deeper into the photo? Is your eye drawn into the photo, or out of it?

 Dark vs. Light areas.  Are there too many bright areas?  Too many dark areas?  Balance.  Is the photo "balanced"?  Would it be better if there were other objects or other light/dark areas in the frame to improve the balance?  If the photo is off balance, is there a reason for it?

 How does the photo make you feel?  What mood do you see in the photo?  Do you think this mood is what the photographer intended?  Does it make you happy? Sad? Angry?  Did the photographer succeed in telling his/her story with the photograph? Why or why not?  Do you like the photo? And, more importantly, say WHY you like the photo, or why you don't.  Would you hang this photo on your wall? Why or why not?

 critique/naturephotography/3-2-1-take-off critique/naturephotography/3-2-1-take-off  critique/stilllifephotography/still-standing critique/stilllifephotography/still-standing