Copyright Practical Applications Gail McMillan Director, Digital Library and Archives University Libraries

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Presentation transcript:

Copyright Practical Applications Gail McMillan Director, Digital Library and Archives University Libraries

US Constitution, Article I, Sect. 8 Promote the progress of science and useful arts, by securing for limited times to authors and inventors the exclusive right to their respective writings and discoveries. Copyright Law: U.S. Code, Title 17 ©Section 106: Exclusive rights of creators ©Section 107: Fair use and limits to exclusive rights ©Section 108: Libraries and limits to exclusive rights ©Section 110: Performance and displays

Who owns the copyright? n Creators of original works n Creators' assignees n Employers: works for hire –New York Times et al., Petitioners, v. Jonathan Tasini et al. –Greenberg v. National Geographic Magazine n Why officially register your copyright? –Possibly receive greater compensation, with less documentation when filing an infringement suit

Rights of copyright holders 1. Reproduction 2. Modification 3. Distribution 4. Public performance 5. Public display Title 17 U.S.C. Sec. 106

Permission or license to use a copyrighted work is NOT required if n Work is a fact or an idea n Work is in the public domain n Fair use

Public Domain Lolly Gassaway:

Fair Use Before using someone else's work without permission,consider ALL 4 FACTORS 1. Purpose and character of use 2. Nature of the copyrighted work 3. Amount, substantiality 4. Effect Title 17 U.S.C. Sec. 107

1. Purpose and character of use n Commercial or educational use © Myth: It's OK--it's for educational purposes. n For profit or not n Degree of transformation; value added –© Myth: I modified it; now it's mine. –Pretty Woman: 2 Live Crew (Campbell, aka Skywalker, et al.) v. Roy Orbison Estate (Acuff Rose Music, Inc.), 1993/94 n For criticism, commentary, news reporting, teaching, scholarship, research FAIR USE 1 of 4

2. Nature of the copyrighted work n Character of the work –for example, fact (information) or fiction (creative) n Worthy of (extensive) protection? FAIR USE 2 of 4

3. Amount and substantiality © Myth: Copying just a little bit is OK. n Use only what is necessary n Quantity and quality in relation to the whole work –President Gerald Ford's memoirs: Harper & Row, Publishers, Inc. (Time) v. Nation Enterprises, FAIR USE 3 of 4

4. Effect n Harm to potential market or value of a work after a portion has been used separately from the whole –© Myths Attribution is as good as permission. It's free advertising. original by Brad Templeton FAIR USE 4 of 4

© Myths It doesn't say it's copyrighted! It's on the Web so I can use it without asking. n As of March 1, 1989, the copyright warning does not have to appear for a work to be legally copyrighted. n Reminders © 1997 by [your name] or Copyright by [your name] ALL RIGHTS RESERVED

Consider adding statements that grant permission or restrict use. n “Permission is given to copy this work provided credit is given and copies are not intended for sale." n "Use or inclusion of any portion of this document in another work intended for commercial use will require permission from the copyright owner."

Libraries and Title 17 U.S.C. Sec. 108 n Reproduction or distribution without any purpose of direct or indirect commercial advantage n Collections of the library or archives are (i) open to the public, or (ii) available not only to researchers affiliated with the library or archives or with the institution of which it is a part, but also to other persons doing research in a specialized field n Reproduction or distribution of the work includes a notice of copyright that appears on the copy or phonorecord that is reproduced under the provisions of this section, or includes a legend stating that the work may be protected by copyright if no such notice can be found on the copy or phonorecord that is reproduced under the provisions of this section

n ETDs (Electronic Theses and Dissertations) –Request Publisher's Permission to Use Copyrighted Works. –You don’t have to give away all your rights to get published. n EReserve and Reserve n Center for Alternative Media –Fair Use of educational multimedia –CCUMC Consortium of College and University Media Centers University Libraries’ Policies

ETDs: electronic theses and dissertations n Handout n Request Permission: Sample letter n Publishers' addresses n Elsevier's copyright permission policy n Negotiate with publishers n US Copyright Office n Register your copyright n Copyright Information from University Libraries n Publishers' Surveys

Stay Alert to Changing Legislation Digital Millennium Copyright Act TEACH: S n Technology Education and Copyright Harmonization Act n Apply a fair use standard to digital education environment n Would modify Title 17 USC Sec. 110 and 112 –Mediated instruction –Integral part of class session –Government or nonprofit educational institution –Limited to enrolled students –Accurately informed about copyright compliance –Reasonably prevent Retention beyond course Unauthorized further dissemination

Copyright Resources n Copyright Management Center –Kenneth Crews, IUPUI: Indiana University-Purdue University Indianapolis n Crash Course in Copyright –Georgia Harper, University of Texas at Austin – n US Copyright Law – n Library of Congress, Copyright Office – n VT Library’s copyright Web site –