Comparing your two key scenes from the Tempest

Slides:



Advertisements
Similar presentations
The Tempest “To the dread rattling thunder
Advertisements

Prospero was usurped of his title as Duke of Milan by his brother, Antonio, who then cast him away on a boat with his baby daughter, Miranda. The pair.
Prospero manipulates everyone to do his will.. Miranda  Prospero begins by telling Miranda stories of how his greedy brother drove him out of Milan.
The Tempest Written by William Shakespeare Meggan McClain Secondary English Grades Click here for next slide.
Act Five scene one. Unity of time How does Shakespeare create a sense of events coming to a head? (Look back at Act One, scene two lines 240-1)
WEEK 11 TEMPEST BBL 3208.
Act three scene three. Lines How does Shakespeare use the opening scene to remind us of Antonio and Sebastian’s evil? What structural techniques.
The Tempest Lesson 8. In pairs, read the following lines: 1.2. Would not affect his reasonNot a soul But are they, Ariel, safe?Not a hair perished His.
Act Two scene two – introducing the sub-plot
This project and its actions were made possible due to co-financing by the European Fund for the Integration of Third-Country Nationals The Tempest – plot.
The Tempest William Shakespeare. tem·pest (tmpst)n  1. A violent windstorm, frequently accompanied by rain, snow, or hail.  2. Furious agitation, commotion,
THE TEMPEST (1611). KIND OF PLAY: COMEDY, ROMANCE (complex story of love and adventure with a happy ending) Setting:Setting: a desert, uncivilised island.
Giving evidence 5902© Achieving Level 5 Providing evidence in your writing.
The Tempest By: Mandy Bruce and Kendra Garrison. William Shakespeare Born = April 23, married Anne Hathaway The Lord Chamberlain's Men Plays 1616.
This project and its actions were made possible due to co-financing by the European Fund for the Integration of Third-Country Nationals The Tempest character.
Richard III Lesson 1. Political intrigue The language of politics: Betrayal Duplicity Treachery Treason Back-stabbing Fear Arrogance Ignorance Paranoia.
The Tempest. Introduction The Tempest is a play written by William Shakespeare. It is thought by many people to be the last play he wrote. There are three.
Theme: The Illusion of Justice
THE TEMPEST By William Shakespeare. THE TEMPEST Power and politics Key characters: Prospero, Miranda, Earth and Air The Court Characters The Comic Characters.
The Tempest William Shakespeare. tem·pest (tmpst)n  1. A violent windstorm, frequently accompanied by rain, snow, or hail.  2. Furious agitation, commotion,
The Tempest is about reconciliation not power. Amanda Geddes 6S.
Essay Transitions JL Ilsley High School The Tempest– Essay Writing.
Contrast, Chaos and Confusion
The Tempest. Two Interpretations  One group of scholars is convinced that the play must be read in a colonial and political context.  Another group.
This project and its actions were made possible due to co-financing by the European Fund for the Integration of Third-Country Nationals The Tempest Act.
Jeopardy Shakespeare Dramatic Devices Character- ization T/F Potpourri Q $100 Q $200 Q $300 Q $400 Q $500 Q $100 Q $200 Q $300 Q $400 Q $500 Final Jeopardy.
The tragic comedy, at the end of Shakespeare's career
The Tempest Key Scenes. In other words… Use lots of quotes. Refer to the theme of love a lot. Link to Romeo and Juliet as often as possible. Write about.
The Tempest I:ii-Epilogue Split Notes Retelling/summarizing & Reflecting.
The Tempest *.
‘The Tempest’ Lesson Objectives:
Bell Work IB English IV. Bell work for Friday, August 7  Write down anything that you already know about any or all of these authors: Sylvia.
“The Tempest” Swansboro High School English 12.
The Tempest by William Shakespeare ENG 273: World Literature.
Lesson 2 Richard III. The language of critical analysis: What words have you used in your homework that are specific to analysing literature? effective.
Writing an Introduction English 12 The Tempest Essay.
The Tempest Lesson 2. The language of critical analysis: What words have you used in your homework that are specific to analysing literature? effective.
Much Ado About Nothing Lesson 1. Comedy The genre:The story: cuckold masque return from death disdain social critique wit overheard conversation villain.
Year 9 English SATs How to achieve Level 5 and Level 6.
Lesson 3 Much Ado About Nothing. The reading skills that are assessed in the Shakespeare Paper are:  your ability to understand a question and select.
The end of Act One scene two. Explore the symbolism in Ariel’s song (397 – 403) Full fathom five thy father lies; Of his bones are coral made; Those are.
PLANNING AND WRITING YOUR ASSESSED ESSAY The Tempest is primarily a play about the lengths to which men will go to secure power for themselves. By exploring.
The Tempest By William Shakespeare GSCATULLO. SETTING - The actual location of the island is not known. Offers endless possibilities. - There’s only one.
Act Three scene two. Exploitation and Violence – Lines How does Shakespeare show that Caliban is already being exploited? (e.g. lines 1 – 8, 38-9)
Critical Essay Technique.  By the end of Act One, for what reasons do the audience sympathise with Hamlet?
Themes and Rhetorical Emphases THE TEMPEST. Right to Rule (Colonization) This play is a story of coup de tats Antonio and Alonso overthrow Prospero Prospero.
Act 1 Scene 1Act 1 Scene 2 Act 1 Scene 3Act 2 Scene 1.
Critical Essay Technique.  Respond to the task without simply repeating it  Brief outline of what your argument will be  Do not include ‘In this essay,
Have you responded to my marking using green pen? Have you finished the work from yesterday? Five minutes to sort yourselves out.
L38-205_ The Tempest: following exactly.
Key stage 3 English Reading Presentation 1: Overview and implications for teaching and learning Analysis of pupil performance 2004.
Shakespeare’s The Tempest A test review. Give the correct answer for each question ○ This test review covers four areas of study: Plot/conflict, Setting,
The Tempest by: William Shakespeare
The Tempest Contrast, Chaos and Confusion. Themes we will cover Power Man, the natural world and the supernatural world Reality Forgiveness and redemption.
The Tempest: Summary.
The Tempest The Character of Ariel
EAL Nexus Resource The Tempest Connect 4 Subject: English Age groups:
The Tempest.
By: William Shakespeare
The Tempest by William Shakespeare
Background and Themes By: Haley Gregoire
Feb 1-4.
The Tempest William Shakespeare.
You have arrived at your destination… The sea somewhere between Africa and Italy early in the 17th century.
Act I What is happening on board the king’s ship at the start of the play? Who is the most powerful person on the ship at this point and why? What does.
“The Tempest” Act Locations
Shakespeare: The Merchant of Venice
The Tempest Unit Overview.
What does this Candidate do well?
January 18th.
Presentation transcript:

Comparing your two key scenes from the Tempest Ideas Performance Character Language Year 9 set 1 demonstration lesson. Encouraging critical comparison of the 2 set scenes from Shakespeare’s The Tempest, using drama techniques Framework objectives S&L13 Develop and compare different interpretations of scenes or plays by Shakespeare or other dramatists R14. Analyse the language, form and dramatic impact of scenes and plays Introduction Celebrate the fact that the students have managed to journey through the whole play! Lessons that follow will need to draw on what they have learned so that they can COMPARE character, language, performance and ideas across two scenes.

SAT mark criteria for Shakespeare reading response Band 5: Clear focus on the question and use of relevant quotations from both extracts. Clear understanding of how characters use language in both extracts. Creates an argument with well-chosen reference to the text to justify comments. Band 6: Coherent analysis of the text in relation to the question. Appreciation of the effects of features of language in both extracts. Creates a well-developed argument with comments and precisely selected references to the text integrated appropriately. Both bands require: • integrated quotations • ongoing links to both extracts • sentences that make a point, embed a quotation and explore implications relevant to the question in detail • creation of an argument - a chain of linked points that respond to the question with a point of view that might be maintained or reconsidered if appropriate. Swiftly look at the band 5 & 6 mark criteria – we will return to these as needed. The main point to gather for level 6 and above answers, is that they move from broad overview to finer detail to structure an argument.

How do the following extracts explore the theme of revenge and justice? 1. In this extract, Prospero organises Ariel and Miranda and seeks Caliban. ‘Hast thou, spirit, Performed to point the tempest that I bade thee?’ 2. In this extract, Prospero reveals his true identity to his brothers and reclaims the title of Duke of Milan. ‘But this rough magic / I here abjure’ For level 6 and above response, we will need to keep the big picture in mind in terms of where these scenes sit in the play, what they are doing dramatically and how they relate to each other – NOT JUST ANALYSE THE LANGUAGE IN THEM SEPARATELY. Encourage some initial exploration of the abstracts, revenge and justice, and initial thoughts about how they relate to the scenes – could split class in two to link characters and events with these abstracts Possible use of two sculptures of Prospero to help to conceive this difference ( two Prosperos and two sculptors) Sculptors sculpt Prospero to tell us something of what he is like at this point in the play. Could even add revenge and justice as separate figures in to the picture.

The Tempest Act 1 Act 2 Act 3 Act 4 Act 5 ACTION REPORT Caliban, Stephano and Trinculo are tricked and chased by Ariel’s magic Trinculo, Stephano, Caliban – a new master ACTION The imaginary feast and Alonso’s shame Ferdinand & Miranda fall in love Antonio’s plot A celebration of love: the masque Ariel’s spell Caliban’s plot Alonso, Antonio, Sebastian, Gonzalo shipwrecked A series of revelations: action or report? The storm Ferdinand’s test Prospero’s warning to Ferdinand Act 1 Act 2 Act 3 Act 4 Act 5 Prospero reveals his identity to Alonso Prospero and Miranda Ariel tells of Caliban’s plot Prospero and Ariel Prospero reveals the lovers to the nobles Prospero and Caliban Prospero reveals Caliban’s plot The Tempest REPORT

Act 1 scene 2: Relevance of this to themes of revenge and justice? Analyse lang/character/dramatic device? We have just heard of the scale and ‘success’ of the storm Ariel asks for his liberty Prospero’s response Waking Miranda and seeking Caliban If we have a MACRO sense of how these scenes relate to the question – add in to title – we need some sense of how we can use the detail in the scenes to analyse Shakespeare’s theme through language and character and dramatic devices. Split class in two to look at moments in Act 1, then Act 5 – speedy feedback Teacher model how to take one of these points and construct a point which links to the argument Each pair just take one of these ideas and prepare a link with our overarching argument – if possible making a comparison between Act 1 and Act 5 If language exploration needs to be revisited, techniques such as status read through, sculpting the moment, silver bullets could be used to draw out analysis

Act 5 scene 1: We hear how the King and his followers fare Relevance of this to themes of revenge and justice? Analyse lang/character/dramatic device? Key quote? We hear how the King and his followers fare Prospero reflects on this Prospero’s soliloquy on the power of the magic he intends to abjure

What views of revenge and justice are explored? Possibly use this slide to record a plenary response