Audition Exit Home BASIM ZWAIN LECTURE NOTES BASIM ZWAIN LECTURE NOTES Background & Structure of Auditory System Audition 1. Sense of hearing 2. Mechanisms.

Slides:



Advertisements
Similar presentations
ANATOMY AND PHYSIOLOGY OF THE EAR
Advertisements

The external ear funnels sound waves to the external auditory meatus The external ear funnels sound waves to the external auditory meatus.tsound.
HEARING Sound How the Ears Work How the Cochlea Works Auditory Pathway
The Ear: Hearing and Balance
Hearing Anatomy of the auditory pathway Hair cells and transduction of sound waves Regional specialization of the cochlea to respond to different frequencies.
Sensation and Perception - audition.ppt © 2001 Laura Snodgrass, Ph.D.1 Audition Anatomy –outer ear –middle ear –inner ear Ascending auditory pathway –tonotopic.
Mechanoreception – Audition and Equilibrium
Have you heard the news??? It’s ear time!!. Trivia Question What are the smallest bones in the body? OssiclesOssicles These bones are fully developed.
Click to Play! Neuro Quiz  Michael McKeough 2008 The Auditory System Identify the correct question.
Chapter 11 The Auditory and Vestibular Systems
Chapter 11 The Auditory and Vestibular Systems
The Auditory System. Audition (Hearing)  Transduction of physical sound waves into brain activity via the ear. Sound is perceptual and subjective. 
Structure and function
Sensory System Ear: Sound & Balance.
Sensory systems Chapter 16.
The Ear: Hearing and Balance
The Auditory System Sound is created by pressure waves in air; these waves are induced by vibrating membranes such as vocal cords. Because the membranes.
Hearing: physiology.
Hearing Part 2. Tuning Curve Sensitivity of a single sensory neuron to a particular frequency of sound Two mechanisms for fine tuning of sensory neurons,
Anatomy of the Ear Region
Copyright © 2009 Wolters Kluwer Health | Lippincott Williams & Wilkins Chapter 3 Structure and Function of the Auditory System.
The Auditory System Dr. Kline FSU. What is the physical stimulus for audition? Sound- vibrations of the molecules in a medium like air. The hearing spectrum.
Figure The Anatomy of the Ear
9.6 Hearing and Equilibrium
Hearing. Functions of the ear Hearing (Parts involved): External ear Middle ear Internal ear Equilibrium sense (Parts involved): Internal ear.
1 Hole’s Human Anatomy and Physiology Twelfth Edition Shier  Butler  Lewis Chapter 12 Nervous System III: Senses Copyright © The McGraw-Hill Companies,
Special Sensory Reception
SENSE OF HEARING EAR. Ear Consists of 3 parts –External ear Consists of pinna, external auditory meatus, and tympanum Transmits airborne sound waves to.
Auditory Sensation (Hearing) L13
The Auditory System. Gross anatomy of the auditory and vestibular systems.
The Auditory and Vestibular System
© 2011 The McGraw-Hill Companies, Inc. Instructor name Class Title, Term/Semester, Year Institution Introductory Psychology Concepts Hearing.
The Ear.
ANATOMY AND PHYSIOLOGY OF THE EAR
Copyright © 2006 Pearson Education, Inc., publishing as Benjamin Cummings  Hearing – allows us to detect and interpret sound waves  Equilibrium – inform.
Auditory (Cochlear) System. II. How Sound is Transduced into Electrical Events Auditory apparatus composed of : external, middle and internal ear. Tympanic.
Hearing Physiology.
Auditory Transduction The Inner Ear Outer Ear Pinna collects the sound and directs it to ear canal Because of the length of the ear canal, it.
IB Biology Neurology Unit Option E
Human Anatomy & Physiology FIFTH EDITION Elaine N. Marieb PowerPoint ® Lecture Slide Presentation by Vince Austin Copyright © 2003 Pearson Education, Inc.
Special Senses: The Ear
The Ear Change the graphics to symbolize different functions of the ear that are brought up on the next slide.
© 2012 Pearson Education, Inc. Figure The Anatomy of the Ear External Ear Elastic cartilages Auricle External acoustic meatus Tympanic membrane Tympanic.
