Romanesque & Gothic Art

Slides:



Advertisements
Similar presentations
On the next available page in your notebook, please copy down and answer the following question… In one word describe what you think Europe was like after.
Advertisements

Gothic Art Gothic Sculpture and Illustrated Books.
ROMANESQUE EUROPE GARDNER CHAPTER 17-4 PP
Gothic Sculpture & Illustrated Books
CHRIST AND DISCIPLES ON THE ROAD TO EMMAU
Gothic Sculpture Comparative Civilizations 12 Kevin J. Benoy.
Romanesque Painting K.J. Benoy. Origins of Romanesque Painting  Painting in the Middle Ages revived with the Carolingian Empire – particularly in the.
What Do I Turn in before Midterm? The best drawings you have from each section: Shading - pedestals, single or multi-day still lives Self portrait.
Romanesque Art Chapter 15. History William the Conqueror (1066) Capetians in France and the Plantagenets in England Local rulers only in Germany and Italy.
How can we talk about the differences we see? How can we articulate the visual changes that separate the Medieval sense of space and form from the late.
Gothic Art France 12 th -14 th Centuries England 14 th Century (Italy covered in separate presentation)
Gothic. Santa Croce, Florence, Italy. Begun 1294.
From Medieval to Renaissance: Italy, Compare Byzantine (left) style and content with High Renaissance (right) (left) Bonaventura Berlinghieri,
SCENES FROM GENESIS Detail of the Good Samaritan Window, south aisle of nave, Cathedral of Notre-Dame, Chartres, France. c Stained and painted.
The Middle Ages By: Jennifer Bruton Sims Spring 2010.
Romanesque Art/Architecture
Art Of The Middle Ages Cultural Leadership moved from Mediterranean to France, Germany, and Britain Christianity and the Church dominated Emphasis in art.
Early Medieval and Romanesque Art
Gothic Art. Gothic Art in France Ile-de-France Characteristics of Gothic Style Elegant soaring buildings Light – through stained glass Ribbed Groin.
Review: Final Exam Romanesque and Gothic Art. Carolingian Art &13 Palace Chapel of Charlemagne, Aachen, Germany ( ; Odo of Metz, architect)
Medieval Painting.
Chapter 15 Romanesque Art
EARLY MEDIEVAL SUMMARY POLITICS & SOCIETY – Charlemagne, Ottonian (German) emperors; FEUDALISM ARCHITECTURE – Romanesque Style ART – relief sculpture.
Discussant: Anna Katrina N. Rint
13th Century Italy – High Middle Ages
Illuminated Manuscript
Classical, Medieval, and Renaissance Art
Gothic 2 Part 2. Title: Saint Maurice Medium: Dark sandstone with traces of polychromy Date: c. 1240–50 Source/ Museum: Magdeburg Cathedral, Magdeburg,
Romanesque Art The Romanesque style describes art and architecture that was produced from the early 1100’s to about This was a period of great building.
Renaissance Art.
Chapter Seven Gothic Europe Dates and Places: 12 th to 14 th century Western Europe (begins in France) People: Growth of urban centers Sophisticated courts.
Gothic Art: High and Light Gothic art was a style of Medieval art that developed in France out of Romanesque art in the mid-12th century, led by the concurrent.
Gothic 1. Gothic Art - Theme “The Quest for Height and Light.” focus on the new light (lux nova) desired by Abbot Suger for St. Denis the competitive.
Romanesque 2 Chapter 15. Title: Virgin and Child Medium: Oak with polychromy Size: height 31" (78.7 cm) Date: Late 12th century Painted wood- oak Mother.
Test Review for Chapters 14, 15, 16
Architecture.
Gothic 2. Title: Virgin with child Medium: silver gilt and enamel Size: 27 1/8 “ Date: 1339 Source/ Museum: Louvre Abbey Church of Saint-Dennis Inscription.
Gothic 2 Part 2. Title: Saint Maurice Medium: Dark sandstone with traces of polychromy Date: c. 1240–50 Source/ Museum: Magdeburg Cathedral, Magdeburg,
Gothic 2. Title: Virgin with child Medium: silver gilt and enamel Size: 27 1/8 “ Date: 1339 Source/ Museum: Louvre Abbey Church of Saint-Dennis Inscription.
Drawing of the monastery church of St. Riquier
Scenes from Genesis. c. 1200– Europe in the Gothic Era.
Europe in the Romanesque Period.. The Pilgrimage Routes to Santiago de Compostela.
Chapter 16 GOTHIC ART OF THE 12 TH AND 13 TH CENTURIES.
Norman Conquest William of Normandy, the Battle of Hastings, Bayeux Tapestry, William II (Rufus) Anne Marie Zvirik.
Romanesque 2 Chapter 15 part 2. Artist: John of Worcester Title: Page with The Dream of Henry I (Those Who Work; Those Who Fight; Those Who Pray), Worcester.
Gothic Art: High and Light Gothic art was a style of Medieval art that developed in France out of Romanesque art in the mid-12th century, led by the concurrent.
Man in a Red Turban, Jan van Eyck, 1433 Early N. Renaissance Possibly self portrait Lettered, educated artist, diplomat.. Rose above level of craftsman.
Romanesque Cathedral Architectural Style ÁRounded Arches. ÁBarrel vaults. ÁThick walls. ÁDarker, simplistic interiors. ÁSmall windows, usually at the.
The Early Middle Ages Erica Ness Moreno Valley High School AP Art History.
Medieval Artistic Traditions  Late Antique (Ludovisi Battle Sarcophagus, Head of Constantine, etc)  Early Christian 30 CE to about 500 CE  Byzantine.
Why was art during the Middle Ages often centered on religion?
Unit 7 Review Romanesque
 A church built along the pilgrimage road to Santiago de Campostela  Built to handle the large numbers of pilgrims: wide transepts, large ambulatory.
Romanesque art History of Romanesque Art Gallery Introduction.
Medieval Architecture.
Romanesque Painting.
Art History Unit Test # Part 3
Ambrogio Lorenzetti, Effects of Good Government in the City, fresco,
Gothic 2 Part 2.
The Beginnings of Western Art Traditions
Test Review for Chapters 14, 15, 16
Medieval Art (The Middle Ages)
1 Madonna and Child with Two Angels, Filippo Lippi, 1406 C.E.
Review Questions.
Romanesque Art Years: CE Region: Western Roman Empire
Romanesque Art eleventh and twelfth centuries
Retake Exam Short Answer and Comparisons Early Christian, Jewish and Byzantine Art, Early Medieval, and Romanesque Art Stokstad chapters 7, 14, & 15.
How can we talk about the differences we see?
The MIDDLE Ages between the Classical Period and the Renaissance
Early Medieval about 350 years
Presentation transcript:

