The FastTrack network: Overview and Aims Antonio Brunetti Fabrizio Zavagli AXMEDIS –Conference Florence 1 December 2005.

Slides:



Advertisements
Similar presentations
CISCIS CIS - The Common Information System Keith Hill International DOI Foundation 7th May, 1998.
Advertisements

Orphan works and the cultural sector. A governmental organisation perspective Rossella Caffo Ministero per i Beni e le Attività Culturali – Italy Coordinator.
© 2008 EBSCO Information Services SUSHI, COUNTER and ERM Systems An Update on Usage Standards Ressources électroniques dans les bibliothèques électroniques.
Key Elements of a Rights Management System MODELS 10 1st-2nd November, 1999.
The following 10 questions test your knowledge of Internet-based client management in Configuration Manager Configuration Manager 2007 Internet-Based.
DIGIDOC A web based tool to Manage Documents. System Overview DigiDoc is a web-based customizable, integrated solution for Business Process Management.
By Heyda Javier. What is a Web Search Engine? A web search engine is designed to search for information on the World Wide Web and FTP servers. The search.
Artists’ rights management: from SIREX project to DRM Maila Sansaini General Manager IMAIE (Italy) INSTITUTE FOR THE PROTECTION OF PERFORMING ARTISTS’
Connect. Communicate. Collaborate Click to edit Master title style MODULE 1: perfSONAR TECHNICAL OVERVIEW.
Creating the User’s European Digital Library Jill Cousins The European Library Knowbynet, Berlin, June 2007.
1 Information Online 2009 Rights management – does copyright still matter in the 21st century? 20 January, 2009 Caroline Morgan General Manager, Corporate.
Requirements Specification
Internet Resources Discovery (IRD) IBM DB2 Digital Library Thanks to Zvika Michnik and Avital Greenberg.
Understanding Active Directory
January 2009: PRS Template Presentation An i ntroduction to PRS for Music.
About Illinois Legal Aid Online’s Automated Documents Project   Goals   Create a core library of automated documents for legal aid and pro bono attorneys.
Microsoft Services Provider License Program
BROADCASTING INDUSTRY: ROYALTY AND COLLECTING SOCIETIES
L ă cr ă mioara STOICU-TIVADAR, Vasile STOICU-TIVADAR, Dorin BERIAN “Politehnica” University Timisoara Department of Automation and Applied Informatics,
Publisher’s digitisation initiatives in Europe Federation of European Publishers Copenhaguen,24th -26th October 2007.
PAN-European Exploitation of the Results of the Libraries Programme - EXPLOIT German Libraries Institute Berlin EXPLOIT 1 Music.
Christophe Depreter, CEO SABAM, Belgium Seminar AEPO-ARTIS Panel discussion 3 - Collective management of rights in a globalised environment Role and challenges.
Enhancing the Culture of Reading and Books in the Digital Age - ARROW Olav Stokkmo, Chief Executive, IFRRO 13 October 2009IFLA-IFRRO-WIPO-IPA-EWC Conference;
Facility Registry System and the Exchange Network Pat Garvey OEI/OIC May 2000.
Dimiter Gantchev, Deputy Director, Culture an Creative Industries Sector, WIPO An Intellectual property Based Approach to Surveying the Economic Contribution.
Richard Siegersma General Manager Thorpe-Bowker Australian ISBN agency since 1997.
XBRL Tools Roadmap - Interstage XWand - Toshimitsu SUZUKI FUJITSU LIMITED.
Module 9 Configuring Messaging Policy and Compliance.
Archival information system ARHiNET Croatian national archival information system Vlatka Lemić Croatian State Archives, Croatia.
Metadata and Geographical Information Systems Adrian Moss KINDS project, Manchester Metropolitan University, UK
OECD - HCOPIL - ICC Conference on Building Trust in the Online Environment The Hague, December 11-12, 2000 THE ONLINE DISPUTE RESOLUTION EXPERIENCE OF.
