Mondrian, Red Tree, 1908

Mondrian, Grey Tree, 1911

Mondrian, Apple Tree, 1912

Mondrian, Composition II, 1913

Mondrian, Composition V (The Sea), 1915

Mondrian, Composition 10

Piet Mondrian Line and color “the struggle toward unity of cosmic dualities and the religious symmetry undergirding the material universe” Theosophist Line and color Composition with Red, Yellow and Blue 1921, o/c, 15 x 13”

Piet Mondrian Composition with Large Blue Plane, Red, “the struggle toward unity of cosmic dualities and the religious symmetry undergirding the material universe” and the hallmark of the New Age would be the "new man" who “can live only in the atmosphere of the universal." Theosophist Composition with Large Blue Plane, Red, Black, Yellow, and Gray, 1921, o/c, 23 x 19” Composition with Red, Yellow and Blue 1921, o/c, 15 x 13”

Mondrian, Lozenge Composition, 1921 Lozenge Composition with Red, Black, Blue, and Yellow Oil on canvas 30 3/8 x 30 in. vertical axis 42 1/2 in. Mondrian, Lozenge Composition, 1921 o/c 30 3/8 x 30 in. vertical axis 42 1/2 in.

Mondrian, Composition With Blue, Black, Yellow and Grey, 1920 Composition With Red, Blue, Black, Yellow and Grey, 1921 

Broadway Boogie-Woogie Mondrian Broadway Boogie-Woogie 1942

The International Style Architecture The International Style Holland, De Stijl - Gerrit Rietveld Germany, The Bauhaus – Walter Gropius France – Le Corbusier USA – Mies van der Rohe

The International Style DE STIJL Gerrit Rietveld dematerialization http://www.greatbuildings.com/buildings/Schroder_House.html Shroeder House, Utrecht, Holland, 1923 UNESCO list of World Heritage Sites

"One of the outstanding achievements of the new constructional technique has been the abolition of the separating function of the wall. Instead of making the walls the element of support, as in a brick-built house, our new space-saving construction transfers the whole load of the structure to a steel or concrete framework. Thus the role of the walls becomes restricted to that of mere screens stretched between the upright columns of this framework to keep out rain, cold, and noise. ... Systematic technical improvement in steel and concrete …. are steadily reducing the area occupied by supporting members. This, in turn …. allows rooms to be much better lit. It is, therefore, only logical that the old type of window—a hole that had to be hollowed out of the full thickness of a supporting wall— should be giving place more and more to the continuous horizontal casement ….. And as a direct result of the growing preponderance of voids over solids, glass is assuming an ever greater structural importance....In the same way the flat roof is superseding the old penthouse roof with its tiled or slated gables.”

Gerrit Rietveld, Schroder House, Utrecht, Holand, 1923 Mondrian chair (Blue and Red chair)

Rietveld Shroeder House DE STIJL Rietveld Shroeder House

Walter Gropius Gropius House, Lincoln, Mass., 1938

The Bauhaus Workshop Wing Walter Gropius The Bauhaus 1919-33 Germany Dessau Building, 1919-1925 The Bauhaus Workshop Wing

Walter Gropius The Bauhaus Bauhaus Building in Dessau, 1919-25

Marcel Bruer’s Wassily (Kandinsky) chair

Marianne Brandt, silver, 1924, Anni Albers, weavings, 1920’s

Bauhaus Products, 1920’s

BAUHAUS

Le Corbusier Villa Savoye, France, 1929-30

Le Corbusier, Contemporary City for Three Million Inhabitants, 1922 Plan voisin for Paris - 1925

Mies van der Rohe “less is more” Meissenhof apartments, 1927 German Pavillion, Barcelona (1929) Barcelona Chair, 1927

Mies van der Rohe “less is more” Lake Shore Drive Apartment Houses, German Pavillion, Barcelona (1929) Lake Shore Drive Apartment Houses, Chicago, 1950-52 functionalism Barcelona Chair, 1927

Frank Lloyd Wright Edgar Kaufmann House, Fallingwater, Pennsilvania, 1935-37

SCULPTURE Constantin Brancusi French Sculptor born Romania (born February 21, 1876, Hobita, Romania died March 16, 1957, Paris, France) "Mlle Pogany. version I" - (1913) (after a marble of 1912). Bronze with black patina 17 1/4 x 8 1/2 x 12 1/2" (43.8 x 21.5 x 31.7 cm), on limestone base 5 3/4 x 6 1/8 x 7 3/8" (14.6 x 15.6 x 18.7 cm) The Newborn. version I, 1920 (close to the marble of 1915) Bronze 5 3/4 x 8 1/4 x 5 3/4" (14.6 x 21 x 14.6 cm)

Beginning of the World, c Beginning of the World, c. 1920 Marble, metal, and stone 30 x 20 x 20 in. (76.2 x 50.8 x 50.8 cm) Dallas Museum of Art, Texas "Torso" - (1917) Torso of A Young Man, 1924 Polished bronze on stone and wood bases 18 1/8 x 11 1/2 x 9 1/8 in. on stone base: 6 1/4 x 8 1/2 x 6 3/4 in. on wood base: 34 1/8 x 11 1/2 x 11 1/2 in.

Constantin Brancusi Bird in Space, 1923, marble, Series: 7 in marble, 9 in bronze Bird in Space, 1923, marble, (with base) 56 3/4 x 6 1/2 inches

Constantin Brancusi, Bird in Space, bronze, 1928 Bird in space, polished brass, 1932-40, 60” Bird in Space, bronze, 1928 Maiastra (Bird Before It Flew) 1912? Polished brass, 73.1 cm high, including base.

Bird, Bird in pace S