Romanesque & Gothic Art Medieval large sculpture returns…and Art of Book continues…

Masons at Work Jennifer B

Hildegard and Volmar, Liber Scivias Illuminated manuscript, Romanesque 1165-75 Famous female artist & illustrator Self portrait showing flames of inspiration along with her scribe Volmar Shown in Romanesque abbey Christen R. Artist: n/a Title: Facsimile frontispiece with Hildegard and Volmar, Liber Scivias Medium: n/a Size: n/a Date: 1165–75 Source/ Museum: Original MS lost during World War II

Christ in Majesty, Church of San Climent, Spain Flashcard Mural painting Byzantine influence in elongated figures Classical influence in drapery (Jessica M.) Artist: n/a Title: Christ in Majesty, detail of apse Medium: n/a Size: n/a Date: c. 1123 Source/ Museum: Church of San Climent, Taull, Catalunya, Spain / Museu Nacional d’Art de Catalunya, Barcelona

Tower of Babel, detail of painting, Church of St. Savin Andy N. Artist: n/a Title: Tower of Babel, detail of painting in nave vault Medium: n/a Size: n/a Date: c. 1115 Source/ Museum: Abbey Church of Saint-Savin-sur-Gartempe, Poitou, France Tower of Babel, detail of painting, Church of St. Savin Andy N.

Cruciifix, mid-12th century Catalunya, Spain Gisele R Artist: n/a Title: Crucifix (Majestat Batlló) Medium: Polychromed wood Size: height approx. 37 ¾" (96 cm) Date: Mid-12th century Source/ Museum: Catalunya, Spain / Museu Nacional d’Art de Catalunya, Barcelona

Virgin & Child (aka Mary as Throne of Wisdom) Late 12th century (Romanesque) Oak w/polychromy, 21” high Bernadette L Artist: n/a Title: Virgin and Child Medium: Oak with polychromy Size: height 31" (78.7 cm) Date: Late 12th century Source/ Museum: Auvergne region, France / The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1916 (16.32.194)

Artist: n/a Title: Messengers Signal the Appearance of a Comet (Halley’s Comet), The Bayeux Tapestry Medium: Norman–Anglo-Saxon embroidery Linen with wool Size: height 20" (50.8 cm) Date: c. 1066–82 Source/ Museum: From Canterbury, Kent, England, or Bayeux, Normandy, France / Centre Guillaume le Conquérant, Bayeux, France Bayeux Tapestry (flashcard) Messengers Signal the Appearance of a Comet

