Creating, Visualizing, Analyzing, and Comparing Series of Artworks Carlos Monroy, Richard Furuta, and Enrique Mallen.

Slides:



Advertisements
Similar presentations
Collections Management Software for Museums and Archives r e d i s c o v e r y s o f t w a r e. c o m O V E R V I E W P R E S E N T A T I O N.
Advertisements

This tutorial is designed to take you through the features and content of Oxford African American Studies Center. Please click "Start the Tour" below for.
Sandra McIntyre Program Director. OVERVIEW Analysis.
UCC Library Introduction to. Topics  What is ARTstor?  Why is it now available, and why is it useful?  Techniques for searching databases  Browsing.
SQ3R: A Reading Technique
Welcome to a guided tour of Oxford Biblical Studies Online. Please click the forward arrows to advance to the next section or click on a topic in the left-hand.
Vocabulary Mapping Framework & Libraries Alan Danskin Metadata & Bibliographic Standards Coordinator.
Introducing Jenny Holzer contemporary artist conceptual artist text as art speaking thoughts that were meant to remain silent.
Cartographic Visualization Jennifer Tillett November 10, 2004.
Collection Understanding Michelle Chang, John J. Leggett, Richard Furuta, Andruid Kerne Texas A&M University Michelle Chang, John J. Leggett, Richard Furuta,
Finding Information Online Objectives: Students will be able to distinguish between web search tools and library search tools and understand the types.
THE RUTGERS WORKFLOW MANAGEMENT SYSTEM Mary Beth Weber Cataloging and Metadata Services Rutgers University Libraries August 3, 2007.
Cornell Institute for Digital Collections DIGITIZATION AND THE DIGITAL: THE IMPACT ON ACADEMIC LIBRARIES Peter B. Hirtle Cornell Institute for Digital.
Research as conversation… Who, What, Where, When, Why & How! OSU Valley Library Sept. 24, 2003.
Sharon Bede Mount Boucherie Secondary 2003 Project by Lindsay Loyd, Grade 12.
Primary and Secondary Sources
Oedipus the King & Primary/Secondary Sources
Collection Understanding Through Streaming Collage Michelle Chang John Leggett Center for the Study of Digital Libraries Texas A&M University.
BRIDGET NOWLIN CORNISH COLLEGE OF THE ARTS LIBRARY Art History Research Studio.
Welcome to a guided tour of Oxford African American Studies Center. Please click the forward arrows to advance to the next section or click on a topic.
Sylvia Steven MA Conservation of Fine Art University of Northumbria.
Cubism is a style of art portrayed by abstract shapes and twisted perspective.
Visual Art and Design INTRODUCTION OVERVIEW INTRODUCTION OVERVIEW.
A Seminar report On Electronic Resources :An Overview
Images of American Leadership
1. Develops ideas, plans, and produces artworks that serve specific functions (e.g., expressive, social, and utilitarian).
Primary and Secondary Sources
MondayCourse description TuesdayPicasso Perceptions WednesdayStill life Drawing ThursdayStudying and Creating Art FridayStudying and Creating Art AGENDA:
Washington Crossing the Delaware Social Studies and the Arts Grade 5 Natalie Mabile.
Mr. Green ANALYZING ART.  Responding to, interpreting meaning, and making critical judgments about specific works of art  Art critics help viewers perceive,
HISTORY FAIR AND YOU Tips for parents and students about History Fair Projects.
Everest College Resource Center How to Use the LRC Website.
Finding Primary Documents A Tutorial. What Are Primary Sources? Although the terms primary and secondary are not always sharply divided, in general. primary.
Summer 2012 Day 3, Session 1 10/11/2015(M.S.) R/ELA.EEA.2012.©MSDE1 Educator Effectiveness Academy English Language Arts “Evaluating and Integrating Multiple.
PICASSO By Chandria Childs & Paul Provencio Townsend Elementary Activity 1 Teacher’s Page Three Musicians.
Andy Warhol. American artist born in Pittsburg, Pennsylvania leading figure in the visual art movement known as pop art artwork ranged in many forms of.
Reading Expository Text How to become a better reader. by S. Nelson & M. Wells J. Barker Elementary 2006.
Directions for Hypertext Research: Exploring the Design Space for Interactive Scholarly Communication John J. Leggett & Frank M. Shipman Department of.
© Oxford University Press 2003 At any time during the tour you can use the  or  arrow keys to go back and look at the previous slide. Left click the.
Artist Research Project Write an artist biography (three pages) Page 1 - Biography is in understandable outline - Typed, 12 point Arial Font, Full sentences.
Lesson Standard(s) ELA6C1: The student demonstrates understanding and control of the rules of the English language, ….appropriate application of conventions.
Think Like a Historian! April Legg, School and Teacher Programs History Colorado Center
Humanities Bellwork: 9/23/ What do artists use to express “reality”? 2.What role does graphic design play in consumers' choices? 3.What are formal.
Text Features. Title The title is the name of the article. An article will have a title that catches the reader’s interest.
Art Aesthetics & Criticism How to “Read” Art. 4 steps of art criticism Description Analysis Interpretation Judgment Paul Klee. Ad Parnassum Oil.
Looking and talking about art The Credit Line|. Looking and talking about art Famous Artwork| Henri Rousseau (French) Surprise!, 1891 Oil on.
VISUAL ARTS 2 UNIT COURSE
David Herring NOAA Climate Program Office May 28, 2013 NOAA Climate.gov A brief overview and highlights of what’s new.
ART CRITICISM AND FORMAL ANALYSIS OUTLINE. Defining Art Criticism.
The AECID digital library and its possibilities to contribute to sustainable international development Araceli GARCÍA IFLA Satellite Conference. August.
Georges Braque. Born in France in 1882 and lived 81 years. He was a friend of the famous artist Pablo Picasso. Both artists tried new forms of mediums.
Describe Relationship between illustrations and the text in which they appear With prompting K Explain How specific images contribute to and clarify a.
National 4 & 5. Rationale Respond to design brief Communicate personal thoughts, feelings & ideas Demonstrate problem solving &critical thinking Plan,
Pablo Picasso Art is a lie that makes us realize the truth” - Pablo Picasso Cubism, Abstract, and Color.
A POCKET GUIDE TO PUBLIC SPEAKING 4 TH EDITION Chapter 9 Locating Supporting Material.
Drill (Step 1) – Read the article on Chagall (found in Scholastic ART magazine) Answer these questions in your sketchbook as your read. You do not have.
1. The Question Lesson designed by Krystle Lunkas/Oakland University 2008.
Pablo Picasso By: Ms. Edwards Period: 2A. Cubism is an early-20th-century art movement that revolutionized European painting and sculpture. Cubism has.
Year 10 Summer Project. Over the next two years you will be exploring different types of artwork and Art & Design disciplines. This will allow you to.
Analyzing Art Mr. Green.
An Introduction to Primary and Secondary Sources
Picasso Sylvette first met Picasso in 1954 when she was a girl in the southern French town of Vallauris. When the artist convinced her to pose for.
Connecting Interface Metaphors to Support Creation of Path-based Collections Unmil P. Karadkar, Andruid Kerne, Richard Furuta, Luis Francisco-Revilla,
The IB Diploma Programme visual arts course encourages students to: A
Prototyping.
MLA Works Cited: Electronic Sources (Web Publications)
Pablo Picasso, Collage, & Texture
An Introduction to Primary and Secondary Sources
Presentation transcript:

