Richard Serra. The Matter of Time. 2005. varying dimensions.

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Presentation transcript:

Richard Serra. The Matter of Time varying dimensions.

Senwosret I led by Atum to Amun-Re. c BCE. height 13 ft. 6 in.

Maidens and Stewards, fragment of the Panathenaic Procession, from the east frieze of the Parthenon, Acropolis, Athens. 447–438 BCE. height approximately 43 in.

Yu the Great Taming the Waters (detail). Qing dynasty, completed height 7 ft. 4 1/4 in. x 3 ft. 1 3/4 in.

Yu the Great Taming the Waters. Qing dynasty, completed height 7 ft. 4 1/4 in. x 3 ft. 1 3/4 in.

Giovanni da Bologna. The Rape of the Sabine Women. completed height 13 ft. 6 in.

Giovanni da Bologna. The Rape of the Sabine Women. completed height 13 ft. 6 in.

Michelangelo. “Atlas” Slave. c. 1513–20. 9 ft. 2 in.

Patrocinio Barela. Nativity. c height of tallest figure 33 in.

Kouros (also known as the Kritios Boy). c. 480 BCE. height 36 in.

Praxiteles. Hermes and Dionysos. c. 330 BCE. height 7 ft. 1 in.

Three Goddesses, from the east pediment of the Parthenon, Acropolis, Athens. c. 438–432 BCE. over-life-size.

Jim Sardonis’s Reverence in progress. 1988–89.

Jim Sardonis’s Reverence in progress. 1988–89.

Jim Sardonis. Reverence

Robert Arneson. Case of Bottles /2 x 22 x 15 in.

Tomb of Emperor Shih Huang Ti. 221–206 BCE. life-size.

African, Nigeria, Edo, Court of Benin. Head of an Oba. Eighteenth century. height 13 1/8 in.

The Lost-Wax Casting Process. A positive model (1), often created with clay, is used to make a negative mold (2).

The Lost-Wax Casting Process. The mold is coated with wax, the wax shell is filled with a cool fireclay, and the mold is removed (3). Metal rods, to hold the shell in place, and wax rods, to vent the mold, are then added (4).

The Lost-Wax Casting Process. The whole is placed in sand, and the wax is burned out (5). Molten bronze is poured in where the wax used to be. When the bronze has hardened, the whole is removed from the sand, and the rods and vents are removed (6).

Auguste Rodin. The Burghers of Calais. 1884– /8 x 80 7/8 in.

Nancy Graves. Variability and Repetition of Similar Forms, II x 12 x 16 ft.

Luis Jiménez. Howl x 29 x 29 in.

Louise Nevelson. Sky Cathedral x 135 x 28 in.

Display piece, Yoruba culture. Early twentieth century. height 41 1/4 in.

Robert Gober. Untitled /2 x 40 x 24 in.

Clyde Connell. Swamp Ritual x 24 x 22 in.

Eva Hesse. Contingent height of each of 8 units, 114–118 in.; width of each of 8 units, 36–48 in.

Nancy Rubins. Pleasure Point x 637 x 288 in.

Kara Walker. Insurrection! (Our Tools Were Rudimentary, Yet We Pressed On), installation view site-specific dimensions.

Kara Walker. Insurrection! (Our Tools Were Rudimentary, Yet We Pressed On), installation view site-specific dimensions.

Eleanor Antin. Minetta Lane—A Ghost Story

Eleanor Antin. Minetta Lane—A Ghost Story

Eleanor Antin. Minetta Lane—A Ghost Story

James Turrell. A Frontal Passage ft. 10 in. x 22 ft. 6 in. x 34 ft.

Robert Smithson. Spiral Jetty. April /2 ft. x 15 ft. x 1,500 ft.

Robert Smithson. Spiral Jetty, as it appeared in August 2003.

Great Serpent Mound. Hopewell culture, c. 600 BCE –200 CE. Length approximately 1,254 ft.

Nancy Holt. Sun Tunnels, Great Basin Desert, Utah (four showing). 1973–76. Four tunnels, each 18 ft. long x 9 ft. 4 in. in diameter; each axis 86 ft. long.

Nancy Holt. Sun Tunnels, Great Basin Desert, Utah (one front view). 1973–76. Four tunnels, each 18 ft. long x 9 ft. 4 in. in diameter; each axis 86 ft. long.

Karen McCoy. Considering Mother’s Mantle

Karen McCoy. Considering Mother’s Mantle, detail

Allan Kaprow. Household

Marina Abramovíc and Ulay. Imponderabilia

Marina Abramovíc. The House with the Ocean View—Nov. 22 9:54 AM

Goat Island, How Dear to Me the Hour When Daylight Dies. 1995–96.

Goat Island, How Dear to Me the Hour When Daylight Dies. 1995–96.

Goat Island, How Dear to Me the Hour When Daylight Dies. 1995–96.

Zhang Huan. To Raise the Water Level in a Fish Pond. August 15, x 90 in.

Zhang Huan. Berlin Buddha height 13 ft.