Information for Candidates Trusts & Foundations Officer.

Slides:



Advertisements
Similar presentations
IN PARTNERSHIP M&S: Business and HE in Partnership Katharine Carter (The M&S Company Archive) & Megan Parsons (The University of Leeds)
Advertisements

Artisphere: A Path Forward for Success Task Force Findings, Business Plan Benefits & Assumptions 1.
British Gymnastics – 2017 Strategic Plan Vision for Gymnastics in 2017 That the gymnastics club is a hub of the local community That.
Presentation to Community Council’s Discussion Forum
Arts Council England supporting Sustainable Futures Nathan Lee Senior Manager – Corporate Planning North West Porcelain table light and candle holders.
Embedding Public Engagement Sophie Duncan and Paul Manners National Co-ordinating Centre for Public Engagement Funded by the UK Funding Councils, Research.
All Party Arts and Heritage Group Presentation by Mark Jones Chair, National Museum Directors’ Conference and Director, Victoria and Albert Museum 16 May.
THE Arts in Britain Artistic and cultural activity in Britain ranges from the highest professional standards to a wide variety of amateur involvement.
Schools Forum Briefing John Mander, CEO MMF. DfE/ACE Music Education Hubs Background / Latest News The unveiling of a nationwide network of 122 music.
Cultural Education in local areas with particular reference to County Laois Presented by Muireann Ni Chonaill, Arts Officer, Laois County Council Gdansk.
Accessible and Sustainable Buildings Wai Chan Access and Sustainability Adviser Centre for Accessible Environments.
Councillor Nick McDonald Portfolio Holder for Jobs, Skills & Business Nottingham City Council.
External Funding Opportunities for the Arts A presentation by Calum Murdoch, Senior External Funding Officer 7 December 2011 REGENERATION & HOUSING.
Long term relationship building versus short term engagement Join the conversation #BCDArts.
Public-Private Partnership. Overview History and Background Palm Coast Arts Foundation – About – Master Site Plan – Phasing – Public Benefits Lease Agreement:
Introduction Peckham Space marks the start of a new partnership between Camberwell College of Arts, University of the Arts London.
Workforce development for the Cultural Sector Skin, ACE Dance and Music Photo: Brian Slater 04/07/2011 Laura Gander-Howe Director of Learning Arts Council.
Phase One Research Findings. ArtWorks: Developing Practice in Participatory Settings is a Paul Hamlyn Foundation Special Initiative with funding and support.
Arts Award and Summer Reading Challenge ‘Delivering Arts Award has been a very enjoyable and positive experience. Interacting with the children, listening.
Kathryn McDowell City of London Festival Director Greetings from the City of London.
We are Creative & Cultural Skills We believe that true economic growth in the creative and cultural industries in the UK can only happen.
1 Jini Stolk Executive Director, Creative Trust for Arts & Culture Performing Arts Education Overview HIGHLIGHTS FROM A SURVEY OF TORONTO-AREA DANCE, MUSIC,
Why the North of England and Why Leeds Sue Hunter International Office University of Leeds.
Arts Council England Open Funding Programmes Arts Council England champions, develops and invests in artistic and cultural experiences that enrich people's.
International Volunteer Day 2013 ADD NAME. International Volunteer Day is... Opportunity for volunteers and organisations to raise awareness of the contribution.
California International Education Foundation We are a non-profit foundation that provides programs, workshops, public lectures, and scholarships designed.
Funding and Monitoring Team To maximise the external funding brought into Fife and to ensure that local groups are able to realise their projects. In addition.
BBC Ten Pieces  A project about classical music and creativity  Open to every primary school in the country  A collaboration between the BBC, music.
Culturelinks Alliance Ltd Arts, Diversity & Equality Development, Management and Training.
Barbican Guildhall Creative Learning. Creative Learning Creating environments in which people can be Creative, Curious, Collaborative and Confident. Barbican.
Delivering skills for growth SupportConnectFindCreate WE ARE A PRIVATE/PUBLIC PARTNERSHIP THAT IS GROWING THE ECONOMY OF THE BRISTOL & BATH CITY REGION.
The Telfair Museum of Art The oldest public art museum in the South Chris Freeman PADM 7040.
Ten Pieces - Pilot Screenings of pilot film for 17 schools in London and Salford in Autumn 2014 Creative facilitators worked with children to help develop.
Untitled by Vicken Parsons Arts Council Collection, Hayward Gallery, London.
Arts Management and Funding It’s complicated There are many ways to fund a production /performance/company It depends on how large/complicated your company.
Alex Coulter Director of Arts & Health South West Regional representative for the National Alliance for Arts, Health and Wellbeing
1. Theatre Royal Plymouth Music Zone Plymouth Arts Centre Attik Dance Barbican Theatre 2.
Welcome to the United Performing Arts Fund 2012 Campaign.
ACE Audience Focus – Three Strands Strand 1: Understanding audiences - supporting the development of national approaches.
Take Art – A Pioneering Arts Charity. Take Art is an Arts Council National Portfolio Organisation (NPO) – one of two Somerset funded NPO’s. We serve the.
Peterborough Creative City. The journey of a creative city A programme of high quality arts events and programme to raise the creative profile of Peterborough.
Education and Business Strategic Collaboration for the 21st Century.
Culture, Ceremonies & Education Bill Morris, Director of Culture, Ceremonies & Education Heritage Link & Heritage Trust Tuesday 19 th June 2007.
En-vision A pioneering national programme to develop youth-friendly gallery practice.
Southampton: An International City of Culture Mike Harris, Head of Leisure and Culture
Welcome Launch of Let’s Create Arts Commissioning Scheme Shotton Community Centre Wednesday 12 th August 2015.
Arts Development UK Conference Symon Easton Culture & Visitor Economy Service Birmingham City Council.
Here it is: The Central School of Speech and Drama combines the traditions of the conservatoire with the cutting edge innovation and enquiry of the best.
Dragon Hall Business Case. Dragon Hall History & Background 1970s a survey of historic buildings recognises the importance of Dragon Hall 1983 The.
To what extent do communities intersect with opportunities for creativity? How should we aim to remake or rethink “communities” in the light of the need.
Shift Happens Down The Rabbit Hole and other creative adventures in Mersey Care NHS Trust Dr Mandy Chivers, Assistant Chief Executive Becoming a Healthy.
Ministry driven program that allows YOU to focus your learning in a particular economic sector.
Department of Culture and Tourism Department of Culture and Tourism.
The Cultural Olympiad Briefing for Merton Cultural Partners 30 January 2008.
Lynda Winstanley director Darlington Civic Theatre.
February 2, 2012 City of Lee’s Summit Cultural Facilities Master Plan 1.
National Fostering Agency Founded in1995 as the London Fostering Agency and initially provided foster carers for unaccompanied asylum seeking children.
Current Issues in Sport National Governing Bodies.
The University of Bath Bath City Forum – Thursday 21 January 2016 Dr Nicky Kemp – Director of Policy and Planning.
Personal Reflections on Leadership Liz Blyth Tuesday 15 March 2016.
Central Library Cultural Programme. Library Transformation Programme Town Hall Complex and St. Peter’s Square New Service Concept - new services, delivered.
Joining Forces How event organisers and destinations can work together to their mutual advantage Nick Dodds, Managing Director Festivals and Events International,
Artarea TV 2.0 – First Georgian Culture Multimedia
Heritage and Culture LMI Event
ASCEL Conference Brian Ashley, Director, Libraries
Introduction to social investment
REGIONAL OPPORTUNITIES IN HERITAGE, CULTURE & ARTS
Trustee Development Day
Dance Ambassador Application Guidance
Lambeth Programmes Update
Presentation transcript:

