Feminism and the Contemporary World

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Presentation transcript:

Feminism and the Contemporary World Chapter 23, 25 Collection of the Brooklyn Museum of Art, Gift of the Elizabeth A. Sackler Foundation. Photograph: Donald Woodman. © 2010 (photo) Donald Woodman/Artists Rights Society (ARS), New York. Rebekeh Scoggins Art Appreciation April 23, 2013

Judy Chicago and Miriam Shapiro. Womanhouse. 1972. Feminism. Collection of the Brooklyn Museum of Art, Gift of the Elizabeth A. Sackler Foundation. Photograph: Donald Woodman. © 2010 (photo) Donald Woodman/Artists Rights Society (ARS), New York.

Chicago and Shapiro. Womanhouse: Menstruation Bathroom. 1972. Feminism. Collection of the Brooklyn Museum of Art, Gift of the Elizabeth A. Sackler Foundation. Photograph: Donald Woodman. © 2010 (photo) Donald Woodman/Artists Rights Society (ARS), New York.

Chicago and Shapiro. Womanhouse: Linen Closet. 1972. Feminism. Collection of the Brooklyn Museum of Art, Gift of the Elizabeth A. Sackler Foundation. Photograph: Donald Woodman. © 2010 (photo) Donald Woodman/Artists Rights Society (ARS), New York.

Judy Chicago. The Dinner Party. 1974-79. Feminism. Collection of the Brooklyn Museum of Art, Gift of the Elizabeth A. Sackler Foundation. Photograph: Donald Woodman. © 2010 (photo) Donald Woodman/Artists Rights Society (ARS), New York.

Judy Chicago. The Dinner Party. 1974-79. Feminism. Collection of the Brooklyn Museum of Art, Gift of the Elizabeth A. Sackler Foundation. Photograph: Donald Woodman. © 2010 (photo) Donald Woodman/Artists Rights Society (ARS), New York.

Nancy Spero. Rebirth of Venus. Detail. 1984. Feminism. Courtesy of the artist. Photograph: David Reynolds.

Orlan. Le Basier de l’Artiste (The Artist’s Kiss). 1976-77. Feminism. Courtesy of the artist. Photograph: David Reynolds.

Orlan. Plastic Surgery Series. 1990-1994. Feminism. Courtesy of the artist. Photograph: David Reynolds.

Ana Mendieta. Silueta Series. 1977. Feminism: Performance Art. Photograph: Collection Ignacio C. Mendieta. Courtesy of the estate of Ana Mendieta and Galerie Lelong, New York. © Estate of Ana Mendieta.

Cindy Sherman. Untitled Film Still #48. 1979. Feminism. Courtesy Cindy Sherman and Metro Pictures.

Barbara Kruger. Untitled (You’re Gaze Hits the Side of My Face). 1982 Barbara Kruger. Untitled (You’re Gaze Hits the Side of My Face). 1982. Feminism. Kruger. Untitled (We Won’t Play Nature To Your Culture). 1983. Feminism. Courtesy Mary Boone Gallery, New York. Copyright Barbara Kruger.

Barbara Kruger. Untitled (I Shop Therefore I Am). 1987. Feminism. Courtesy Mary Boone Gallery, New York. Copyright Barbara Kruger.

Kiki Smith. Ice Man. 1995. Feminism. Photograph: Ellen Page Wilson. Courtesy of Pace Wildenstein, New York.

Vik Muniz. Atlas (Carlao). 2008. Post Modern. Photograph: Vic Muniz Studio. © Vik Muniz/Licensed by VAGA, New York, NY

Rachel Harrison. This Is Not an Artwork. 2006. Post Modern. Jean Vong\Greene Naftali Gallery.

Maya Lin. Vietnam Veterans Memorial. The Wall, Washington, D. C Photograph: Duane Preble.

Fred Wilson. Mining the Museum. 1992. Post Modern. Museum and Library of Maryland History. Photograph: Jeff D. Goldman.

Faile. A Continuing Story. 2009. Street Art. Perry Rubenstein Gallery, New York.

Swoon. Untitled. 2005. Street Art. Deitch Projects, New York.

Banksy. Stone Age Waiter. 2006. Street Art. Photograph: Patrick Frank.

Jaune Quick-to-See Smith. The Browning of America. 2000. Post Modern. Crocker Art Museum, Sacramento. Courtesy of the artist.

El Anatsui. Duvor (Communal Cloth). 2007. Post Modern. Musee National d’Art Moderne, Centre Georges Pompidou, Paris, France. CNAC/MNAM/Dist. Réunion des Musées Nationaux/Art Resource, NY. Copyright El Anatsui. © Copyright Sasa, 2004. Inv. AM2005-204. Photograph: Georges Meguerditchian.