Vestibular Apparatus and Equilibrium
Copyright © 2004 Pearson Education, Inc., publishing as Benjamin Cummings Human Anatomy & Physiology, Sixth Edition Elaine N. Marieb PowerPoint ® Lecture.
Innervation Anteriorly auriculotemporal nerve V3 posterior superior CN 7 posterior inferior and floor CN 9 (Jacobsen) +10 (Arnold) clockwise EAC -2.5 cm.
Copyright © 2004 Pearson Education, Inc., publishing as Benjamin Cummings H UMAN P HYSIOLOGY Sensory Physiology_hearing.
52 The Sense of Hearing Dr. A.R. Jamshidi Fard 2011.
Fundamentals of Sensation and Perception THE AUDITORY BRAIN AND PERCEIVING AUDITORY SCENE ERIK CHEVRIER OCTOBER 13 TH, 2015.
صدق الله العظيم الاسراء اية 58. By Dr. Abdel Aziz M. Hussein Lecturer of Physiology Member of American Society of Physiology.
THE EAR is a sensory organ responsible for both hearing and maintenance of balance composed of three sections: the outer, middle and inner ear.
Ears & Hearing
Sound Waves Sound is created when objects vibrate. This vibration causes molecules in the surrounding medium to vibrate as well. This, in turn, causes.
Outline Of Today’s Discussion 1.Auditory Anatomy & Physiology.
Hearing.
The Ear. Functions of the Ear There are three parts to the Ear:
Structures of the Ear Eustachian tube “Popping” ears Outer, middle, & inner ear.
Auditory System Lesson 14. The Stimulus n What kind of energy is sound? l mechanical l movement of air molecules n Waves l intensity = amplitude l pitch.
PSY2301: Biological Foundations of Behavior The Auditory System Chapter 10.
The Ear. External Ear Structures & Functions Pinna—Collects sound waves and channels them into the external auditory canal. External Auditory Canal—Directs.
Ear Ossicles Malleus, incus, and stapes Transmit vibrations to the oval window Dampened by the tensor tympani and stapedius muscles.
8 Special Senses.
Special Senses The Ear.
Section 14.3 Hearing and Equilibrium
Peripheral auditory mechanisms
The Auditory Pathway This graphic depicts the events in the stimulation of auditory receptors, from channeling sound waves into the external ear and onto.
Human Anatomy & Physiology I
Auditory System Lecture 13.
The Special Senses: Part D
The Special Senses Hearing
Presentation transcript:

Audition Exit Home BASIM ZWAIN LECTURE NOTES BASIM ZWAIN LECTURE NOTES Background & Structure of Auditory System Audition 1. Sense of hearing 2. Mechanisms within the ear and brain that translate sound in our environment into meaningful neural signals Sound 1.Audible variations in air pressure (compressions) 2. Molecules are displaced forward leaving a corresponding area of lower pressure 3. Sound waves vary in two ways: a.Amplitude--intensity; peak to trough; perceived as differences in loudness b. Frequency: Number of compressions per second; pitch; unit: hertz (1 cycle/second) Three divisions of the ear 1. Outer 2. Middle 3. Inner Outer ear 1. Pinna a.Funnel shaped outer ear made of skin and cartilage 2. Auditory canal a.Channel leading from the pinna to the tympanic membrane Middle ear 1. Tympanic membrane (eardrum) a.Moves in response to variations in air pressure 2. Ossicles: Series of bones in a small air filled chamber. Transfer the movement of the tympanic membrane into the movement of a second membrane covering a hole in the bone of the skull (oval window). The bones of middle ear are malleus (hammer), incus (anvil) and stapes (stirrup) 3. Functional considerations: a. Cochlea is filled with an incompressible fluid b. More force is required to displace fluid than air c. Bones in the middle ear amplify the pressure. Pivot points that act as fulcrums. Malleus is displaced in response to the movement of the tympanic membrane-- bottom moves towards the inner ear and the top moves towards the outer ear. This pulls the top of the incus towards the outer ear and pushes the bottom towards the inner ear. Stapes is consequently pushed forward against the oval window which is compressed inward d. Oval window is smaller and the same pressure across a smaller area results in a greater force (like a spiked high heel) 4. Eustachian tube: Tube that connects the air-filled middle ear to the mouth. It Contains a valve Note: Subjects need to popped their ears when they go up in an airplane. On the ground their middle ear is as the same pressure as the outside environment. As they ascend, air pressure is lower a high altitudes. The tympanic membrane will bulge out because the pressure in the middle ear is greater than the outside environment. When they yawn or swallow, the valve in the tube is opened and the pressure is relieved. Inner ear 1.Converts the physical movement of the oval window into neural signal 2. Takes place in the cochlea 3. Elements a. Cochlea b. Vestibular apparatus i. Not part of the auditory system ii. Involved in balance Basic Auditory Pathway Processes 1.Sound waves move the tympanic membrane. 