Information for Candidates Trusts & Foundations Officer

Background Information The Barbican Centre’s vision is arts without boundaries and it delivers this through world-class arts and learning. We work with outstanding artists to create an innovative international programme that crosses art forms. Last year, we collaborated with thirty-three organisations around the world to give audiences opportunities to experience outstanding work. We celebrate the artists of today and invest in those of tomorrow. Last year, over 1,200 artists presented work, and we collaborated with over 150 arts and education partners to provide opportunities for 50,000 people to attend and participate in creative learning programmes. We inspire more people to discover and love the arts. Last year, over 150,000 attended a free Barbican event. This year, we are offering 50,000 affordable tickets to young people. The Barbican is part of a growing City of London cultural hub, including the Museum of London, the Guildhall School of Music and Drama, and many other cultural sites, galleries and festivals. In collaboration with the Guildhall School of Music & Drama, our creative learning programmes inspire people of all ages, backgrounds and abilities, from first experiences of the arts through to professional training. We have a particular focus on east London and work with schools and communities in some of the UK’s most deprived areas. The Barbican’s Grade II listed, architecturally renowned centre opened in The Centre comprises the Barbican Hall, Milton Court Concert Hall, the Barbican Theatre, the Pit studio theatre, Cinema One, Two and Three, the Barbican Art Gallery, The Curve gallery, foyers and public spaces, a library, Lakeside Terrace, a glasshouse conservatory, conference facilities and three restaurants. 2

Background Information (continued) Residents and Associates The Barbican is home to Resident Orchestra, London Symphony Orchestra; Associate Orchestra, BBC Symphony Orchestra; Associate Ensembles, The Academy of Ancient Music and Britten Sinfonia, and Associate Producer Serious. Artistic Associates include Boy Blue Entertainment, Cheek by Jowl and Michael Clark Company. International Associates are Royal Concertgebouw Orchestra of Amsterdam, New York Philharmonic, Los Angeles Philharmonic, Gewandhaus Orchestra Leipzig and Jazz at Lincoln Center. Our world-class arts and learning programme is flourishing, and each year 2 million people visit the Barbican. Funding and Fundraising at the Barbican The City of London Corporation is the owner, founder and principal funder of the Barbican Centre. The Barbican earns and raises approximately 50 percent of its revenue. Total fundraising income in 2014/15 was £1.4 million (excluding ACE) from individuals, foundations, and the business community. The Barbican and Barbican Centre Trust are working with an increasing number of supporters. The Barbican is one of Arts Council England’s National Portfolio Organisations, receiving a grant of £1.7 million over three years for work in east London. This recognises our work with local communities, arts organisations and venues. The Barbican also has a vibrant commercial programme of business events, exhibitions, international touring exhibitions, catering and retail. 3

Background Information (continued) The Barbican’s Development team The Development department, in collaboration with the Barbican Centre Trust, leads the Centre’s fundraising activities, securing operating and capital income to sustain and develop world-class arts and learning. The Barbican Centre Trust is a registered charity (no ) chaired by Emma Kane. Under the chairman’s leadership the Trustees champion fundraising for the Barbican. For more information on fundraising Barbican Fund The Trusts & Foundations Officer works with the Trusts & Foundations Manager to raise funds for the arts and Creative Learning programmes and to ensure that opportunities for trust and public funding are fully exploited. It is a great opportunity for someone who is highly organised, proactive and a persuasive communicator, and who wants to cement their skills in this fundraising stream. Working in the Barbican’s Development team is exciting and wide-ranging. The Trusts & Foundations Officer works closely with Trustees and colleagues across the organisation, gaining insight into every aspect of the Barbican’s programme. 4