Creating, Visualizing, Analyzing, and Comparing Series of Artworks Carlos Monroy, Richard Furuta, and Enrique Mallen

Outline The On-line Picasso Project Timeline-based visualizations Visualizing and creating series Conclusions and future work Questions and answers

The On-line Picasso Project Is a Web-based reasoned catalogue Containing about 7000 photographs of Picasso’s artworks A detailed biography of Pablo Picasso, with linked photographs and maps A list of bibliographical references about Picasso’s works and life A collection of news items and articles from newspapers, magazines, and journals

A reasoned catalogue illustrations of the works information about title, time and place of execution, medium employed, dimensions, current location of the work, former owners past exhibitions in museums and/or galleries, previous illustrations in books, etc. Or “catalogue raisonné” is an extensive compilation of the works done by an artist, including:

A reasoned catalogue… (continued) Scholarly commentaries on the artwork (its relation to other works, its importance in the artist's career, its formal structure, etc.)

The On-line Picasso Project

Visualizing and Exploring Picasso’s World The on-line repository allows users to browse and visualize the items and their metadata Some limitations due to the collection’s static HTML-based presentation The challenge is how to explore the collection to discover: facts patterns relationships membership and orderings

Overview +Detail Overview 1 st level of detail 2nd level of detail 3rd level of detail

Uncertain Data in Picasso’s Collection Uncertainty when he started and/or ended an artwork Uncertainty where he painted an artwork Color fading scheme used to depict uncertain data for dates

Analyzing Picasso’s World Is there a pattern in what Picasso painted during specific seasons? How did events in his personal life influence his paintings? Which patterns can be identified between different decades? What determines membership in a distinct series? How do the various series correlate with each other?

Discovering Patterns Picasso’s artistic production in 1927.

Filtering the dataset Artworks created in Paris in 1927

Series in Picasso Why series are important? Recognize and place particular works at the right location and time Find a specific order Discover thematic and formal correlations Correlate Picasso’s artworks from distant periods Allow multiple orderings for works based on alternate dates/places of execution

Some catalogs about Picasso Zervos (entire works) Palau i Fabre (early years and cubism) Daix and Rosselet (cubism) Daix and Boudaille (early years) Musée Picasso Paris (collection in the Museum) Bloch (etchings) Baer (etchings) Mourlot (lithographs) Spies (statues) Ramie (ceramics)

Creating Series

Animating Series

Comparing Series Base series Comparison series

Depicting Series in Context

Catalog of Series

Conclusions  Its flexibility and interaction features can help art scholars to analyze series of artworks  The visualization tool enables the viewer to relate works from distant periods  Depicting multiple series in parallel enables users to compare different art critics orders  Identify thematic and formal correlations in artworks

Future Work  After adding other media, we expect to answer questions such as;  How do sculptures, ceramics, etchings, etc. relate to drawings and oils?  By including texts written by Picasso we expect to address the relationships between his writings and series of artworks  Create XML catalogues  Usability tests to evaluate the users response to the tool

Acknowledgements The Humanities Informatics Initiative funded by the Office of the Vice President for Research through a Telecommunications and Informatics Task Force grant Additional support from the College of Engineering, the College of Liberal Arts, the Glasscock Center, and the Texas A&M University Libraries