2. Tympanic membrane moves the ossicles. 3. Ossicles move the membrane at the oval window. 4. Motion at the oval window moves the fluid in the cochlea. 5. Movement of the fluid in the cochlea causes a response in sensory neurons. 6. Signal is transferred and processed by a series of nuclei in the brain stem. 7. Information is sent to a relay in the thalamus(medial geniculate nucleus-MGN) 8. MGN projects to the primary auditory cortex in the temporal lobe. Cochlea Background Cochlea transduces the mechanical Cochlea transduces the mechanical displacement of the oval window into a neural signal Anatomy 1. Cross section 2. Chambers of the cochlea a. Scala vestibuli b. Scala tympani c. Scala media 3. Organ of corti a. Contains auditory receptor cells b. Located in the scala media 3. Basilar membrane a. Separates scala media and scala tympani b. Properties are very important for audition 4. Fluid is continuous between scala vestibuli and scala tympani a. Physical connection is known as the helicotrema Physiology of the Cochlea Process 1. Mechanical force pushes on the oval window 2. Fluid within the cochlea is incompressible 3. Fluid pushes forward a.Conserves the wave properties of the sound (i.e. the movement of the fluid has frequency and amplitude) b. Causes the round window to bulge out 4. Structures within the cochlea are not rigid. Basilar membrane is flexible and bends in response to sound 5. Structural properties of the basilar membrane determine the way it responds to sound a. Membrane is wider at apex than base (5:1) b. Stiffness of the membrane decreases from base to apex (like a diving board) c. High frequency sounds have higher energy and can displace the stiffer part of the basilar membrane (near the base) d. Lower frequency sounds have lower energy and displace the apex end e. Base responds to high frequency and the apex responds to low frequency 6. Basilar membrane establishes a place code in which different locations are maximally deformed in response to different frequency sounds Transduction of Mechanical Displacement Organ of Corti 1. Structure a. Outer hair cells b. Inner hair cells c. Tectorial membrane d. Reticular membrane e. Basilar membrane f. Stereocilia g. Spiral ganglion Auditory receptors 1. Hair cells a. Stereocilia Transduction 1. Bending of these cilia is the critical event in the transduction of sound into neural signal 2. Hairs extend above the reticular membrane and come in contact with tectorial membrane 3. When the basilar membrane moves in response to the motion of the stapes a. Whole complex moves as a unit either towards or away from the tectorial membrane b. Lateral motion of the reticular membrane bends the stereocilia 4. Depending on the direction that the hairs bend, the inside of the hair cells will either: a. Depolarize b. Hyperpolarize 5. Changes in cell potential result from the opening of K+ channels on tips of stereocilia a. Channels are mechanically gated b. Flaps that are connected to neighboring cilia by a special protein molecule 6. Depending on the direction that hairs bend, the channel will either be opened or closed a. Opening the channel allows K+ to enter and depolarize the hair cell b. Closing the channel stops the flow of K+ 7. In response to be depolarization resulting from influx of K+ a. Ca++ channel is activated b. Influx of Ca++ causes the release of synaptic vesicles from the end of the hair cell Sequence overview: 1. Physical displacement of the basilar membrane bends the stereocilia 2.Bending of cilia opens or closes K+ channel 3. When K+ enters, the hair cell depolarizes 4. Depolarization activates a Ca++ channel 5. Ca++ influx causes NT release Generation of Action Potential (AP) AP occurs at the level of output ganglion 1. Multiple outer hair cells make synaptic contact with a single ganglion cell. 2. Ganglion make synaptic contact with a single inner hair cell (although many ganglion cells can contact the same inner hair cell) 3. 