Bishop Odo Blessing the Feast, Bayeux Tapestry Norman-Anglo Saxon embroidery 300” long, 20” high, 1066-1082, Romanesque Period Commemorated the conquest of England and defeatl of King Harald by William the Conqueror flashcard Artist: n/a Title: Bishop Odo Blessing the Feast, the Bayeux Tapestry Medium: Norman–Anglo-Saxon embroidery, linen with wool Size: height 20" (50.8 cm) Date: c. 1066–82 Source/ Museum: From Canterbury, Kent, England, or Bayeux, Normandy, France / Centre Guillaume le Conquérant, Bayeux, France

Detail of Bayeux Tapestry Artist: n/a Title: Detail, Bishop Odo Blessing Feast, the Bayeux Tapestry Medium: Norman–Anglo-Saxon embroidery, linen with wool Size: height 20" (50.8 cm) Date: c. 1066–82 Source/ Museum: from Canterbury, Kent, England, or Bayeux, Normandy, France / Centre Guillaume le Conquérant, Bayeux, France

St. Matthew, from the Codex Colbertinus Romanesque period Illuminated manuscript, c 1100 Artist: n/a Title: St. Matthew, from the Codex Colbertinus Medium: Tempera on vellum Size: 7 ½ X 4" (19 X 10.16 cm) Date: c. 1100 Source/ Museum: Bibliothèque National Paris

The Mouth of Hell, Winchester Psalter Romanesque illuminated manuscript Shows fanciful interpretation of souls being consigned to hell after the Last Judgment C 1150 Ink & tempera on vellum FLASHCARD Artist: n/a Title: The Mouth of Hell, Winchester Psalter Medium: Ink and tempera on vellum Size: 12 ¾ X 9⅛" (32.5 X 23 cm) Date: c. 1150 Source/ Museum: Winchester, England / The British Library, London

Queen Blanche of Castile and Louis IX, Moralized Bible Ink, tempera, gold leaf on vellum FLASHCARD 15” x 10 1/2” 1126-34 Gothic Artist: n/a Title: Page with Queen Blanche of Castile and Louis IX, Moralized Bible Medium: Ink, tempera, and gold leaf on vellum Size: 15 x 10½" (38 X 26.6 cm) Date: 1226–34 Source/ Museum: Paris / The Pierpont Morgan Library, New York. MS. M. 240, f.8

Artist: n/a Title: Psalm 1 (Beatus Vir) from The Windmill Psalter Medium: Ink, pigments, and gold on vellum Size: each page 12 ¾ X 8¾" (32.3 X 22.2 cm) Date: c. 1270–80 Source/ Museum: London / The Pierpont Morgan Library, New York. M. 102, f. lv-2 Psalm 1 from the Windmill Psalter, flashcard, 1270-80 Gothic period, illuminated manuscript of ink, pigments, & gold on vellum

Artist: n/a Title: Dormition of The Virgin Medium: n/a Size: n/a Date: c. 1240 Source/ Museum: South transept portal tympanum, Strasbourg Cathedral, Strasbourg, France Death of the Virgin, Strasbourg Cathedral, c. 1240, high relief sculpture on Tympamum on South portal. Flashcard

Lifesize statue of dark sandstone, originally painted Saint Maurice Lifesize statue of dark sandstone, originally painted 1240-50 Depicted Moorish (African) saint who served in the Crusades Artist: n/a Title: Saint Maurice Medium: Dark sandstone with traces of polychromy Size: n/a Date: c. 1240–50 Source/ Museum: Magdeburg Cathedral, Magdeburg, Germany

Ekkehard & Uta, from Naumberg Cathedral Gothic period sculpture, lifesized Showed patrons of church Realistic portrait sculpture recalling Roman veristic traditions Flashcard Vanessa Artist: n/a Title: Ekkehard and Uta Medium: Stone, originally polychromed Size: approx. 6'2" (1.88 m) Date: c. 1245–60 Source/ Museum: West chapel, Naumburg Cathedral, Naumburg, Germany

Marble sculpture about 15” high-flashcard Pulpit, Baptistry, Pisa Marble sculpture about 15” high-flashcard Gothic period Pisa Cathedral Master family of sculptors Artist: Nicola Pisano Detail below Artist: Nicola Pisano Title: Pulpit, Baptistry, Pisa Medium: Marble Size: height approx. 15' (4.6 m) Date: 1260 Source/ Museum: n/a

Detai of Nativity from puplit by Pisano Artist: Nicola Pisano Title: Nativity Medium: Marble Size: 33½ X 44½" (85 X 113 cm) Date: 1260 Source/ Museum: Detail of pulpit, Baptistry, Pisa, Italy

Tempera & gold on wood panel Crucifix Coppo di Marcovaldo Tempera & gold on wood panel Byzantine influence seen, similar to what ???? Artist: Coppo di Marcovaldo Title: Crucifix Medium: Tempera and gold on wood panel Size: 9'7⅜" X 8'1¼" (2.93 X 2.47 m) Date: c. 1250–70 Source/ Museum: Pinacoteca, San Gimignano, Italy