ER-0317/2/99 G R U P O S G A E Connecting People The Collective Business Approach EdReNe December 2007 Paul Sire Knowledge Mng. Sociedad Digital de Autores.
Patent Information System of Georgia: Activities and Challenges David Gabunia Director General National Intellectual Property Centre of Georgia “SAKPATENTI”
ER-0317/2/99 G R U P O S G A E DIGITAL RIGHTS MANAGEMENT INTRODUCTION/ OPTIONS EdReNe Seminar March 2008 Paul Sire Sociedad Digital de Autores y Editores.
Copyright for Book Artists Ariadni Athanassiadis Kyma Professional Corporation CBBAG, Ottawa December 11, 2013.
RENEE LE ROUX SABIF MANAGER WHY SABIF ? (SOUTH AFRICAN NODE OF GBIF) To create an enabling platform for researchers in South Africa –to.
COMBINING ACCESS TO CULTURAL HERITAGE AND INTELLECTUAL PROPERTY RIGHTS Brussels November 2010 Victor Vazquez Senior Legal Counsellor, Digital Future.
Luxembourg, 13 October 2008 ITDG Giuseppe Sindoni, Istat, Italy 2011 Census innovations, the 2009 pilot Census and some technological implications.
Co-funded by the Community programme eContentplus Arrow Plus Project Use of Book and Press s. Rights of Authors and Publishers Kraków,
National policy of the preservation of digital cultural heritage Estonian Legal Deposit Act and web resources Ülle Talihärm Head of Collection Development.
MERLOT Conference July 27, 2005 Copyright MERLOT GLOBE: The Global Alliance of Digital Libraries Yasutaka Shimizu & Gerry Hanley MERLOT International Conference.
Axmedis Int’l Conference 2005 The role of collecting societies in the digital era Florence 1 December 2005 A.F.I Italian Association of Phonographic Producers.
A library is primarily set up to acquire, organized, store and make accessible to the users, within the quickest possible time all forms of information.
Facilitate Authors’ Rights Access for Audiovisual Media in Europe.
Implementing Copyright Collective Management: A Comparison of Malaysia and Thailand Supatchara Distabanjong สุพัชรา ดิษฐบรรจง.
Licensing of Orphan Works Olav Stokkmo, Chief Executive, IFRRO 26 October 2009European Commission, Orphan Works hearing.
Media Industry Structure: Oligopoly The “few” selling to the many: Dominant firm oligopoly: One firm holds 50-90% of the market Tight oligopoly: Four firms.
SQL Server 2012 Session: 1 Session: 4 SQL Azure Data Management Using Microsoft SQL Server.
The Background EBR was born as initiative by some of the public bodies responsible for company registration and legal publicity, to create the telematic.
Presented By Shrikant Ravindra Kamble MCA 3 rd year.
FIND IT! USING LIBRARY CATALOGING CONCEPTS TO ORGANIZE AND MAKE RECORDS FINDABLE DIONNE L. MACK, INTERIM DIRECTOR OF QUALITY OF LIFE DEPARTMENTS.
5/29/2001Y. D. Wu & M. Liu1 Content Management for Digital Library May 29, 2001.
With Global B2B Contacts COO mailing list, you can effectively reach the COO.
Grid Services for Digital Archive Tao-Sheng Chen Academia Sinica Computing Centre
Mobility of Italian citizens in EU and Efta countries
Amadeus Open Profile Suite
CLA and the Legal Sector
WHAT DOES THE FUTURE HOLD? Ann Ellis Dec. 18, 2000
Music Licensing Chapter Seven
Accessible Books Consortium Implementing the objectives of the Marrakesh Treaty at a practical level Presentation to Sub-Regional Meeting for ASEAN Countries.
THE DEVELOPMENT SERVICE
ECM for the Masses How SharePoint 2010 Delivers on the Promise
1 What is EGR? ESTP course on EGR 6-7 September 2016.
Accessible Books Consortium Implementing the objectives of the Marrakesh Treaty at a practical level Presentation to Sub-Regional Meeting for ASEAN Countries.
INFS 230 L Internet Technology
AXMEDIS Conference Florence, 1 December 2005.
Media Industry Structure: Oligopoly
1. Mission of EGR and legal framework
Cyber Law and E-Commerce
ESTP course on EuroGroups Register
Presentation transcript:

The FastTrack network: Overview and Aims Antonio Brunetti Fabrizio Zavagli AXMEDIS –Conference Florence 1 December 2005

About S.I.A.E. SIAE (Società Italiana degli Autori ed Editori) is an Italian organization that associates composers, authors, publishers and other owners of any kind of Intellectual Property (music, theatre, movie, book, figurative art...) for the purpose of the protection of their works. The essential function of SIAE consists in the activity of mediation in the management of its members’ copyrights and, accordingly, SIAE issues licenses and authorizations to use the works under protection, receives the related payments (royalties) and distributes its income to the right- owners.

About S.I.A.E. SIAE was created in 1882, ranking Giuseppe Verdi among its founders. Currently, more than authors and composers are registered at SIAE, and more than musical works are protected. SIAE is one of the FastTrack founding members.

Scenario The following requirements led to the creation of FastTrack:  Collecting societies need to share a high volume of works information for distribution statements  A global market requires cooperation between collecting societies in order to improve services  Similarities among collecting societies’ business processes allow to develop and share common practices and tools 

What is FastTrack?  Is an Alliance Of Twelve Music Copyright Member Societies  Provides tools to exchange information on (currently) Musical Works by means of a global decentralized database network  Is an initiative to improve on technical and business standards by sharing of best practices between member societies  Builds tools and facilities to improve data exchange and relationship with users of the “works product”

FastTrack Member Societies  AKM/AUME – Austria  ASCAP – United States  BMI – United States  BUMA/Stemra – The Netherlands  GEMA – Germany  MCPS-PRS-Alliance – United Kingdom  SABAM – Belgium  SACEM – France  SGAE – Spain  SIAE – Italy  SOCAN – Canada  SUISA – Switzerland

FastTrack Founding Societies  AKM/AUME – Austria  ASCAP – United States  BMI – United States  BUMA/Stemra – The Netherlands  GEMA – Germany  MCPS-PRS-Alliance – United Kingdom  SABAM – Belgium  SACEM – France  SGAE – Spain  SIAE – Italy  SOCAN - Canada  SUISA – Switzerland FastTrack was born in september 2000 with the 5 founding members

The Core Project: GDDN Network  What it means: GDDN stands for Global Documentation and Distribution Network  What it is: Is a distributed search engine that retrieves musical works-related data at each of the connected societies’ premises  What it’s for: Contains vital data for proper royalty distribution of musical works. Collecting societies need it for a correct international distribution of collected money to the members (authors/publishers). GDDN fills in the need for a better documentation flow among Collecting Societies – resulting in a more accurate distribution of royalties

The GDDN Network Local DB XML DataBroker Search Engine SOCIETY 1 INTERNET ** Clients Local DB XML DataBroker Search Engine ** Clients System features:  Web standards (XML, XSLT, HTTPS)  Security (SSL and Perimetral)  Flexible relational data model SOCIETY 2

The GDDN Network INTERNET * Client User Authenticates on Centralized Security Server SOCIETY 1SOCIETY 2 XML DataBroker Local DB Search Engine Local DB XML DataBroker * SUISA (Switzerland) IPI DB International Interested Parties Archive

The GDDN Network  Current state:  2,300 registered users  1,800 daily connections  53 connected societies (including CISAC)  11 contributing societies  20,565,231 total searchable musical works (including CISAC contributors)

The GDDN Network  The future: 1.Increased back-office functionalities for higher accuracy in data cleanup (DBs data exchange and Synchronization, automated shares consistency monitoring for works in foreign countries) 2.Inclusion of sound carriers information (records) 3.Inclusion of Audio-visual works data

FastTrack and CISAC  Extending the use of FastTrack tools CISAC, the International Confederation of Societies of Authors and Composers, a body that counts 210 authors’ societies from 109 countries as its members, is a FastTrack tools licensee CISAC tools powered by FastTrack are CISNet and ISWCNet

FastTrack and CISAC  CISNet The CISNet search engine, based on FastTrack’s GDDN, allows CISAC member societies to search connected database for domestic repertoire. Over than 50 societies are currently accessing CISNet, with more coming every month. CISAC societies can act as simple users or, even better, contributors.

FastTrack and CISAC  ISWC ISWC is the International Standard Work Code, an internationally recognized reference number to uniquely identify a musical work across the globe  ISWCNet This search engine allows everyone (the general public) to search connected societies’ musical works databases, including the ISWC code and some basic information such as:  Work Title  Authors  Work metadata (duration, type, etc.)

FastTrack and CISAC: ISWCNet PUBLIC INTERNET * * Local DB XML DataBroker Search Engine ISWCNet System XML DataBroker Local DB Local DB Local DB

Other FastTrack Initiatives  Online Works Registration One of the goals of FastTrack is the development of a common system for registration of musical works using the Internet: a shared framework implemented by the Societies to give our members a better service. Currently, we are facing legal issues with this initiative. Once the rules will be fixed, we’ll be able to further develop and make use of this tool.

Contacts  SIAE Corporate website:  FastTrack Corporate website:  CISAC Corporate website: ISWC Network:

End of presentation THANK YOU!