75% of all hair cells are outer hair cells a. Outer alter the stiffness of tectorial membrane 4. Only 5% of the fibers in the auditory nerve are from outer hair cells Auditory Pathway Connections to the brain stem 1. Spiral ganglion sends projection to the cochlear nucleus a. There are two cochlea, each projecting to its cochlear nucleus b. Within the cochlear nucleus this process branches i. Dorsal cochlear nucleus i. Dorsal cochlear nucleus ii. Posterior ventral cochlear nucleus ii. Posterior ventral cochlear nucleus iii. Anterior ventral nucleus iii. Anterior ventral nucleus c. Dorsal and posterior ventral cochlear nuclei send efferent projections to the contralateral inferior colliculus i. Via the nucleus of the lateral leminiscus i. Via the nucleus of the lateral leminiscus d. Anterior ventral cochlear nucleus is a critical component of a brainstem neural circuit that permits the detection of interaural time differences Localization of Sound Mechanisms for detecting interaural time differences 1. Two ears separated by about 20 cm i. Diameter of your head i. Diameter of your head 2. Detect differences as small as 10 msec Circuit 1. Medial superior olive (MSO) has cells that receive coincident innervation from the right and left anteroventral cochlear nucleus a. Cells within the MSO are organized such that the distance from the respective cochlear nuclei varies systematically i. Length of the axonal connections determine which MSO cell receives coincident activation by action potential i. Length of the axonal connections determine which MSO cell receives coincident activation by action potential Limitations 1. System works well for sounds that have frequencies below 3 kHz Localization of sounds above 3 kHz 1. Sound does not bend around the head 2. Directed to one side or the other and an intensity difference results 3. Circuit: Anteroventral cochlear nucleus projects directly to the ipsalateral lateral superior olive (LSO) i. Indirectly to the contralateral lateral superior olive via an inhibitory neuron originating in the medial nucleus of the trapezoid body (MNTB) i. Indirectly to the contralateral lateral superior olive via an inhibitory neuron originating in the medial nucleus of the trapezoid body (MNTB) 4. Mechanism: Anteroventral cochlear nuclear firing rate is greater for sound with higher intensities i. Sound arising directly lateral to the listener, LSO firing will be highest on that side i. Sound arising directly lateral to the listener, LSO firing will be highest on that side ii. Excitation from the ipsilateral anteroventral cochlear nucleus will be maximal ii. Excitation from the ipsilateral anteroventral cochlear nucleus will be maximal iii. Inhibition from the contralateral MNTB will be minimal iii. Inhibition from the contralateral MNTB will be minimal Higher Brain Activities Involved in Auditory Perception Monoaural systems 1. Dorsal and posteroventral cochlear nuclei send projections to the inferior colliculus a. Pathways respond to sound arriving at one ear only 2. Auditory maps a. Auditory space is not mapped at the cortical level. Tonotopic maps are created at the levels of the inferior colliculus 3. Highly processed auditory information is then relayed to the medial geniculate nucleus of the thalamus 4. From the thalamus, this information ascends to the primary auditory cortex (A1) located in the temporal lobe a. A1 has a topographical map of the cochlea i. Specific regions (isofrequency bands) of A1 are activated in response to acoustical stimulation of the basilar membrane i. Specific regions (isofrequency bands) of A1 are activated in response to acoustical stimulation of the basilar membrane Coding of Intensity and Frequency Intensity 1. Firing rate of individual hair cells 2. Activation of multiple hair cells. 3. Wave of higher amplitude has more width and activates more hair cells in a given area Frequency 1. Consequence of the mechanics of the basilar membrane 2. Different portions of the basilar membrane are maximally deformed by sound of different frequencies 3. Hair cells that are selectively activated project to cochlear nuclei (brain stem) with tonographic specificity a. Specificity is conserved all the way to the cortex 4. From the thalamus, this information ascends to the primary auditory cortex (A1) located in the temporal lobe Cortical Responses Neuronal organization 1. Isofrequency bands a. Temporal lobe 2. Neurons within these bands respond to fairly similar characteristic frequencies